Description
Thank you everyone for waiting, the first CD release of Paul’s Japan performance 2018 will be on the second day at Tokyo Dome. Already on the second day of the prestigious Dome show with this best show, “TOKYO DOME 2018 DAY 2” and the coupling CD set “TOKYO DOME 2018” of the two shows at the Dome have been released, and each has been well received. Masu. In particular, the “TOKYO DOME 2018” CD has already received high praise for its surprisingly lively and warm sound quality, even though it was recorded from the first floor stands. Although I was able to enjoy sufficient high sound quality with this, the audience recording recorded this time is of the highest quality that easily surpasses that. Of course, it will be released with a unique sound source that is not available on the internet. Taper, who provided the sound source, made the recording in the B5 block of the arena. In the case of Tokyo Dome, it is a large venue with the dilemma that A block is too far in front, and the sound image may be blurred depending on the area. For that reason, the sound source this time has such a wonderful sound quality that you can’t help but call it from the best position. The sound quality is amazing even from the first floor seats, easily surpassing “TOKYO DOME 2018”, and you can be sure of it just by hearing the opening intro of “A Hard Day’s Night”. No, this sounds close. In addition, what makes this sound source the most attractive is the rich bass that allows you to hear Paul’s bass line. This is also clearly felt from the opening, but in songs like “Being For The Benefit Of Mr. Kite!”, the phrases he plays on the bass are clear. In addition, the sense of realism unique to audience recording is captured in a balance without sarcasm, and you can fully enjoy the unique atmosphere of this very exciting day. The only flaw is that a sneeze came in from the left side the moment the quiet “Here Today” started, but there were many funny scenes during other songs and performances. First of all, the introductory “Ha!” of “Junior’s Farm” and the excitement around it are captured in a nice balance. As I write this, I was watching the game in Block C of the arena on the day of the game, and I was disappointed to see that there were hardly any people around me shouting “Ha!”. I want this kind of excitement in the intro of this song. Furthermore, when Paul starts “In Spite Of All the Danger” from the Quarry Men era, the voice “Please” comes in at the perfect timing, so you can’t help but laugh out loud. While the sense of presence captures the joy that is unique to audience recording, the sound image is only on and has a very warm sound quality. As expected, it is a superb sound source that was selected as the first press CD release. The tone of the horn corps, which was the highlight of the Freshen Up tour, is also vivid. That means that you can enjoy “Got To Get You Into My Life”, which was the highlight of the day, with its powerful sound quality. As a result of the introduction of the horn group on this tour, it was inevitable that numbers from the Wings era, such as “Letting Go”, would suddenly stand out on stage, but the horns were perfect for songs from the Beatles era, and even more so, it was inevitable. There was even “Got To Get You Into My Life”. It wasn’t performed on stage in Canada before coming to Japan, but it was featured at the sound check on the second day of Tokyo Dome and became a hot topic, so I wondered if they would be able to perform it at the actual performance…I was moved as if my wish had come true. It was unveiled. The same song’s lively performance at Budokan in 2015 is also unforgettable, but the power of the live horn corps instead of Wicks’ synth sample sound is on another level. You can enjoy the power of this performance with the best sound quality. The second day of Tokyo Dome was filled with surprising numbers from the beginning, and the talkative MC, Paul, who was in top form, flew the show. A big surprise in Paul’s live history that “Yesterday” was not played in the encore occurred, and instead it started with another Beatle classic “I Saw Her Standing There”. Next up was “Sgt Pepper’s Lonely Hearts Club Band (Reprise)”, a vivid playback of two weeks ago when everyone was surprised and wondered, “Maybe there’s no Yesterday?” After all, the balance of the sound image and performance is good, so you can even feel the scene where Paul removed the bass sound in the first half of “Sgt Pepper’s ~”. That famous sound source, the second day of the dome with the best sound quality comparable to the second day of Austin! ★ B5 block recording Super high quality sound. Live at Tokyo Dome, Tokyo, Japan 1st November 2018 ULTIMATE SOUND(from Original Masteres) Disc 1 (79:57) 1. Intro 2. A Hard Day’s Night 3. Junior’s Farm 4. Can’t Buy Me Love 5. Letting Go 6. Who Cares 7. Got To Get You Into My Life 8. Come On to Me 9. Let Me Roll It 10. I’ve Got a Feeling 11. Let ‘Em In 12. My Valentine 13. Nineteen Hundred and Eighty- Five 14. Maybe I’m Amazed 15. We Can Work It Out 16. In Spite of All the Danger 17. From Me to You 18. Love Me Do 19. Blackbird 20. Here Today Disc 2 (78:35) 1. Queenie Eye 2. Lady Madonna 3. Eleanor Rigby 4. Eleanor Rigby 5. Fuh You 6. Being for the Benefit of Mr Kite! 7. Something 8. Ob-La-Di, Ob-La-Da 9. Band on the Run 10. Back in the USSR 11. Let It Be 12. Live and Let Die 13. Hey Jude 14. I Saw Her Standing There 15. Sgt Pepper’s Lonely Hearts Club Band (Reprise) 16. Helter Skelter 17. Golden Slumbers 18. Carry That Weight 19. The End
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