Paul McCartney/Scotland,UK 2018 & SC IEM Recording Ver.

Now that he has crossed the ocean, there is no way that the work of the earphone master will end in one performance. Following the last Liverpool performance, we also recorded the next Glasgow performance. On the UK tour at the end of last year, there were more Japanese than expected, and on this day, when we asked the audience where they had come to see the live show, we asked, “People came all the way from Japan to Glasgow. I can’t believe it,” Paul himself said, expressing his surprise and joy. Yes, the surprising sound source that came all the way from Japan and will be released this time will be released on CD once again. When this happens, it seems commonplace for the latest live recordings to be heard as audience recordings, or even released. We live in an amazing era where you can easily listen to the latest live music with a clearer sound source. As the sound sources that have been released so far have proven, the finish and accuracy of earphone recordings by masters are constantly evolving. Once again, the unique finish is truly wonderful, and if I had to describe it in one word, it would be “analog-like.” If Ryogoku Kokugikan, which was a monumental piece of earphone recording during the Freshen Up Tour, had a finish that made you want to call it a live album itself, this one has a live album feel with a slightly more vintage feel. . If you write it like that, you may be misunderstood to think that the clearness is inferior, but no, it is outrageous. The clearness of the performance, which is the biggest advantage of in-ear recording, remains the same, but there is no excessive high range or overhanging of the instrument parts, and all the parts are contained in a moist and calm sound quality. good. For example, this analogy applies to acoustic performances such as “Love Me Do.” Each member’s performance is well-coordinated, and that’s where the Beatles-ness comes through. When the last song, “Hey Jude,” begins, the sound of the tambourine before Brian shakes it in his hand is so vivid, but interestingly enough, Rusty plays the wrong chord on his guitar just before the first chorus. Although it was a small mistake, it was a careless mistake that was surprising to listen to. What’s more, even after the song ended, the reverberations of the strings from Wicks’ synthesizer did not stop, which was a rare problem. If you listen to it with headphones, you might think it’s tinnitus, but that’s because of the continued reverberation of the synths (lol). On the other hand, Paul was in great condition on this day as well. As the tour has continued since September, the band’s performance has become more and more stable. Only “We Can Work It Out” has some parts that seem difficult to sing, but since it is a song that has been performed less often in the first place, it is becoming a song in a difficult key for Paul to sing now. I guess it was. Other than that, Paul is in great condition throughout, and the MC is even more talkative than Liverpool. Of course, the December special “Wonderful Christmastime” will appear on this day as an encore. This is captured in such superb sound quality that even the slightest irregularities in the children’s chorus can be clearly heard in stereo (lol). I’m kidding, but when I listen to this, I can’t help but think that this is a repertoire I would have loved to hear live at Tokyo Dome. The fourth disc includes a public sound check for VIP ticket audiences. The opening instrumental jam is an up-tempo rockabilly performance. During that jam, we first hear a flat monaural sound, then a thick monaural sound, and finally we settle on a stereo sound. Just by listening to the changes up to that point, you can see the evolution of current earphone recording. Like. The sound quality after changing to stereo is as thick as the main part of the live performance, and is very satisfying to listen to. The power of “Coming Up” with horns is as impressive as always. This is a repertoire exclusively for sound checks. The next “C Moon” is a Wings number that was not expected to be played in the actual performance, but the clear and rich stereo sound heard here is so stunning that you will be enchanted. In this way, the content is gorgeous enough that you can hear the public sound check part with the best stereo sound, but after that, it even documents the serious rehearsal of the encore special repertoire “Wonderful Christmastime”. In Liverpool, we were able to procure a chorus made up of students from LIPA, which can be said to be under Paul’s umbrella, but this time we have procured a chorus from a school in Glasgow, and serious rehearsals are underway for the evening. After a brief meeting (the volume was low for that part), we performed one take. At first, it’s interesting that Rusty and Wicks’ chorus stands out more than others, and as the children’s volume gradually increases, it becomes clear that they are trying to match while watching the band’s performance. In addition, this serious rehearsal is also recorded in stunning stereo sound. Since there are children in the song, their conversations are noisy during the songs, but it gives you a realistic experience as if you were witnessing the rehearsal on stage. The next part that the children sing several times is unique to rehearsals. Finally, we perform one more take, and the chorus is more coherent than the first take, and the results of our practice are clearly visible. The latest live version of “Wonderful Christmastime”, which surprised fans all over the world at the end of last year, is so amazing that you can hear not only the actual performance but also the rehearsal in amazing sound quality. A further shock to the maniacs who thought it was only Liverpool! ★Like Liverpool, this is an official live grade super high quality stereo IEM. This is also amazing. Live at the SSE Hydro, Glasgow, Scotland 14th December 2018 TRULY ULTIMATE SOUND(from Original Masters) Original In-Ear Monitor Recording (Stereo) Disc 1 (74:38) 1. Intro 2. A Hard Day’s Night 3. Junior’s Farm 4 . Can’t Buy Me Love 5. Letting Go 6. Who Cares 7. Got to Get You Into My Life 8. Come On to Me 9. Let Me Roll It 10. I’ve Got a Feeling 11. Let ‘Em In 12. My Valentine 13. Nineteen Hundred and Eighty-Five 14. Maybe I’m Amazed Disc 2 (58:51) 1. MC 2. We Can Work It Out 3. In Spite of All the Danger 4. From Me to You 5. Dance Tonight 6. Love Me Do 7. Blackbird 8. Here Today 9. Queenie Eye 10. Lady Madonna 11. Eleanor Rigby 12. Fuh You 13. Being for the Benefit of Mr. Kite! 14. Something 15. Ob- La-Di, Ob-La-Da Disc 3 (54:10) 1. Band on the Run 2. Back in the U.S.S.R. 3. Let It Be 4. Live and Let Die 5. Hey Jude 6. Birthday 7. Wonderful Christmastime 8. Sgt. Pepper’s Lonely Hearts Club Band (Reprise) 9. Helter Skelter 10. Golden Slumbers 11. Carry That Weight 12. The End Disc 4 (79:18) SOUNDCHECK 1. Intro 2. Jam 3. Honey Don’t 4 . Drive My Car 5. Coming Up 6. C Moon 7. I Don’t Know 8. Things We Said Today 9. San Francisco Bay Blues 10. Ram On 11. Midnight Special 12. Massage Song 13. Lady Madonna 14. End of Public Soundcheck CLOSED SOUNDCHECK 15. Wonderful Christmastime (Take 1) 16. Wonderful Christmastime (Chorus Rehearsal) 17. Wonderful Christmastime (Take 2)