Paul McCartney/Aichi,Japan 2018 & SC IEM Ver.

This time, the master of earphones who wowed the world with his earphone sound source in Nagoya has prepared a wonderful sound source for the release. This is also an earphone sound source, but it has a rich content that makes you want to call it “Another Side of Nagoya earphone collection”. The first thing recorded is the earphone sound source caught from the public sound check held before the live performance. The interesting thing about this is that it is a recording that basically captures only Paul’s bass track. It’s like the version of Paul’s 2018 performance in Japan, a multi-track sound source that was popular with various artists for a while. With the first “Jet,” there were some troubles such as noise coming in here and there and the sound cutting out, but this also proves how special technology is required for earphone recording. Sho. Although it is a bass-main sound source, it is a stereo sound quality that can be heard from the right channel even though Paul’s singing voice is at a low level, and above all, it is a very valuable sound source that allows you to thoroughly enjoy Paul’s live bass play. It’s obvious, but Paul is really good at bass. In particular, I am reminded of the bass line of “Drive My Car” and how great he is as he continues to shout while playing it. Another bass main sound source “Lady Madonna” is a song in which Brian Ray was in charge of the bass because Paul plays the piano, but his play here is also wonderful. There is something unique about the veteran warrior who has been supporting Paul since 2002. This is also a very valuable sound source, and at the same time it is very enjoyable. And the next thing that is recorded all together is the live performance at Nagoya Dome. However, even though it is the same earphone recording, this one mainly records the horn section channel, so their performance is brought to the forefront, making it a uniquely balanced recording. If so, you will hear a full-throttle horn mix of repertoires such as “Got To Get You Into My Life” and “Let ‘Em In,” so this should be a sound source that will bring tears of joy to maniacs. Once again, I am reminded of the great presence of the horn section on this tour. However, the overall sound quality is hard, and unlike the Nagoya main part “NAGOYA DOME 2018: Original In-Ear Monitor Recording” released this time, the texture is reminiscent of the ear monitor sound source from a while ago, but it is still stereo sound at the front. The powerful horn sound is exceptional! You can also enjoy listening to and comparing it with “NAGOYA DOME 2018: Original In-Ear Monitor Recording”, which is well-organized and balanced like a normal live album, so don’t miss out on this gorgeous item. Nagoya Dome, Nagoya, Japan 8th November 2018 IEM(from Original Masters) (57:35) Soundcheck: Bass Mix This is a sound check sound source that intercepts the bass wireless transmitter instead of the ear monitor. In order to make the melody line of the song easier to understand, a small earphone sound is also mixed on the right channel. 1. Jet (Paul’s Bass) It has some noise, but it’s very interesting. 2. Drive My Car (Paul’s Bass) 3. Lady Madonna (Brian’s Bass) Live: Horn Mix Tracks 04-15 are a stereo mix of 2 channels of earphones for the horn section. It has become. The main sound is far away, but the horn part is powerful. 4. Letting Go 5. Got To Get You Into My Life★So funny with the horns on6. Come On to Me 7. Let ‘Em In★So funny with the horns on8. Lady Madonna 9. Ob-La-Di , Ob-La-Da ★Very funny with the horn riff 10. Let It Be 11. Live and Let Die★Very funny with the horn 12. Hey Jude 13. Golden Slumbers 14. Carry That Weight★It’s really funny with the horn on