Ozzy Osbourne/Tokyo,Japan 1984 2Days Upgrade

Ozzy Osbourne in 1984, the first time Jake E. Lee came to Japan. The leaked stereo sound board recording has been upgraded to the ultimate form and is now available! There are two performances included in this work. “June 29, 1984: Tokyo Welfare Pension Hall” performance and “July 6, 1984: Nakano Sun Plaza” performance. Yes, this is a pinnacle set that has polished up the transcendental soundboards of the famous albums “DEFINITIVE BARKS” and “BARK AT THE TOKYO” with the latest mastering! I suddenly started talking about “that famous album” and “transcendental sound board”, but it may not resonate with those who don’t know about “DEFINITIVE BARKS” and “BARK AT THE TOKYO” (on the contrary, those who have experienced it) (I’m sure you’ve already made up your mind.) Ichi will explain it to you. There was a little incident when he came to Japan in 1984, so let’s look back at the show’s position from the schedule at that time, including that.・June 28th: ​​Nakano Sunplaza ・June 29th: Shinjuku Welfare Pension Hall ←★DISC 1★《June 29th: Don Airey Returns》 ・June 30th: Nagoya City Public Hall ・July 2nd: Osaka Festival Hall ・July 3: Fukuoka Sun Palace Hall ・July 5: Nakano Sun Plaza ・July 6: Nakano Sun Plaza ←★DISC 2★ ・July 7: Shibuya Public Hall A total of 8 performances. Although the two performances of this work were in the same Tokyo, the dates were different, and they were the 2nd and 7th performances. Moreover, the important date is “June 29th”. In fact, Don’s mother passed away on that day, and Don was forced to return home immediately after the show ended (before the show, there was an interview with “Music Life”, and even Ozzy was left in a state of confusion). The remaining six performances were performed by a four-person ensemble without keyboards. In other words, Disc 1 is the show on the day of Don’s return to Japan, and Disc 2 is the precious 4-person show. It is such an outrageous transcendental sound board album. [DISC 1: Full soundboard beyond official] The first thing that appears is the soundboard recording on the day of Don’s return to Japan. This is a leaked sound board that has been known for a long time with masterpieces such as “BEAST IN THE DARKNESS” and “DRUNKEN SHOW”, but this work is a refined version of the master “DEFINITIVE BARKS”, which was its highest peak. I’m sure many people know it because it’s famous, but its quality is the highest of any direct-to-table soundboard. The mix and closeness are overwhelming, and the rawness that can only be achieved without any processing is also tremendous. Speaking of “BARK AT THE MOON TOUR”, the official video of the Salt Lake City performance has become a symbol, but that was replaced with only the official version, and the artificial cheers and overdubs are obvious. It was. However, with this work you can enjoy a full show with completely original sound. And, this work is a further brush-up of such a top master. At the time of “DEFINITIVE BARKS”, the quality was high enough to dismiss the existing ones, but this work has been finely tuned and adjusted. For example, correct the left and right band balance and the slightly misaligned phase. Rather than creating a power sound that simply increases the sound pressure of the original sound, we valued the original sound and brought out the “band’s sound itself” to the maximum. It may be difficult to convey the details of the work in words, but the resulting sound is more refined and dynamic than the original sound. It is a top-of-the-line updated sound that vividly transmits each sound and allows you to immerse yourself in the three-dimensional effect that is created as a result. [DISC 2: Super valuable quartet soundboard] Next up is the world’s only “4-piece soundboard.” It is a leaked soundboard that shocked the world with “BARK AT THE TOKYO” in 2014, but in this work it has been digitized again from the original cassette. This is also transcendental, and the direct connection feeling and rawness are equivalent to Disc 1. However, since this work is re-digitized, the nuances of the sound are quite different. The key point this time is a natural feel and a sense of unity. “BARK AT THE TOKYO”, which appeared for the first time, must have been transcendental, but this time, while faithfully reproducing the analog feel of the tape, the resolution of the subtleties has been further improved. The clarity of the image is achieved just by the vividness of the minute details. And the sense of unity is the compatibility with disc 1. It achieves a sense of unity that does not feel out of place even when set with Disc 1, which is beyond the official version. This work, which is drawn with such a sound, is a shocking “four-person Ozzy”. Actually, not only the ensemble but also the set are different, so let’s organize them together with Disc 1. Common to both discs (9 songs)・PARANOID: Iron Man・BLIZZARD OF OZZ: I Don’t Know/Mr. Crowley/Revelation (Mother Earth)/Steal Away (The Night)/Suicide Solution・DIARY OF A MADMAN: Flying High Again ・BARK AT THE MOON: Rock ‘n’ Roll Rebel/Bark At The Moon Disc 1 only (3 songs) ・PARANOID: Paranoid ・BLIZZARD OF OZZ: Crazy Train ・BARK AT THE MOON: Center Of Eternity Disc 2 only (1 Song)・DIARY OF A MADMAN: Over The Mountain…and it goes like this. To put it bluntly, Disc 1 is the same as the official video (Salt Lake City performance), but Disc 2 is a little shorter and does not include an encore. Although that point is disappointing, instead I am playing “Over The Mountain” which can not be heard even in the official video. This song was also heard in the shocking work “US FESTIVAL ’83: THE COMPLETE SOUNDBOARD (Zodiac 350)”, so although it cannot be said that it is “unique”, it can only be said that there are “two of them”. Even in the Jake era, it has only been featured in very limited live performances, and you can enjoy extremely valuable performances on a transcendental sound board. And what’s more than a set is “a four-person ensemble without a keyboard.” 1982’s “SPEAK OF THE DEVIL” also had no keyboard, but for that reason, it was also a rough technique to have all songs be BLACK SABBATH numbers. However, this is an emergency situation for which no preparations can be made. I am playing a number of solo numbers as a guitar band. All the songs are fresh, but the biggest highlight is probably “Mr. Crowley.” The arrangement, which uses a guitar arpeggio instead of that majestic synth intro, is more “emotional” than “dramatic.” It’s a version that overflows with warm humanity. It’s not just that there’s no keyboard player, it’s that master Don Airey who is absent. Despite this, he manages to fill in the blanks perfectly and brings out a different charm from the song…Jake is a true genius after all. The performance of “Howl at the Moon” in Japan also involved an incident. This is the highest peak set of transcendent leaked soundboard recordings born from that scene. Tokyo Welfare Pension, where you can enjoy a real ensemble that is better than the official one, is Nakano Sunplaza, a super valuable 4-person ensemble. Both performances are recorded with official grade stereo soundboard recording! ! Koseinenkin Kaikan, Tokyo, Japan 29th June 1984 STEREO SBD(UPGRADE) Nakano Sunplaza, Tokyo, Japan 6th July 1984 STEREO SBD(UPGRADE) Disc 1(79:07) Live at Koseinenkin Kaikan, Tokyo, Japan 29th June 1984 The highest peak master Further brush up. Adjustment of left and right band balance, phase correction. (While valuing the original sound, we maximized the “band’s sound itself”.) 01. Carmina Burana 02. I Don’t Know 03. Mr.Crowley 04. Rock And Roll Rebel 05. Bark At The Moon 06. Revelation 07. Steal Away (The Night) 08. Member Introduction 09. Suicide Solution 10. Keyboard Solo 11. Center Of Eternity 12. Drum Solo 13. Flying High Again 14. Iron Man 15. Crazy Train 16. Paranoid Ozzy Osbourne – Vocal Jake E. Lee – Guitar Bob Daisley – Bass Tommy Aldridge – Drums Don Airey – Keyboards Disc 2(51:37) Live at Nakano Sunplaza, Tokyo, Japan 6th July 1984 Mastered again from tape The last part was faded in the previous edition Because it was earlier, the performance part appears for the first time on this edition for just over 4 seconds. 01. I Don’t Know 02. Mr. Crowley 03. Over The Mountain 04. Rock ‘n’ Roll Rebel 05. Bark At The Moon 06. Revelation (Mother Earth) 07. Steal Away (The Night) 08. Band Introductions 09. Suicide Solution incl. Guitar Solo 10. Flying High Again 11. Iron Man *Cut out but about 4 seconds longer than previously released Ozzy Osbourne – Vocal Jake E . Lee – Guitar Bob Daisley – Bass Tommy Aldridge – Drums Don Airey’s mother passed away, so he returned home in a hurry. This is a live performance without a keyboard. STEREO SOUNDBOARD RECORDING