Ozzy Osbourne/PA,USA 1.16.1984

The Jake & Carmine era is the “strongest Ozzy Osbourne band” with a series of shocking new discoveries. Two of their masterpiece live albums will be released at the same time. The super masterpiece “BINGHAMTON 1984″ will also be released at the same time, but this work is the second sister work. This is the best audience recording of “January 16, 1984 Philadelphia Performance”. During the Carmine era, he was so outstanding that every time he was excavated, he was touted as “Rare! Valuable!”, but when I look back, I realize that this is his 7th work. This work is the pinnacle work of the highest peak sound among them, but before touching on its contents, the position of the show. For an overview of the Carmine era, please refer to the explanation of “BINGHAMTON 1984”, but let’s zoom in further here and approach the positional relationship of each live album. 1983《Carmine Appice joins》・November 10th “SOUND OF ETERNITY: LEICESTER 1983”・November 11th-15th (4 performances)《“Howl at the Moon” released on November 15th》・November 16th “BARK AT SHEFFIELD”・November 18th “REBEL BARKS: NEWCASTLE 1983”・November 19th-27th (6 performances)・November 29th “HAMMERSMITH ODEON 1983 1ST NIGHT”・November 30th-December 15th Sunday (11 performances) / December 17th + 18th: ROCK POP FESTIVAL Pro Shot / December 19th + 20th (2 performances) / December 22nd “BARK AT THE PARIS” 1984 / January 10th + 12th ( 2 performances) ・January 13th “BINGHAMTON 1984” ・January 15th + 16th: Philadelphia performance ←★Coco★ ・January 17th – February 20th (26 performances) 《Carmine Appice leaves》 [Super Direct [Sister work of New Discovery of Feelings] This is a live record from the Carmine era that disappeared into a bubble. Until now, only the 1983 European tour was known, and its symbol was the famous professional shot of the Dortmund “ROCK POP FESTIVAL” (however, only 6 songs). The full show has no choice but to rely on audience recording, and this work is the last live album among them. Now, since this is such a special era, competition among enthusiasts for the top is fierce. Until now, “BARK AT THE PARIS” has occupied the throne, but this week’s simultaneous release has both updated its peak. First of all, one of the updated points is the sound quality. As I mentioned in the explanation of “BINGHAMTON 1984”, this work is actually a new master of the popular “luvsufo” collection discovered by the prestigious “Krw_co”. The key points are clarity and direct feeling. Even when listening with headphones, you can hardly feel the hall sound, and the strength of the core and the fineness of the details are at the level of a sound board. The sound of the snare, which tends to sound like a guest record, is also very thick and dense. This sound is very similar to “BINGHAMTON 1984” and can be said to be the sisters’ masterpiece. Of course, it’s not the same, and the first half of “BINGHAMTON 1984” was a bit choppy, but the first half of this work is much more beautiful, and the intros of “Mr. Slightly shaky). The treble, which is a little metallic, is what people like, but it’s a super clear sound that’s like a laser beam. [In addition to Carmine, Ozzy is also in great condition] A great performance that has been further updated. As I also touched on in the commentary on “BINGHAMTON 1984,” Carmine has become familiar with the European tour and the ensemble has evolved. As a matter of fact, the European tour had become quite proficient at the final stage, but by that time Ozzy had become tough due to tour fatigue. However, his condition improved after the Christmas break. This work is the 5th performance of the tour restart, and it is a show in great condition with the engine warmed up. If you listen closely to each phrase, it seems like Carmine’s groove is more explosive in “BINGHAMTON 1984” (with a slight difference), but on the other hand, Ozzy is amazing. In “BINGHAMTON 1984”, the high notes of the opening song “Crazy Train” were frayed, but in this work, even though it is an encore, it comes out beautifully (although in “Bark At The Moon”, this work is better). (Although not all of them are possible as they may rub.) Ozzy Osbourne’s band from the Carmine era has long been said by enthusiasts to be the “strongest of all time.” However, the previously known “strongest” was not yet his true strength. Entering 1984, there was an ensemble in which Carmine had evolved further… This is an astonishing new excavated live album that hits on such historical facts. A masterpiece by the sisters that has updated the “strongest peak” in terms of both sound and performance. Live at Spectrum, Philadelphia, PA, USA 16th January 1984 TRULY PERFECT SOUND (74:13) 1. Carl Orff “Carmina Burana” 2. I Don’t Know 3. Mr. Crowley 4. Rock ‘n’ Roll Rebel 5. Bark At The Moon 6. Revelation (Mother Earth) 7. Steal Away The Night 8. Suicide Solution incl. Guitar Solo 9. Center Of Eternity 10. Drum Solo 11. Flying High Again 12. Iron Man 13. Crazy Train 14. Paranoid Ozzy Osbourne – Vocals Jake E. Lee – Guitar Bob Daisley – Bass Carmine Appice – Drums Don Airey – Keyboards