Description
Ozzy Osbourne returned to the stage in 1995 with Joe Holmes as his new partner. This full-length pro shot captures a rare era. This work was filmed at the September 8, 1995, Santiago concert. It’s a multi-camera pro shot. Collectors worldwide are currently looking back on Ozzy’s life, but Joe Holmes’ time is particularly noteworthy. Despite his five-and-a-half-year reign, he was unable to produce any official works. This is why there’s such a demand for official archival soundboards and pro shots. South America, in particular, is the epicenter of this era. There’s been a flurry of buzz, including the recently acclaimed “MONSTERS OF ROCK ARGENTINA 1995” and the classic “BUENOS AIRES 1995 2ND NIGHT SOUNDBOARD.” To understand the situation, let’s first take a closer look at this work’s position by summarizing his activities at the time. May: Zakk Wylde fired, Alex Skolnick joins; June 9: Nottingham performance; Skolnick rejected, Joe Holmes joins; August 19-28: North America #1 (3 shows); September 2-12: South America (5 shows) ←★here★ October: “OZZMOSIS” released; October 10-November 4: North America #2 (12 shows); November 8-December 20: Europe (24 shows); December 31: Denver performance. This is Ozzy Osbourne in 1995. Alex Skolnick only auditioned and was not hired. It was Joe Holmes who landed the official guitar role. “North America #1” was merely a warm-up for the new lineup; it was the “South America” leg that really got started. Though it was only five shows, it produced a plethora of killer hits. Our shop also archives it as the best master. Let’s focus on the dates and check the lineup. Details of the “South America” leg: * September 2nd “LUSTRUM OF HOLMES (video)” * September 6th: Rio de Genero performance * September 8th: Santiago performance ←★This work★ * September 10th “MOR ARGENTINA 1995” * September 12th “BUENOS AIRES 1995 2ND NIGHT” A total of 5 performances. “MONSTERS OF ROCK ARGENTINA 1995” and “BUENOS AIRES 1995 2ND NIGHT” were soundboard albums based on FM broadcasts, but the gift work “LUSTRUM OF HOLMES” and this work are professional shot works based on TV broadcasts. This work, which conveys such a show, is the best existing master. While the analog feel is undeniable for a ’90s TV broadcast, there’s no sign of the rough dubbing marks that were so prevalent in South America, and no white line noise. While it’s hard to call it “completely official” by today’s digital standards, there’s no doubt that it’s the pinnacle of what I’ve never seen before. Such beautiful visuals depict the precious full show from the Joe Holmes era. While the aforementioned “LUSTRUM OF HOLMES” was a compilation of two shorter broadcasts, this work is a prolonged pro shot of approximately 100 minutes. There’s no overlapping songs, and you can enjoy a plethora of classics. Let’s compare and organize them here. Blizzard of Oz (5 songs) – I Don’t Know / Goodbye to Romance (★) / Suicide Solution / Mr. Crowley / Crazy Train No More Tears (4 songs) – Desire / No More Tears / I Don’t Want to Change The World / Mama, I’m Coming Home Others (8 songs) – Other solos: I Just Want You / Flying High Again (★) / Bark At The Moon Sabbath: Paranoid / Sabbath Bloody Sabbath / Iron Man / Sweet Leaf (★) / Children of the Grave (★) *Note: The “★” mark indicates songs not seen in the classic pro shot “LUSTRUM OF HOLMES.” …And so it goes. The rare song “I Just Want You” from “OZZMOSIS” is also eye-catching, but even more impressive is the grand performance of BLACK SABBATH’s numbers. In 1995, Sabbath was gaining popularity again, but a full-scale reunion hadn’t yet materialized. As a result, Ozzy’s solo albums were packed with Sabbath numbers. “Sabbath Bloody Sabbath,” a signature song that he never sang in the ’70s, is a particularly delicious one. And above all, Joe Holmes’ style permeates the entire album. His background as a Randy Rhoads disciple garnered attention at the time, but his unique blend of Zack’s influence is a unique touch, transforming every song, including Sabbath, into his own unique style. Despite his long reign that surpassed even Jake and Zack’s, the Joe Holmes era lacked an official album, even if we were to look back on it now. This is the highest-quality master version of a full pro-shot that will soothe that thirst. With Ozzy’s entire career now in the spotlight, this is a hidden era that you definitely want to experience. This is a multi-camera pro-shot recording of the “Santiago performance on September 8, 1995.” While the analog feel is undeniable for TV broadcasts in the 1990s, there are no rough dubbing marks that were common in South America, and there is no white line noise. Even in the Joe Holmes era, when there are no official works, it is a pro-shot masterpiece that allows you to enjoy an even more valuable full show. Teatro Monumental, Santiago, Chile 8th September 1995 PRO-SHOT 1. Carmina Burana 2. Paranoid 3. Desire 4. I Don’t Know 5. Flying High Again 6. Goodbye to Romance 7. No More Tears 8. I Just Want You 9. I Don’t Want to Change The World 10. Suicide Solution 11. Sabbath Bloody Sabbath 12. Iron Man 13. Sweet Leaf 14. Children of the Grave 15. Mr. Crowley 16. War Pigs 17. Crazy Train 18. Mama, I’m Coming Home 19. Bark At The Moon Ozzy Osbourne – Vocals Joe Holmes – Guitar Geezer Butler – Bass Dean Castronovo – Drums John Sinclair – Keyboards PRO-SHOT COLOUR NTSC Approx.99min.
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