Oasis/Kanagawa,Japan 02.29.2000 Complete Remaster and Remix

We will deliver the best sound source as a tour special commemorating the 25th anniversary of Oasis’ 4th album “STANDING ON THE SHOULDER OF GIANTS”! Until 1998, Oasis was positioned as “a band loved by UK rock fans”, but the 2000 Japan tour was no longer enough to handle the demand with three days at the Budokan, and they were promoted to the status of “a Western music band loved by Japanese people” like the Beatles and Queen. It was also the beginning of the long schedule of Japan tours that became Oasis’ specialty from then on. The increase in audience mobilization means the number of people who record also increases. Furthermore, with the spread of CDs, the 2000 Japan tour became a tour that produced many items in real time. However, because it was a bubble-like excitement, the market was saturated, and furthermore, the discomfort with the album “STANDING ON THE SHOULDER OF GIANTS”, which introduced a new direction after the member change, led to a period of unpopularity. All the items that were produced are now completely gone. 25 years have passed since that bubble-like tour in Japan. Now, “STANDING ON THE SHOULDER OF GIANTS” is being re-evaluated (it’s actually a great album), and recently, it has been reissued on vinyl and a 4K remastered PV has been released. Furthermore, the final day of the turbulent 2000 tour, “LEEDS FESTIVAL 2000: MATRIX & REMIX,” which elegantly concluded the tour, has been well-received. That’s why the long-awaited remastered and remixed recordings of the 2000 tour in Japan will be released this week! Of the Oasis tours in Japan that took place between 1994 and 2009, the only one in history where the entire tour started was in Japan was in 2000. That’s why it was a very interesting time when various repertoires and production changes were made during the tour, but the Yokohama Arena on February 29th was a day that could be called a series of the most interesting and interesting things to listen to, with many attempts that seemed to be made on the first day of the world tour. Many people may not have known about the Yokohama Arena performance on the first day of the tour, or may not have listened to it properly, because the Yokohama Arena performance on March 5th was broadcast live and many CD boots were released in large numbers. At that time, the title “NEWBORN A PRECURSOR” was released by Flushbulb. Although it was a fairly easy-to-listen-to audience recording from 2000, it was not the best! It is true that there was a lack of satisfaction in terms of the slightly deep sound image and clarity. However, there were many fans who came to Japan in 2000 and there were many sound sources, and there were two other audience recordings on this day. So this time, these three sound sources have been remastered and remixed. As the “remaster & remix” concept has proven, this time too, we are not simply combining multiple sound sources (that alone is already old), but rather, we are using the latest AI technology to break down each of these sound sources and then remaster them (the three types of AUD recording sound sources are broken down into seven tracks: four drum parts, guitar, bass, and vocals. Since there are three sources, we break them down into a total of 21 track parts, remaster each sound, and then mix down). As a result, we have literally taken the best of the three sound sources and evolved them into the best sound quality! If you listen to “Wonderwall” and “Don’t Look Back In Anger”, Liam and Noel’s singing voices are elevated to the level of a soundboard. And yet the sound pressure of the performance is also wonderful. We have achieved a different dimension of high sound quality that was impossible in the 2000 Japan tour real-time items! And since it is the first day of the tour, it is interesting that various attempts are included only for this day! First of all, some people may be put off by the intro of the opening song “Go Let It Out,” which has a swishy, ​​swishy sound that sounds like the equalization heard on bootlegs from 2000. But don’t worry, this swishy sound is not equalization, but was intentionally made for the Japan tour only. The same swishy sound is also included in “Gas Panic!” Furthermore, “D’You Know What I Mean?” was the only performance of this tour on this day, and it was a rare live arrangement in which it was the last time it was performed in the original key. “Some Might Say” was also a short-lived repertoire that ended with a few performances, but as you can hear from this, Liam’s voice in 2000 still belonged to that of the 1990s. This singing voice is now precious, and you will be able to feel it through the overwhelming closeness of the singing voice as a result of this remaster and remix. The 2000 tour is now being reevaluated, but the new generation’s 2000 Japan tour release is suitable for 2025, when the items have become devastating, and the first day of the tour, which is full of highlights, has transformed the Yokohama Arena into an amazing sound quality. This time, the sound quality improvement unique to remastering and remixing is overwhelming! Yokohama Arena, Kanagawa, Japan 29th February 2000 TRULY PERFECT SOUND Remaster & Matrix of 3 Audience Recordings UPGRADE Disc:1 (61:43) 1. Fuckin’ In The Bushes 2. Go Let It Out 3. Who Feels Love? 4. Supersonic 5. Some Might Say 6. D’You Know What I Mean? 7. Acquiesce 8. Sunday Morning Call 9. Gas Panic! 10. Roll With It 11. Stand By Me Disc:2 (37:57) 1. Wonderwall 2. Cigarettes & Alcohol 3. Don’t Look Back In Anger 4. Live Forever 5. Champagne Supernova 6. Rock ‘n’ Roll Star Liam Gallagher – vocals, tambourine Noel Gallagher – guitar, vocals Gem Archer – guitar Andy Bell – bass Alan White – drums Zeb Jameson – Keyboards (support)