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Motorhead/Hyogo, Japan 2010

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Lemmy Kilmister passed away at the end of last year. MOTORHEAD’s masterpiece Live in Japan, which was part of his life, is now available on CD. In its 40-year history, MOTORHEAD has visited Japan nine times. Among them, the “October 16, 2010 Kobe performance” where this work was recorded was the 8th visit to Japan for “LOUD PARK 2010″. The last one in 2015 was “FUJI ROCK FESTIVAL”, so this work is an audience album that contains Remy’s last Kansai performance. This work was recorded by Mr. West Japan’s Strongest Taper, a master of heavy metal recording. As a first-class recorder who is familiar with the live spaces of Western Japan and can produce the best sound at any venue, his works have been released in large numbers, and many people have come into contact with them even if they are not conscious of taper. I think so. However, not all of the master craftsman’s collection is open to the public. This work is one of those treasured books. In response to the news of Remy’s death, he offered this book, saying, “I would like as many people as possible to look back on their memories with MOTORHEAD.” The sound of this work, as usual, is a masterpiece of a wonderful master craftsman. The most wonderful thing is the super direct feeling of the last moment. The powerful sound of a deep musical tone that sounds like a sound board in your ears is truly a splendid sound that can be called the trademark of “Mr. Strongest.” The bass is so powerful (maybe it has something to do with the sound output at the scene) that the bass sounds too thick at the beginning, but it gradually improves, and by the time we get to the third song, “Be My Baby”. , a masterful sound with a good balance of power and clarity. This is truly a “clear roar.” It is a sound that beautifully captures the explosive sound that MOTORHEAD itself scatters in a detailed manner. And, such a powerful sound suits the late MOTORHEAD, which resembles a heavy tank. MOTORHEAD, formed in 1975, has a 40-year history and has undergone many changes during that time. However, if you look at the detailed lineup and roughly divide its history into three categories. There will be a “golden trio era,” a “four-piece era,” and a “last trio era.” Of course, the most popular and greatest in history is the “Golden Trio,” but the “Last Trio” of Phil Campbell and Mickey Dee is comparable. Out of its 40-year history, he remained steadfast for half of it, 20 years, and continued to support Remy until the very end. Of course, there is no point in just continuing for a long time. While there are many bands whose power declines over a long career, respect for MOTORHEAD has not only decreased, but has only increased over time. In their later years, they were even able to send their albums to the US charts, which even the Golden Trio had not been able to do. The reason they were able to do this was because of the greatness of their live performances, which betrays their growing respect. And this work is also full of that awesomeness. In fact, the live performance that explodes in this work is not only explosive but also heavy. When I write this, some people may be reminded of the modern heaviness that was popular in the 90s, but that is not the case. The ensemble itself has the sparse feel of a trio, yet each note is loud and powerful. Although it feels heavy, it never feels heavy. Although it is aggressive, there is no reckless shouting, it is MOTORHEAD’s rock’n’roll that is just cool. Out of the 14 songs in this album’s setlist, there is a balance of 6 songs from the “Golden Trio Era,” 5 songs from the “Last Trio Era,” and 3 songs from the “4-piece era,” but it’s also the first time that it’s a recent song. I don’t feel like I heard it. Before you know it, you’ll find yourself smiling at how unchanging it is… To be honest, since Remy underwent pacemaker surgery in 2013, he was often plagued by poor health in his later years, including hematoma and diabetes. However, in this work, such a state is not visible at all, and it shows off with the brilliance of the final stage when he was able to give his all. And, “Strongest Mr.” is amazing because it captures the full flavor with the 100% authentic sound. In particular, Lemmy’s bass, which has become more metallic as he gets older, and Mickey’s drums, which sound like the meaning of the word “POWER”, are especially powerful. As expected, Remy calls them “the best in the world” and they have been working together for over 20 years, so they are a good match. I don’t remember any spatial recording that was able to pack that charm so well. Lemmy left Kobe with some blunt bass feedback. The curtain closes as the roar of the song resounds beautifully. After this, there are two “LEMMY IN JAPAN” performances, the Kanto performance of LOUD PARK 2010 and FUJI ROCK 2015, but unfortunately I have not found a live album that was captured with a sound as good as this work. 2010 marks MOTORHEAD’s 35th anniversary, and 15 years as the “last trio” alone. Now, the awesomeness of “the unwavering MOTORHEAD” and “the usual Lemmy” hits home. Following your own path is not easy. Especially to continue to be heavy, to continue to be bad, to continue to be wild. Ian “Lemmy” Kilmister is an extraordinary hero who persevered through this. Live in Japan is where that way of life is alive and well. I hope you can feel the happiness of living in the same era as Lemmy through this masterpiece recording. Live at Kobe World Kinen Hall, Kobe, Japan 16th October 2010 TRULY PERFECT SOUND(from Original Masters) (60:06) 1. Intro 2. Iron Fist 3. Stay Clean 4. Be My Baby 5. Rock Out 6. Metropolis 7 . Over the Top 8. One Night Stand 9. Guitar Solo 10. The Thousand Names of God 11. Cradle to the Grave 12. In the Name of Tragedy 13. Going to Brazil 14. Killed by Death 15. Ace of Spades 16. Band Introductions 17. Overkill Lemmy Kilmister – Bass, Vocals Phil Campbell – Guitar Mikkey Dee – Drums

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