Motley Crue/Canada 1984

The 1984 MOTLEY CRUE was dressed entirely in leather and roared in heavy metallic sounds. The super best footage representing their early days has been decided to be released. This work includes “June 5, 1984 Quebec City Performance”. This is the super best audience shot. The biggest point of this work is the quality that makes you wonder, “Is it really shooting from the audience?” First of all, the position of the show. Let’s look back at the schedule at the time when activities were accelerating into full swing. ●1983, March 26th – April 3rd: North America #1 (6 performances), May 29th: US FESTIVAL, September 3rd – 17th: North America #2 (3 performances) 《September 26th “SHOUT AT THE DEVIL” released》・October 31st – December 16th: North America #3 (28 performances) ●1984・January 10th – June 15th: North America #4 (90 performances) ←★Here ★・August 18th – September 7th: MOR TOUR (7 performances in Europe) ・October 15th – November 19th: Europe #6 (23 performances) This is MOTLEY CRUE in 1983/1984. In 1983, they performed at that US festival and quickly gained recognition, and with that momentum they released “SHOUT AT THE DEVIL”. After that, they started a North American tour, but it started in earnest in 1984. Starting with being appointed as the opening act for Ozzy Osbourne, they will be busy with 90 live performances in about six months. The Quebec City performance of this work is the 85th concert of “North America #4″. It was a moment when I felt like I was almost going to complete my first full-out tour in my life. As mentioned earlier, the quality of this work that recorded such a show is abnormal. Although it has to be called an “audience shot,” it is on a different level from the 1980s audience shots that we usually imagine. This is an angle looking down from the stand seats on the left side of the stage (Nikki Sixx side), but what’s surprising is the visibility and sense of stability. First of all, the view is spectacular. The shadows of the audience walking between songs can sometimes be seen at the edge of the screen, giving the appearance of audience seats, but I don’t feel the presence of any other audience members at all. The stage takes up all of your field of vision, and there is nothing else to see. Moreover, the zoom is abnormal. If you pull back as far as you can, it seems like there’s a fair distance, but there’s a lot of bold zooming, and when you close it all the way, the members fill the screen, even Tommy Lee’s hair swaying wildly at the very back of the stage. I completely understand. What you notice when zooming in is an unusual sense of stability. Even when zooming so intensely, there is no camera shake at all. Scroll smoothly and smoothly, zooming in and out repeatedly while maintaining a crisp and stable feel. This spectacular view and sense of stability make it more appropriate to call it a “one-camera shot of people involved” taken by cameras set up at the venue, rather than an “audience shot.” This is what I meant when I said at the beginning, “Are you really filming the audience?” Furthermore, the freshness of the master in this work is abnormal. Although the quality of the video is poor, there are no traces of dubbing. The glossy colors and the distortion-free beauty of every corner of the screen can only be seen as master quality. Moreover, this extends not only to the screen but also to the audio, and the clear sound flows out without stagnation even from the loud cheers. I often use the word “AMAZING-SHOT,” but this work is absolutely amazing. After all, the staff probably took the photos for reference materials, right? It’s a quality that makes you want to think. The moving SHOUT AT THE DEVIL is depicted with such visual beauty. The makeup, costumes, and artwork are the same as the four people screaming and going wild. The set is the same, with four songs from their debut album “TOO FAST FOR LOVE”, but the rest are all from their second album. Indeed, all songs except “Danger” are played. From the next album “THEATER OF PAIN TOUR”, the image and musicality will change, but since before that, there are songs like “Take Me To The Top”, “Merry-Go-Round”, “Bastard”, “God Bless The Children Of”. You’ll be dazzled by famous songs like “The Beast.” Furthermore, the action is unique to the early stages. These days, they use a lot of formations, sometimes with Nicky and Mick Mars on both sides of the stage, sometimes with Vince Neil, and they often shake their necks. Coupled with the black leather costume, it seems as if the admiration for JUDAS PRIEST and KISS is seeping out and overflowing. Famous songs, actions, and costumes that are unique to “SHOUT AT THE DEVIL.” It is a masterpiece video that allows you to fully experience all of it in such a high quality that you can only think that it was filmed by the people involved. Heavy metallic MOTLEY CRUE before it became the embodiment of party rock’n’roll (the drum solo without any gimmicks is strangely fresh). Live at The Quebec Coliseum, Quebec City, Canada 5th June 1984 AMAZING-SHOT!!! 1. Shout At The Devil 2. Bastard 3. Take Me To The Top 4. Ten Second To Love 5. Merry-Go-Round 6. Knock ‘Em Dead Kid 7. Piece Of Your Action 8. Too Young To Fall In Love 9. God Bless The Children Of The Beast 10. Red Hot 11. Drum Solo 12. Guitar Solo 13. Looks That Kill 14. Live Wire 15 . Helter Skelter 16. Live Wire(Promo Video) Vince Neil – Vocals Mick Mars – Guitar Nikki Sixx – Bass Tommy Lee – Drums COLOR NTSC Approx. 87min.