Mark Knopfler/Italy 2019

Mark Knopfler’s first new work in three years, “DOWN THE ROAD WHEREVER”, has been well received. The latest and best video is now available. This work includes “Milan performance on May 10, 2019”. This is the best audience shot. The biggest point of this work is the transcendental quality that is hard to imagine as an audience, but first of all, the position of the show. Let’s check out the outline of their first world tour in four years.・April 25th – May 16th: Europe #1 (15 performances) ←★Here★ ・May 18th – 30th: UK (9 performances) ・June 7th – July 22nd: Europe #2 (33 performances) – About 1 month later – August 16th – September 25th: North America (29 performances) This is the schedule announced so far. The first live album “ROYAL ALBERT HALL 2019 1ST NIGHT (Uxbridge 1034)” that we introduced the other day is also very popular, but the Milan performance of this work was actually performed before that. This was the 11th concert of “Europe #1”, which was held just before the “UK” tour. This work, which records such a show, is an incredibly beautiful visual. For the time being, the only way to classify it is to write it as “one-camera audience shot,” but it is very different from what you imagine from that word. I can tell from the angle that the photo was taken from the left side of the stage, but I don’t know the position beyond that. After all, all you can see is the stage. I always focus on whether or not the shadows from the front row are visible, but this work is far from that, and you can’t see the audience at all. Judging from the height of the vantage point, it may be a stand seat, but even the audience on the first floor arena is not reflected in the view, and you can carefully watch the show from the same eye level as the mark on the stage. And super high image quality with “super”. That’s how beautiful it is. Audience records directly reflect the ever-evolving evolution of equipment, but I can’t help but wonder, “Is 2019 this amazing?” That, combined with the zero audience angle, is a super beautiful image quality that is just like a professional shot angle. The audio is what really enhances the feeling of a professional shot. This is ultra sound that surpasses even the ultimate visual beauty. After all, I couldn’t feel any sense of distance at all. Mark’s singing voice whispers in my ear, and the delicate Strat is right in front of me. On the contrary, the bass, drums, piano, flute, fiddle, saxophone… Even the maracas that Danny Cummings swings, every single note is super clear and there is no sense of distance. What’s more, all of them are neatly separated, giving you the immersive feeling of hearing a large ensemble of 11 people playing inside your head. No matter how hard I try to find evidence of the audience, I can only feel a little rawness in the applause between songs. It is also common in FM broadcasts, etc., and the balance of the whole applause sounding far away makes it seem like a sound board. Although the details have not been communicated, it seems that it is actually overlaid with sound board audio…It is a transcendent sound that can only be thought of as such. A show drawn with such quality is truly wonderful. The set is the culmination of a career that is very similar to the aforementioned “ROYAL ALBERT HALL 2019 1ST NIGHT”. The album includes only 3 songs from their masterpiece “BROTHERS IN ARMS,” but they also have a wide selection of 1-2 songs from albums ranging from “COMMUNIQUE,” which celebrated its 40th anniversary, to the latest album “DOWN THE ROAD WHEREVER.” Moreover, it is not exactly the same as “ROYAL ALBERT HALL 2019 1ST NIGHT”, and instead of “Silvertown Blues” (?), “She’s Gone” and DIRE STRAITS’ “On Every Street” are performed. These two songs themselves are delicious, but when looking at the entire show, the addition of the “ON EVERY STREET” and “METROLAND” numbers makes it even more of a culmination than “ROYAL ALBERT HALL 2019 1ST NIGHT”. Of course, you can also enjoy “Once Upon A Time In The West”, which has been revived for the first time in 36 years, in super high quality. Anyway, super high quality. Although it was a one-camera shot, the visual beauty is as good as a professional shot, and the sound can only be heard from a soundboard even if you listen closely. This is one of the best products that allows you to experience a show that sums up your glorious career with such quality. A record full of flavor that condenses Mark Knopfler’s 40 years into approximately 110 minutes. Live at Mediolanum Forum, Milano, Italy 10th May 2019 (SUPER HIGH QUALITY VIDEO)★Amazing. 1. Intro 2. Why Aye Man 3. Corned Beef City 4. Sailing To Philadelphia 5. Once Upon A Time In The West 6. Romeo And Juliet 7. MC 8. My Bacon Roll 9. MC 10. Matchstick Man 11. Band Introduction 12. Done With Bonaparte 13. Heart Full Of Holes 14. She’s Gone 15. Your Latest Trick 16. Postcards From Paraguay 17. On Every Street 18. Speedway At Nazareth 19. Money For Nothing 20. Brothers in Arms 21. Going Home Mark Knopfler – Guitar, Vocals Richard Bennett – Guitar Glenn Worf – Bass Ian Thomas – Drums Danny Cummings – Percussion, Backing Vocals Guy Fletcher – Keyboards, Guitar, Backing Vocals Jim Cox – Piano, Accordion John McCusker – Fiddle, Flute, Guitars Mike McGoldrick – Uilleann Pipes, Wooden Flute, Guitars Graeme Blevins – Saxophone, Clarinet Tom Walsh – TrumpetCOLOUR NTSC Approx.110min.