Lynyrd Skynyrd/CA, USA 1977

LYNYRD SKYNYRD in 1977, when Steve Gaines joined and realized the legendary first visit to Japan, and “STREET SURVIVORS” had recorded a huge hit at No. 5 in the United States. A vintage video that allows you to witness the scene is now available. This work was filmed at “Fresno performance on August 24, 1977.” This is the shocking audience shot. I’m sure you’ve already figured it out, but yes, this is the latest installment of the 70’s Fresno video series, which has a series of masterpieces and shocking works. This is the LYNYRD SKYNYRD edition. We will explain the quality for those who are new to the series later, and first let’s unravel the schedule at the time and check the position of the show. ・January 1st-5th: North America #1 (3 performances) ・January 14th-21st: First visit to Japan (5 performances) ・January 27th-March 1st: Europe (23 performances) ・4 August 22nd – July 13th; North America #2 (32 performances)《STREET SURVIVORS’ completed in August》 August 24th – 29th: North America #3 (3 performances) ←★Here★・October 13th -16th: North America #4a (3 performances) [“STREET SURVIVORS” released on October 17th] ・October 18th + 19th: North America #4b (2 performances) This is LYNYRD SKYNYRD in 1977. This year was collectively called the “STREET SURVIVORS TOUR,” but the album was actually completed in the summer and wasn’t released until the fall. The Fresno performance of this work was a concert on the first day of “North America #3″, whose album has been completed but has not yet been released. This work shot at such a show is truly the best. This series is a video work that synchronizes audience shots made with 8mm film and superb audience recordings. It’s a trendy style in recent years, but the quality is something I’ve never seen before. Normally, 8mm film can only be used to record from a few tens of seconds to less than a minute, and the fragmented images are fragments of songs, and although they are valuable, they mostly remain at the level of “records and materials.” However, this Fresno series often uses cuts that are up to 5 minutes long, and the shortfalls are supplemented with still images. (Although not all songs are complete) you can enjoy each song as “music”. Moreover, this work is of exceptional quality even among such shocking series. An angle that looks directly at the stage from slightly to the right, a field of view that uses close-ups with no obstructions, picture quality that far exceeds that of early VHS, and ultra-clear audio… these are many of the virtues that are common to the series, but this work… Each one of them exceeds the previous works. The audio is particularly impressive. This is already the best. Even when I listen carefully with headphones, I can’t hear the sound of the hole, and the extra-thick core hits the ball straight. There is no sense of distance at all, and even though it is a large household of 8 people, each sound of each person is neatly separated, it is like a sound board… no, it is a direct feeling that “Isn’t this a sound board!?” And the video is as good as the audio. The zoom is one of the best in the series, which is hard to believe for an 8mm camera from the 1970s, and it clearly uses a tripod for a great sense of stability. By combining this with super direct sound, you will even feel as if you are watching a professional shot. However, this is not the entire story. In fact, perhaps only the 6th song “Call Me The Breeze” does not have the best recording, and it switches to a different recording with a sense of distance. However, from the next “T for Texas” it returns to the best sound, and the separate recording of the connection is normally at a special level. I thought, “Oh?” along the way, but it’s not really a drawback. What is depicted with that quality is the enthusiastic performance of LYNYRD SKYNYRD, who opened a new chapter with Gaines and made “STREET SURVIVORS” a huge hit. Gaines’ guitar is also clear and clear, and the scene of “Moving ONE MORE FROM THE ROAD” is displayed on the monitor. Of course, new songs “You Got That Right” and “That Smell” that cannot be heard on that traditional version are also performed. The scene that would have spread beyond the traditional version of “ONE MORE FROM THE ROAD”, the scene that would have unfolded even on the legendary first visit to Japan. This is a piece where you can experience the stage of 1977 with the on-site feeling and the visual beauty of a professional shot. A shocking work with exceptional quality in a series full of masterpieces. Live at Selland Arena, Fresno, CA, USA 24th August 1977 AMAZING SHOT!!! 1. Workin’ For MCA 2. I Ain’t The One 3. You Got That Right 4. That Smell 5. Gimme Three Steps 6. Call Me Breeze 7. T for Texas 8. Sweet Home Alabama 9. Free Bird Ronnie Van Zant – lead vocals Steve Gaines – guitar, vocals Allen Collins – guitar Gary Rossington – guitar Billy Powell – keyboards Leon Wilkeson – bass, vocals Artimus Pyle – drums JoJo Billingsley, Cassie Gaines, Leslie Hawkins – backing vocals COLOR NTSC Approx.31min.