Linda Ronstadt,Aaron Neville/CA,USA 1990

Report on “Mike Millard’s original master discovery” that traveled around the world in 2020. Right now, super-excellent records are popping up one after another, and the impact is not only diminishing with each passing moment, but is only increasing. Another hidden treasure has been born from this newly discovered collection. Linda Ronstadt’s super best live album is here. This work was recorded at “Costa Mesa performance on October 22, 1990”. This is the best audience recording. Speaking of Mike Millard, he is most famous for his recordings from the 70’s, but this work is from the 90’s. Although he himself passed away in 1994, current research has confirmed that he was recording until 1992, and this work is one of such late collections. In addition, in this Omoto master excavation, the upgrade of existing recordings has become a hot topic, but at the same time, the completely new recording has also become a shock. This work is the latter, and it is a mirrored recording that has not been known until now. I repeated mirrored and mirrored, but the most important thing is the show itself. At that time, the singles co-starring with Aaron Neville were becoming hits one after another, and the album “CRY LIKE A RAINSTORM, HOWL LIKE THE WIND” also reached the US Top 10 for the first time in a long time (and last time). First, let’s look back at the position from the schedule at that time. ・March 17: BAY AREA MUSIC AWARDS performance ・June 6: Hampton performance ・August 9-September 1: North America #1 (14 performances) ・September 11-30: North America #2 ( 9 performances) October 9th-28th: ​​North America #3 (12 performances) ←★Here★ This is Linda in 1990. The album was released in October 1989, but the tour was only held in North America from August 1990. The Costa Mesa performance of this work was the final concert of “North America #3”. I hesitate to go out of my way to say that this vacuum-packed version of such a show is the best. After all, it is a collection of that legendary recording artist, so it is natural that it is the best. The strength of the core that reaches straight to your hand, the clear contours and fine details, and the direct feeling that you don’t feel a sense of distance are all present. Of course, it’s not the type that you would call “just like a sound board.” This is not a flaw, but rather a compliment. The elegance of the sound is endlessly beautiful, and the raw joy of the scene is as real as it gets. You can feel the nuances of the guitar picking, the swell of the bass, the drums…well, there’s no point in saying one thing at a time. If I had to highlight it, it would be Linda’s singing voice. The emotion contained in not only a single word of the lyrics but also a single syllable oozes out, and even the fine width of the vibrato and the momentary nuances that disappear after singing are clear. And it’s real. You can even feel the breath being uttered in front of your eyes, while it spreads out to every corner of the venue. It even has a sense of reality that I would like to call “real voice.” What is depicted with such a sound is a full show that can be called the last heyday. Let’s organize the contents of the set here. Classics (13 songs) – Bad You: When Will I Be Loved? / You’re No Good – Prisoner of Sadness: Heatwave – Only One Dream: It’s So Easy / Blue Bayou / Tumbling Dice / Poor Poor Pitiful Me – Miss. America: Ooh Baby Baby/Just One Look/Back In The U.S.A.・Gekiai: Hurt So Bad/I Can’t Let Go・Get Closer: The Moon Is A Harsh Mistress Cry Like A Rainstorm (9 songs) )・Still Within The Sound Of My Voice／Shattered／I Keep It Hid／Adios／Don’t Know Much（★）／I Need You（★）／All My Life（★）／Trouble Again／Cry Like A Rainstorm * Note: Songs marked with a ★ are co-starred with Aaron Neville. …and it looks like this. While performing a number of representative songs, including the multi-platinum blockbuster hits “HEART LIKE A WHEEL” and “LIVING IN THE USA,” the main focus was on the latest work at the time, “Miss America.” CRY LIKE A RAINSTORM, HOWL LIKE THE WIND”. Nine of the 12 songs were big hits, and three of the songs, “Don’t Know Much,” “I Need You,” and “All My Life” featured Aaron Neville, just like on the album. It makes for a wonderful duet. And what a wonderful thing Linda wrote about that set! At the time, she was 44 years old and in her prime as a singer. The volume of her voice, her endless tension, and her sexy whisper are so beautiful that it sends chills down your spine. To be able to enjoy such a singing voice with a mirrored recording that perfectly reproduces both the power and subtlety… This is Linda Ronstadt’s latest work in the shocking new mirrored collection. Beautiful songs, beautiful voices, and beautiful sounds. We always introduce these three elements as necessary for an excellent musical work, but it is hard to believe that they will be able to achieve this level of excellence in a single live album. Those who are familiar with recording will be shocked to hear that this is Millard’s first appearance, and even those who are not interested in taper will be melted by the “charm of the sound” itself. This is one of the most famous products, wrapped in the beauty that only comes from an audience. Pacific Amphitheater, Costa Mesa, CA, USA 22nd October 1990 TRULY PERFECT SOUND Disc 1 1. Intro 2. It’s So Easy 3. When Will I Be Loved? 4. Blue Bayou 5. Tumbling Dice 6. Ooh Baby Baby 7. Just One Look 8. Hurts So Bad 9. I Can’t Let Go 10. Still Within The Sound Of My Voice 11. The Moon Is A Harsh Mistress 12. Shattered 13. I Keep It Hid 14. Adios Disc 2 1. MC Intro 2 . Don’t Know Much (with Aaron Neville) 3. I Need You (with Aaron Neville) 4. All My Life (with Aaron Neville) 5. Trouble Again 6. Cry Like A Rainstorm 7. You’re No Good 8. Back In The USA 9. Poor Poor Pitiful 10. Heatwave