Linda Ronstadt/Tokyo,Japan 3.30.1984

Linda Ronstadt’s new charm blossomed in 1984, when “WHAT’S NEW” became the first triple platinum album since “SIMPLE DREAMS.” Introducing a rare original recording that allows you to experience the band’s third performance in Japan with jazz giant Nelson Riddle. What is infused into this work is the “March 30, 1984: Nippon Budokan” performance. This is a superb audience recording that permanently preserves the entire story. Speaking of the 1984 Japan tour, the professional shot of the TV special program is also a standard, but this work is a completely different performance. In order to understand the circumstances around that, let’s look back at the schedule at that time. ・March 30: Nippon Budokan ←★This work★ ・March 31: Tokyo Prince Hotel ・April 1: Nippon Budokan (13th Tokyo Music Festival) ・April 3: Kanagawa Kenmin Hall ← *TV Broadcast: April 4th: NHK Hall, April 6th: Osaka Festival Hall, April 7th: Nagoya Civic Hall Total of 6 performances (+α). Nippon Budokan also appeared as a special guest at the 13th Tokyo Music Festival, but this work is a different solo performance. The concert was the first day of the Japan tour. This work recorded at such a show is a truly “exquisite” world of beautiful sounds. The crystal-clear air, the sharp outline, and the responsive core…everything is so beautiful that it’s hard to tell the distance. The sound of the hall is completely different from the rock music that we usually carry at our store, and the sound from the hall does not become cloudy or muddy, and the reverberating vibe is as delicate as an aurora and as smooth as velvet. Rather than “not making you feel the ringing,” it is “beauty that is only complete when there is a ringing.” Such beauty dwells in Linda’s singing voice and the majestic orchestra. If you focus only on the clarity and say things like “it’s like a soundboard,” you’re insulting the recording (to the fullest). It is a recording that melts the soul in such “beauty of space”. Of course, as you know, it is not necessarily beautiful because it is an audience recording. The reason why this work is so beautiful is because it is a masterpiece created by a master recording artist. After all, the person who worked on this work is a famous recording artist who is said to be the best in the history of Japanese recording. This person is said to surpass even the famous Kinney, and has recorded recordings that are representative of Western music audience recordings such as Eric Clapton, Jeff Beck, Mick Jagger, the Stones, PINK FLOYD, U2, etc. mainly in the 1980s. left behind. Legendary master Mike Millard’s “LOS ANGELES 10.1.1977” will be released at the same time, and this work can also be called “Japanese Millard”, an amazing masterpiece that was directly converted to CD from the legendary master’s original cassette. That’s it. This beautiful sound depicts the world of jazz standards led by Nelson Riddle. The set includes not only “WHAT’S NEW” but also many famous songs that expand on that world. In order to understand its richness, let’s organize the set here. What’s New (9 songs)・I’ve Got a Crush on You／What’s New／Crazy He Calls Me（★）／Guess I’ll Hang My Tears Out to Dry／Someone to Watch Over Me／I Don’t Stand a Ghost of a Chance with You/What I’ll Do (★)/Lover Man (Oh, Where Can You Be?)/Goodbye Others (8 songs + α) Don’t Cry Now: Desperado (★) Rush Life: Falling in Love Again・Others: Keepin’ Out of Mischief Now/Instrumental (★)/Hey Daddy/Mr. Sandman/Kalamazoo/Dream/Choo Choo Ch’Boogie (★) *Note: The “★” mark indicates a new name A song that cannot be heard even in the video “IN CONCERT-WHAT’S NEW”. …and it looks like this. He also sings the synonymous “Desperado”, but the core song is definitely “WHAT’S NEW”. This tour is also included in the official video “IN CONCERT-WHAT’S NEW,” but songs such as “Crazy He Calls Me” and “What I’ll Do” could not be heard there, and as a result, the album “WHAT’S NEW” was recorded. ” All songs recorded in the album will be performed. In addition, there are plenty of famous songs unique to this period, such as “Mr. Sandman”, which co-starred in Emmylou Harris’ “EVANGELINE”, and Louis Armstrong’s “Keepin’ Out”, which was the title of the unreleased phantom album. A variety of standards will be performed, such as “Of Mischief Now” and Jump King Louis Jordan’s “Choo Choo Ch’Boogie.” The 1984 Japan performance was a live performance version of “WHAT’S NEW” and an expanded version of it. This is a masterpiece of a live album that revives the full show from the legendary master’s original cassette. It’s beautiful not just because it’s an audience, but because it’s a guest record. An evening of masterpieces drawn by beautiful music that only enthusiasts who know about underground music can enjoy. The best audience recording of the “March 30, 1984: Nippon Budokan” performance. The crystal-clear air, the sharp outline, and the responsive core… everything is beautiful, and the vibe of the reverberating hall is as delicate as an aurora and as smooth as velvet. This is a record of unparalleled beauty, not “no ringing,” but “beauty that is only complete when there is ringing,” both in Linda’s singing voice and in the majestic orchestra. You can enjoy not only all the songs in “WHAT’S NEW” but also a wide range of famous jazz standards. Live at Budokan, Tokyo, Japan 30th March 1984 PERFECT SOUND(from Original Masters) (75:21) 1. Intro 2. I’ve Got a Crush on You 3. What’s New 4. Crazy He Calls Me 5. Keepin’ Out of Mischief Now 6. I Guess I’ll Hang My Tears Out to Dry 7. Falling in Love Again 8. Someone to Watch Over Me 9. Instrumental 10. Hey Daddy 11. Mr. Sandman 12. I’ve Got A Gal In Kalamazoo 13. Dream 14. Choo Choo Ch’Boogie 15. I Don’t Stand a Ghost of a Chance with You 16. What I’ll Do 17. Lover Man (Oh, Where Can You Be?) 18. Band Introductions 19 Goodbye 20. Desperado Linda Ronstadt – Vocals Nelson Riddle – Arranger, Conductor Don Grolnick – Piano John Guerin – Drums Bob Magnusson – Bass Bob Mann – Guitar Plas Johnson – Tenor Liza Edwards – Chorus Elizabeth Lamers – Chorus Red Young – Chorus, Piano