Description
The legendary KISS’s first visit to Japan, a major event in the history of Japanese Western music. An original recording that allows you to experience the scene in a super-realistic way is now available. This work is recorded from the “April 2, 1977: Nippon Budokan (evening session)” performance. This is an excellent audience recording that allows you to experience the whole show, which was also adopted in “ALIVE II”. Speaking of their first visit to Japan, it is a legend among legends for the Japanese Western music scene. In addition to the TV broadcast, which is a symbol of that, our shop has archived a variety of items such as the masterpiece “OSAKA 1977 1ST NIGHT”. First of all, let’s organize the collection by the schedule of that time and check the position of this work.・March 24th “OSAKA 1977 1ST NIGHT”・March 25th: Osaka Welfare Pension Hall・March 26th: Kyoto Hall・March 28th: Aichi Prefectural Gymnasium・March 29th: Osaka Festival Hall・March 30th: Fukuoka City Kyuden Memorial Gymnasium・April 1st “FIRST BUDOKAN NIGHT”・April 2nd “ALIVE AT BUDOKAN (Daytime Performance)”・April 2nd: Nippon Budokan (Night Performance)←★This work★・April 4th: Nippon Budokan *Note: Only representative audience recordings on each day. All 10 performances. This is the first visit to Japan and the largest number of performances in his career, trampling the archipelago. It was a shocking Japan tour that deserves to be called an incident. In particular, four performances were held at Nippon Budokan. In particular, two performances were held on April 2nd, and footage edited from the two performances was broadcast on the “Young Music Show”. This work is also the same “April 2nd, but it is an audience recording recorded on that night. This work, which vacuum-packs such a show, is a truly exquisite audience. It is the original master handed over by the recording artist himself, and that person is the famous Billy Joel’s first visit to Japan “TOKYO This is Taper who worked on “1978”. Billy had a wonderful sound, but this work is just as wonderful. It is not a sound that you would mistake for a soundboard, but rather a vintage sound that is very audience-like. However, the air is transparent, and the core of the response reaches straight to your hand. And the greatest taste is the freshness of the master. It is natural that there are no dubbing marks from the origin, but it is still fresh. There is no twisting or stiffness, and it is clear to the corners as if it was recorded yesterday. Real heat blows out of the speakers as if 45 years had not existed. The enthusiasm of the scene makes the freshness even more felt. The popularity at that time was a kind of idol, and not only the thick man’s voice but also the yellow screams are flying around. Of course, it is trampled by the powerful performance sound, but even during the performance, the voice of “Kyaa” spreads like a thin film. In “Firehouse”, Gene’s fire is blown in the middle of the ringing siren, but the scream that explodes is amazing… The atmosphere at the scene is full of the scent of the era before the establishment of “how to enjoy rock concerts,” and it gives you a sense of “Western music” and “this is the 1970s.” The show, coded with such a sense of the era, is also full of the scent of 1977. As mentioned above, the TV pro shot is famous for the first visit to Japan’s Budokan, but this work also has plenty of repertoire that was not broadcast. Finally, let’s organize the contents. KISS (4 songs): Firehouse/Cold Gin/Nothin’ To Lose/Black Diamond HOTTER THAN HELL (1 song): Let Me Go, Rock And Roll DRESSED TO KILL (1 song): Rock And Roll All Nite DESTROYER (5 songs): Detroit Rock City/Do You Love Me? (★)/God Of Thunder/Shout It Out Loud (★)/Beth (★＊) ROCK AND ROLL OVER (4 songs): Take Me (★)/Ladies Room (★)/Makin’ Love/I Want You (★＊) *Note: The “★” mark indicates a song that cannot be heard on the Nippon Budokan TV broadcast pro shot. The “＊” mark indicates a song that was officially adopted for “ALIVE II”. The “Budokan on April 2nd” was loved as a symbol of the first visit to Japan and was loved all over the world as part of “ALIVE II”. This is a newly excavated live album that allows you to experience the full show in a super real way. Not only is this a youthful live performance, but the heat of the burning “Japan in 1977” erupts from the speakers. This is an excellent audience recording of the “April 2, 1977: Nippon Budokan (evening session)” performance. The original master was given to me by the recordist himself, and the atmosphere is clear and the core of the response reaches straight to your hands. What’s even more amazing is the reality of the scene. Not only the thick man’s voice but also the yellow screams are flying around. In “Firehouse”, Gene’s fire is blown in the middle of the blaring siren, and the explosive screams are amazing… This is a scorching live album that lets you experience the “heat of Western music in the 1970s” with your skin. Live at Budokan, Tokyo, Japan 2nd April 1977 (Evening Show) TRULY AMAZING/PERFECT SOUND(from Original Masters)*New Source!!! (75:22) 1. Intro. 2. Detroit Rock City 3. Take Me 4. Let Me Go, Rock ‘n’ Roll 5. Ladies Room 6. Firehouse 7. Makin’ Love 8. I Want You 9. Cold Gin 10. Guitar Solo 11 . Do You Love Me 12. Nothin’ to Lose 13. Bass Solo 14. God of Thunder 15. Drum Solo 16. God Of Thunder (Reprise) 17. Rock and Roll All Nite 18. Shout It Out Loud 19. Beth 20. Black Diamond Paul Stanley – Guitar, Vocal Gene Simmons – Bass, Vocal Ace Frehley – Guitar Peter Criss – Drums, Vocal
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