Kiss/PA,USA 1975 Complete Upgrade

Excavation of a unique route of shock master that has continued to shock the whole world. The latest edition is a master cassette of the legendary recording that will be the masterpiece of the “DRESSED TO KILL Tour”! The “DRESSED TO KILL Tour” collection that gave birth to ALIVE! The work is recorded in “March 19, 1975 Northampton performance”. It is the best audience recording. The masterpiece of the “DRESSED TO KILL Tour” is the masterpiece “TULSA 1975 SOUNDBOARD”, but audience recordings such as “BOSTON MAY 1975” recorded by Joe Maloney and “PROVIDENCE 1975” by Dan Lampinski cannot be underestimated. First of all, let’s organize our live album collection in accordance with the recording date of “ALIVE!”. “HOTTER THAN HELL Tour” January 7th – February 22nd (14 shows) “DRESSED TO KILL Tour” * March 19th: Northampton show ←★This work★ March 21st – May 10th (26 shows) * May 11th “BOSTON MAY 1975” * May 16th: Detroit (ALIVE! recording date) May 17th – 29th (8 shows) * May 31st “LONG BEACH ARENA 1975” June 1st – 7th (3 shows) * June 13th “TULSA 1975 SOUNDBOARD ・June 14-20 (4 shows) *June 21: Cleveland (ALIVE! recording date) ・June 22-July 5 (6 shows) *July 20: Davenport (ALIVE! recording date) *July 23: Wildwood (ALIVE! recording date) ・August 2: Baltimore performance *August 3 “PROVIDENCE 1975” ・August 14-August 28 (8 shows) “ALIVE! Tour” ・September 10-December 31 (50 shows) Miracle new excavation master cassette that can only be heard on SBD This is KISS in 1975. It is divided into three tours depending on the period, but the Northampton performance of this work was the first day of the middle “DRESSED TO KILL Tour” (incidentally, it is also the day of the release of “DRESSED TO KILL”). Some sources say that there were two performances per day, and this work was recorded at the second show (a recording of the first show has not been found). This stage is known to enthusiastic collectors for the great recordings that were left behind, but this work (significantly) updates the highest peak. It is a masterpiece among masterpieces that was directly digitized from a master cassette newly excavated from our familiar unique route. To be honest, the sound is “like a sound board”. It is completely different from the fluffy conventional master, the extremely thick core roars and the edges of each sound are clear and clear. Even if you listen carefully with headphones, there is no sense of sparseness at all, and it is completely zero-distance close contact. It would not be strange to be shocked by such a powerful sound, but it is scary because it does not happen. Even the attack sound of the bass is beautifully drawn, and the ornamental sounds such as cowbells can be heard neatly as if they are sewing the gaps. In addition, you can hear even the fine electromagnetic noise of “jiji …” that the on-site amplifier emits in the silence between songs. It’s not just powerful and close, so it’s “like SBD”, but it’s “like SBD” because all the performances are vivid. To be honest, I thought it was a newly excavated sound board of the same show this time because of the unique route that has been issuing genuine line masters one after another… or rather, I can’t help but wonder, “Is it really a customer record?” At the beginning, I listed the works of historical masters, but they are only audience standards. This work is a shocking piece that completely exceeds that range and is truly worthy of being called a masterpiece. On-site experience of the “DRESSED TO KILL Tour” with a worldwide premiere Such an ultra-thick and close-fitting sound depicts the legendary full show of KISS recording history. Since this work is an extremely sound board, let’s organize the set while comparing it with “TULSA 1975 SOUNDBOARD”. KISS (7 songs) Deuce/Strutter/Firehouse/Nothin’ To Lose (★)/100,000 Years/Black Diamond/Cold Gin Others (6 songs) HOTTER THAN HELL: Got To Choose/Hotter Than Hell/Parasite (★★)/Let Me Go, Rock ‘N Roll (★) DRESSED TO KILL: She/C’mon And Love Me (＊) *Note: ★ marks songs that were not heard on “TULSA 1975 SOUNDBOARD”. In particular, ★★ marks songs that were not heard on “BOSTON MAY 1975” or “LONG BEACH ARENA 1975”. Also, * marks are world premieres. … and so on. “Parasite”, which cannot be heard on other masterpieces as well as “TULSA 1975 SOUNDBOARD”, catches the ear, but the point is “C’mon And Love Me”. Although the song itself is not rare, this day was actually the world premiere (it may have been played at the first show of the day, but even the track list is not left). The performance position is also the first song of the encore, so you can enjoy a very fresh live performance. “She” also has a sense of the times. It has been played on previous tours, but on this day Paul introduced it in the MC as “a song from the new album coming out next week (actually released on this day)”. Speaking of the audience recording of the “DRESSED TO KILL Tour”, it is popular as the “ALIVE! On-site experience board”. This work is a new masterpiece that will be its masterpiece. A miraculous master sound that boasts the liveliness of the audience while also combining the extremely thick feeling / listening response that can only be thought of as a sound board. The best audience recording of the “Northampton performance on March 19, 1975”. It is a masterpiece that was directly digitized from a master cassette newly excavated from a unique route, and the sound is frankly “like a sound board”. It’s completely different from the fluffy conventional master, with a thick core roaring and completely zero distance and close contact. It’s a new masterpiece that will be a masterpiece even for the “DRESSED TO KILL Tour” audience, which is popular as the “ALIVE! on-site experience board”. The Roxy Theatre, Northampton, PA, USA 19th March 1975 TRULY PERFECT SOUND(from Original Masters)*UPGRADE!!!!!! (77:48) 1. Intro 2. Deuce 3. Strutter 4. Got To Choose 5. Hotter Than Hell 6. Firehouse 7. She 8. Ace Solo 9. Nothin’ To Lose 10. Parasite 11. Gene Solo 12. 00,000 Years 13. Peter Solo 14. Black Diamond 15. C’mon And Love Me★World Premiere 16. Let Me Go, Rock ‘N Roll 17. Cold Gin Paul Stanley – Guitar, Vocal Gene Simmons – Bass, Vocal Ace Frehley – Guitar Peter Criss – Drums, Vocal