Kiss/MA,USA 1975 Upgrade

A new masterpiece is born from the “DRESSED TO KILL TOUR” that created “ALIVE!”. Included in that masterpiece is “May 11, 1975 Boston Performance”. This is a masterpiece audience recording. Although it is a 1975 recording that I am grateful to just be able to listen to, this work is different from other guest records. The recorder was Joe Maloney, a legendary taper who has left his name in recording history. Moreover, it is a masterpiece of the ultimate generation that was directly digitized from the original cassette discovered by the prestigious “Krw_co”. Before we look at the quality, we should first consider the show’s position. “DRESSED TO KILL TOUR” was also a limited tour only for the United States, so let’s organize it based on the recording date of “ALIVE!”. [“DRESSED TO KILL” released on March 19th]・March 19th – May 15th (32 performances)←★Coco★・May 16th: Detroit (ALIVE! Recording date)・May 17th – 6th June 20th (18 performances), June 21st: Cleveland (ALIVE! recording date)・June 22nd – July 5th (7 performances) ・July 20th: Davenport (ALIVE! recording date) ・July 23rd: Wildwood (ALIVE! recording date) ・August 2nd – August 28th Sunday (13 performances) [Production of “DESTROYER” started on September 3rd] [“ALIVE!” released on September 10th] This is the whole story of “DRESSED TO KILL TOUR”. The famous album “ALIVE!” was compiled from four shows, but the earliest was the Detroit performance. The Boston performance of this work was the 31st concert five days before that. In addition, there were three Boston performances in 1975, “May 11th,” “August 14th,” and “December 14th (this is the only ALIVE! TOUR),” and this work is also the first show. This work, which records such a show, is a truly exquisite vintage audience. The best thing about it is its powerful core and neat sound. Although it is not the type that can be mistaken for a sound board, it captures everything from extended highs to earth-shaking deep bass, and the midrange that connects the gap is also very responsive. The sound that emanates from the core adds a rich and powerful color to the powerful performance, while also clearly conveying the four-person ensemble. Hall noise is often thought to cloud the performance, but on the other hand, it also has the effect of increasing the power of the performance (especially in the 1970s, when the PA output sound was exposed, it tended to become sparse and light). This work captures such “power unique to the audience” in a delicious way, while also maintaining a sense of stability and beauty. It is a sound that can only be expected from a recorder who is famous for history, and because he is a master master. What’s even more delicious is the enthusiasm on site. Even in the bass solo, I can’t wait and imbibe the enthusiasm that screams “Cold Gin!!”, but even that is overpowered by the thick and meaty performance. And the timing is perfect. Overwhelmed by the masterpieces that will come to be known as “historic,” the song spreads between songs as if coming back to its senses. It’s a huge excitement, but it’s a geyser-like frenzy that’s different from the constant commotion. With each song, they lose control and turn into a frenzy of frenzy… You can really feel the heat that can only be felt on the eve of a break. Although there are no rare numbers in this work that cannot be heard on “ALIVE!”, the sounds that color it are filled with an overwhelming feeling of “being there”. You can truly feel like you are standing at the scene of that famous album, and you can be immersed in plenty of killer masterpieces. “ALIVE!” is always mentioned in the list of great live albums. “DRESSED TO KILL TOUR”, which produced such a masterpiece, was vacuum packed by master Joe Maloney. A world heritage site of rock culture that revived such legendary recordings from original cassettes. It is truly a “100% version of ALIVE!” and a live commentary board that is also “a scorching/concentrated version of ALIVE!”. Live at Orpheum Theatre, Boston, MA, USA 11th May 1975 TRULY AMAZING/PERFECT SOUND (51:23) 1. Intro 2. Deuce 3. Strutter 4. Hotter Than Hell 5. Firehouse 6. She 7. Guitar Solo 8. C ‘Mon And Love Me 9. Bass Solo 10. 100,000 Years 11. Drum Solo 12. 100,000 Years (Reprise) 13. Black Diamond 14. Rock And Roll All Nite