Johnny Thunders/Tokyo,Japan 1986 2Days

Johnny Thunders visited Japan for the second time in 1986, accompanied by his allies Jerry Nolan and Glenn Matlock (SEX PISTOLS). A valuable original recording that allows you to experience the scene 100% live has been decided to be released. This work features two performances in Tokyo. This is the best audience recording of the “July 7th + 8th, 1986: Nippon Seinenkan” performance. The Kansai edition “OSAKA 1986” will also be released at the same time, so let’s check the show’s position from the schedule at that time.・July 7th: Nippon Seinenkan ←★Disc 1-2 of this work ・July 8th: Nippon Seinenkan ←★Disc 3-4★ of this work ・July 9th “OSAKA 1986” ・July 10th: Tsubaki House This is the performance in Japan in 1986. In addition to this, an acoustic performance was also held at Shinjuku Loft. The beginning is Nippon Seinenkan 2DAYS, and this work is a 4-disc set that combines both days. Johnny’s records are valuable in themselves, but the quality of this work is not on that level.1 After all, this work was recorded by Japan’s prestigious “Kinney”. It is a masterpiece that has been digitized from a newly discovered Omoto cassette. In fact, this recording has been known since the analog era only on the second day (July 8th), but the first day was released for the first time in Japan. Of course, even on the second day, it has been upgraded with the fresh sound unique to Omoto cassettes. In fact, the sound is clear, beautiful, fresh and fresh. The aesthetics of “Kinney” is not “how to create a sound board-like closeness”, but the “beauty unique to audience recording”, and this work sounds like a sample of that in both performances. Although it absorbs the soft sound of the hall, it does not cause cloudiness or turbidity, giving the core, which is as clear as a laser beam, an indescribable luster and thickness. If you close your eyes, the scene at Nippon Seinenkan appears in your mind’s eye, so real that it feels so real, and at the same time purely musically dynamic. Even in Japan, the more seasoned collectors are, the more I see people who say “the best audience is more than a sound board”, and “Kinney Sound” has created the foundation for such a culture. It is a world of beautiful sounds that makes you think about the history of recording. With such a magical sound, Johnny’s show features a diverse repertoire that you will never get tired of listening to. Only about half of them are covered in two days, and you can enjoy 27 songs in this work alone. Here, let’s organize the songs by dividing them into fixed songs and daily songs. Common for both days (10 songs)・Pipeline/Blame It On Mom/Go Back to Go (★)/Too Much Junkie Business/Joey Joey/You Can’t Put Your Arms Around A Memory/I Ain’t Superstitious/In the Midnight Hour／Personality Crisis／Sad Vacation Only on the first day (DISC 1-2: 8 songs)・In Cold Blood (★)／Countdown Love／Talk About You／Cosa Nostra／Play With Fire／Only Wrote This Song for You／Can’t Keep My Eyes On You (★) / Unknown (★) 2nd day only (DISC 3-4: 9 songs) / I Can Tell / Little Bit Of Whore / Endless Party (★) / Chinese Rocks / Born To Loose / Something Else/Little Queenie/Gloria/I Feel Alright (★) *Note: Songs marked with a “★” cannot be heard on the Kansai version “OSAKA 1986” released at the same time. …and it looks like this. The large-volume show alone will fill you up, but you can also listen to even more interesting scenes in this work. That was after “Born To Loose” in the second half of the second day (DISC 4) ended. Legendary neo-rockabilly Japanese musicians appear and perform together, but the venue after Johnny says, “I’ll introduce you to my Japanese friends” is amazing. “Go home!”, “I don’t want to see your face!!”, “I didn’t come here to see you!”, “Get out of here!”, were all the insults. He clearly calls out the Japanese person’s name and insults him with all his might, putting you in a brutal atmosphere that you don’t often experience. . Johnny and Japan began to visit Japan in his later years, and quickly became close to each other. This is an audience set where you can experience such a valuable scene with the magical sound of the prestigious “Kinney”. A 4-disc set whose quality, sound, and performance are at the level of cultural heritage. The best audience recording set of “July 7th + 8th, 1986: Nippon Seinenkan” performance. This is a masterpiece digitized from the famous Kinney’s original cassette, and it is extremely clear. It is a beautiful recording with a wonderfully clear core like a laser beam, giving a moist hall sound and an indescribable luster and thickness. The show is full of interesting songs that change daily, and you can enjoy 27 songs in two days. Furthermore, on the second day (DISC 4), he asked the guest Japanese musicians, “Go home!”, “I don’t want to see your face!”, “You didn’t come to see me!”, “Get out of the way!” You can experience the scene where abusive words are exchanged like “-!!” with super clear sound. Live at Nippon Seinenkan, Tokyo, Japan 7th & 8th July 1986 TRULY PERFECT SOUND(from Original Masters) Live at Nippon Seinenkan, Tokyo, Japan 7th July 1986 Disc 1 (44:16) 1. Intro. 2. Pipeline 3. Blame It On Mom 4. In Cold Blood 5. Go Back to Go 6. Countdown Love 7. Talk About You 8. Cosa Nostra 9. Too Much Junkie Business 10. Joey Joey Disc 2 (36:04) 1. You Can’t Put Your Arms Around A Memory 2. Play With Fire 3. Only Wrote This Song for You 4. I Ain’t Superstitious 5. In the Midnight Hour 6. Can’t Keep My Eyes On You 7. Personality Crisis 8. Unknown Japanese is singing. 9. Sad Vacation Live at Nippon Seinenkan, Tokyo, Japan 8th July 1986 Disc 3 (40:14) 1. Intro. 2. Pipeline 3. Blame It On Mom 4. Personality Crisis 5. I Can Tell 6. Little Bit Of Whore 7. Go Back to Go 8. Too Much Junkie Business 9. Joey Joey 10. You Can’t Put Your Arms Around A Memory Disc 4 (43:02) 1. Sad Vacation 2. In the Midnight Hour 3. I Ain’ t Superstitious 4. Endless Party 5. Chinese Rocks 6. Born To Loose Japanese musicians appear at the venue: “Go home,” “I don’t want to see your face,” “You didn’t come to see me,” “Hikkome.” 7. Something Else 8. Little Queenie 9. Gloria 10. I Feel Alright Johnny Thunders – Guitar, Vocals Jerry Nolan – Drums Glen Matlock – BassBarry Jones – Guitar