Description
Among the various projects after ZEP, Jimmy Page’s collaboration with THE BLACK CROWES is said to have been the most brilliant. The best live set recorded on the first day of the tour is here. This work includes the “October 12, 1999 New York performance”. Speaking of their stage, the official work “LIVE AT THE GREEK” comes to mind, but that hit was produced on October 18 + 19, 1999. The first day of the New York performance was also a show about a week before that. And this day was the first day of the three consecutive days of New York shows. This show is also known for having a sound board left behind from before, but this work is a three-disc set with the highest version on disc 1-2 and the full video using that sound board on disc 3. Now, let’s introduce each disc individually. [Disc 1-2: The original master of the leaked sound board by the people involved] First of all, the best leaked sound board master appears. The recording itself is the same as what has been known for a long time, but this time, the highest peak master was brought from the related route at that time. Unlike the existing group, it is a genuine original master with no fades. It is not just that there are no editing marks. What is even more striking is the sound of the recording. It is extremely clear and natural. Although the existing group also had a sense of straightness of the D-class, the sound did not come out completely, and the peak was unnaturally strongly raised. In contrast, this work has plenty of natural sound of the master itself, while the contours of the performance sound are clear. The texture has depth, and even the three-dimensional feel of the mix is ​​drifting. To be honest, the recording itself is the same as before, and the freshness of the existing group was never bad. For this reason, this work does not go beyond the range of minor changes, but the feeling of “right now, right there, Page and the members of THE BLACK CROWES are playing” is much higher in this work. It is a master master who can fully enjoy that presence. When depicted with that sound, the show also shows a different look. The performance is very similar, as it was only one week before the official work “LIVE AT THE GREEK”, but the rawness of the one-take recording and the one-shot is overwhelming. It is almost like a studio live performance because it is directly connected to the sound board table with almost no cheers, but on the other hand, the heat of the performance is only because it is a stage in front of an excited audience. The sense of breathing permeates the whole show without end. In addition, it is nice that there are more songs than “LIVE AT THE GREEK”. Due to contractual reasons, only songs from the page side were recorded on the official version, but on the actual stage, THE BLACK CROWES’ repertoire was also played. In this work, you can enjoy “No Speak No Slave”, “Wiser Time”, “Remedy”, and “Hard to Handle” with uncut superb sound. [Disc 3: Full video using sound board audio] Next up is the video version of the same first day show. The footage has been known for a long time, and the quality that seems to have been taken by the people involved was a masterpiece that was outside the standards of audience shots. However, this work is different from that. It was produced by an overseas enthusiast, and it is the longest and best multi-camera specification that was assembled using various materials from the day. First of all, the impact from the beginning. The previous footage started in the middle of “Celebration Day”, but this work is recorded from the moment the performance started. Although it is a still image because there is no video, the still image starts to move in about a minute (please note that this is not a player malfunction). Moreover, the sound that flows is synchronized with the sound board directly connected to the table, and the angle is also switched to multi-camera editing. Although it can not be said that it is multi-angled because it is only shot from the front angle, even if the main camera shows Chris Robinson, it switches to Paige when it becomes a guitar solo, and the whole view changes to Chris when it starts singing. In addition, it is the longest version longer than the sound board of disc 1-2. Scenes that were cut on the sound board, such as between songs, are complemented by audience audio. You can witness the entire show in total and immerse yourself in it. It is a video work with a professional shot feeling that you can stare at forever without getting bored. The longest and best full video produced by overseas enthusiasts with their heart and soul on a live album by the original master leaked by a related party. This is the definitive version that records the first day of the memorable tour with two apex materials. Although it is a well-known show, this quality is the first in history. It is a 3-disc set of upgraded masterpieces that we would like to touch not only for enthusiasts who can’t help but pursue it, but also for first-timers. Live at Roseland Ballroom, New York, NY. USA 12th October 1999 SBD(from Original Masters) Disc 1 (60:36) 1. Celebration Day 2. Custard Pie 3. Sick Again 4. No Speak No Slave 5. Wiser Time 6. What is and What Should Never Be 7. Shake Your Money Maker 8. Ten Years Gone 9. In My Time of Dying 10. Your Time is Gonna Come Disc 2 (52:11) 1. Remedy 2. Lemon Song 3. Sloppy Drunk 4. Oh Well 5. Shapes of Things 6. Heartbreaker 7. Hey Hey What Can I Do 8. Hard to Handle 9. Band Introductions 10. Out on the Tiles 11. Whole Lotta of Love SOUNDBOARD RECORDING DVD(118:53) * Multi Camera & SBD 1. Celebration Day 2. Custard Pie 3. Sick Again 4. No Speak No Slave 5. Wiser Time 6. What is and What Should Never Be 7. Shake Your Money Maker 8. Ten Years Gone 9. In My Time of Dying 10. Your Time is Gonna Come 11. Remedy 12. Lemon Song 13. Sloppy Drunk 14. Oh Well 15. Shapes of Things 16. Heartbreaker 1 7. Hey Hey What Can I Do 18. Hard to Handle 19. Band Introductions 20. Out on the Tiles 21. Whole Lotta of Love COLOR NTSC Approx.119min. Jimmy Page – Guitar Chris Robinson – Vocals Rich Robinson – Guitar, Vocals Audley Freed – Guitar Sven Pipien – Bass Steve Gorman – Drums Ed Harsch – Keyboards
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