Jethro Tull/CA,USA 10.19.1970 Original LP Edition

The most famous classic in the history of JETHRO TULL’s sound sources… no, the most classic album “FLUTE CAKE”. The highest quality version is being reprinted. “FLUTE CAKE”… is a great masterpiece that was once synonymous with JETHRO TULL live. It was a legendary live album that conveyed “live JETHRO TULL” to the world long before the official work “BURSTING OUT” was born, and passed down their sound of a truly amazing era to future generations. Its true identity is a super-class audience recording of the “Anaheim performance on October 19, 1970” (formerly known as the “Inglewood performance on the 18th”, but now it has been corrected to the next day). No, at this level, the difference between the audience and the soundboard is meaningless. It is such a high quality and such a historically weighted record. Also, speaking of 1970, it was the time when the two tours “STAND UP Tour” and “BENEFIT Tour” intersected, and works such as “LIVE AT THE ISLE OF WIGHT 1970” and “LIVE AT CARNEGIE HALL 1970” remain today. In order to understand the circumstances, let’s look back on the schedule at that time.・January 16th-February 21st: Europe #1 (8 shows)《John Evan joins》・April 5th-10th: Europe #2 (5 shows)・April 17th-30th: North America #1a (9 shows)《May 1st release of “BENEFIT”》・May 1st-June 6th: North America #1b (23 shows)・July 3rd-August 17th: North America #2 (28 shows)・August 30th: Appearance at the Isle of Wight Festival・September 23rd-October 13th: Europe #3 (14 shows)・October 16th-November 15th: North America #3 (27 shows)←★Here★ This is JETHRO TULL in 1970. In the spring, they welcomed John Evan and became a five-member group, and released “BENEFIT” while carrying out an energetic tour. The Anaheim performance of this work is the fourth performance of the final stage of “North America #3”. It was a concert between the Isle of Wight Festival (August 30th) and Carnegie Hall (November 4th). And such a show was recorded with an audience of the finest sound, and became known as the legendary LP “FLUTE CAKE”. This work is the highest peak version that has been precisely digitized from the original blue vinyl “TMOQ 71044”. In fact, the sound is superb. Many LP-raised CDs have appeared so far, but this work is a masterpiece that is particular about both the source LP and the digitization process, and the glossiness is so great that there is not a single needle crack. And above all, the reproduction of details is intense. Each sound is beautifully separated, while the rise is sharp, and it is clear until the moment it disappears into the darkness of silence. Even though it is not processed by digital mastering, the vividness of the fine parts alone improves the feeling of thickness and closeness. Traditionally, this recording was synonymous with “soundboard”, but it has been reprinted with a transcendent sound that may even surpass the official traditional work “BURSTING OUT”. The original LP “TMOQ 71044” was said to have appeared in 1972, and this year marks its 50th anniversary. This work is the highest peak album born in such a milestone year. It is no exaggeration to say that it is the history of sound sources itself. A superb audience recording of the “October 19, 1970 Anaheim performance”. This is a meticulously digitized version of the most famous LP in the history of JETHRO TULL sound sources, “FLUTE CAKE (TMOQ 71044)”. This is a famous product that is particular about both the condition of the source and the process, and the glossiness is immense, with not a single needle crack being found. The reproduction of details is intense, with each sound being beautifully separated, with a sharp rise and clearness until the moment it disappears into the darkness of silence. Traditionally, it was a recording synonymous with “sound board”, but it is a legendary live album reprinted with a transcendent sound that could even surpass the official traditional work “BURSTING OUT”. Live at Anaheim Convention Center, Anaheim, CA, USA 19th October 1970 ULTIMATE SOUND Taken from the original LP (Trade Mark Of Quality, 71044) (46:08) 1. Introduction 2. Nothing Is Easy 3. MC 4. My God 5. We Used To Know 6. MC 7. With You There To Help Me / By Kind Permission Of… 8. A Song For Jeffrey 9. Sossity, You ‘re A Woman / Reasons For Waiting Ian Anderson – Vocal, Flute & Guitars Martin Barre – Guitars Clive Bunker – Drums & Percussion Glenn Cornick – Bass John Evan – Keyboards