Jeff Beck Group Rod Stewart Ron Wood Jeff Beck/TX,USA 1968 Upgrade

The first generation JEFF BECK GROUP, who left a huge mark on British rock history despite their short history of activity. The legendary recording that lets you enjoy the full show has been brushed up. The highest peak update board polished by “GRAF ZEPPELIN” mastering has been decided to be permanently preserved. This work is recorded in “July 17, 1968 Dallas performance”. It is the superb audience recording. The most important band, which is said to have connected CREAM and LED ZEPPELIN, with Rod Stewart and Ron Wood lined up. It’s a good opportunity to look back on their history. 1967 March 3rd – December 23rd: Europe #1 (131 performances) 1968 January 27th – May 25th: Europe #2 (25 performances) {May 14th – 26th: “TRUTH” production} June 14th – August 3rd: North America #1 (34 performances) ←★Here★ September 6th – October 5th: Europe #3 (8 performances) October 11th – December 8th: North America #2 (36 performances) ←※DEFINITIVE BOSTON TAPES December 21st: London performance December 28th: ​​Tampa performance 1969 January 14th – February 5th: UK (4 shows) February 21st – April 4th: North America #3 (15 shows) {April 3rd – 19th: “BECK-OLA” production} April 25th: London show May 2nd – August 2nd: North America #4 (23 shows) [Legendary recording representing the first period of JEFF BECK GROUP] This is the full picture of the activities of the first period of JEFF BECK GROUP (hereinafter “JBG #1”), which also included Rod Stewart and Ron Wood. Since there are discrepancies depending on the materials, we cannot guarantee the details such as the number of performances, but I think you can imagine the general flow. Their main battlefield was Europe (or rather, almost their native England), but in between they also performed three US tours. The Dallas performance of this work was the 23rd concert of “North America #1” held immediately after the production of the masterpiece “TRUTH”. This show is also famous for being one of the best recordings of JBG#1. Although it is an audience recording, the direct feeling of the strong core on is at an extraordinary level, and the beautifully separated stereo feeling is also tremendous. Various theories have been spoken as truth, such as “The venue recorded it for recording purposes” and “It is actually a sound board”. Recently, half-official Czech presses have been circulating in coupling with the Fillmore West recording, which is a genuine sound board. [Updated the best peak of the best master that is surprisingly unknown] Although it is such a super famous recording, it is surprisingly unknown which master is actually the best. In recent years, the “Krw_co” excavation version seems to have become the standard on the Internet, but in fact this was not the best. The sound that was hit by the gene cannot be said to be beautiful, and even a cut occurred in “I Ain’t Superstitious”. There are even more collectors who do not know that it is originally uncut. So which is the best? The answer is “DOIN’ THAT CRAZY THING”, which we have introduced in our shop. It was discovered more than 10 years ago, but no master that appeared afterwards could surpass it (both in terms of sound and recording time), and it is still the highest peak version that continues to reign as a king. This work is the highest peak update board that polished such a king master with “GRAF ZEPPELIN” mastering. As usual, pitch correction, band analysis, noise processing, etc. are minutely examined and corrected at every point. The accuracy has been proven in previous works, but in this case, phase correction has a great effect. If you have experienced the conventional board, you may know that the stereo balance is so left that you think “Didn’t you record it facing straight sideways?”, but this was the same for the “DOIN’ THAT CRAZY THING” master. This work corrects such a stereo feeling with phase correction. It is a live album with the localization aligned to the center. Just to be sure, this is not a distortion of the truth of the recording. It was previously thought to be “originally a left-leaning recording”, but this time, analysis revealed that it was “disturbed in the process of distribution and digitization” (well, if you think about it normally, you can’t record facing straight to the side). In other words, this work is not “corrected to align the center” but “corrected to the original sound of the recording and became the center”. Both “Hi Ho Silver Lining”, where Beck’s vocals are tingling, and “Beck’s Bolero”, where you can hear Rod’s rhythm guitar, are revived with the original sound of the scene. Such a highest peak renewal sound depicts the full set of JBG#1, which shines brilliantly in rock history. It is said that two performances were held on this day, but there were no overlapping songs on the two stages. It was essentially a two-part structure with a break in between. This work records both at once. Speaking of JBG#1’s long works, the 3-disc “DEFINITIVE BOSTON TAPES” is well known, so let’s organize the set by comparing it. Truth (7 songs) You Shook Me / Let Me Love You / Shapes Of Things / Beck’s Bolero / Rock My Plimsoul / Morning Dew / I Ain’t Superstitious Covers and others (7 songs) Beck’s Boogie / Hi Ho Silver Lining (★) / Mother’s Old Rice Pudding Others: I Can’t Hold Out (★) / Sweet Little Angel / Oh Pretty Woman (★) / The Sun Is Shining (★) *Note: “★” marks are songs that can’t be heard on the 3-disc “DEFINITIVE BOSTON TAPES”. The close contact and superb stereo sound surpasses “DEFINITIVE BOSTON TAPES”, and the number of songs far surpasses the soundboard version “FILLMORE WEST 1968”. This is the “best one ever” that has been polished even more precisely than the best master, which is difficult to obtain even on the Internet, even though it is the highest peak that has not been exceeded for more than 10 years. The true value of the legendary unit that changed rock history, (remaster memo) The best already released is “Doin’ That Crazy Thing” (1CD). The master used this time is the same as the previous version. There are multiple sources of this sound on the Internet, and some of them have the wrong date credit, inferior sound, and fewer songs from Godfatherecords. A degraded version is also being sold on the Internet, advertised as Miami Image Club on November 16th. KRW_co also released this sound source as July 17th DALLAS, but the generation is inferior there, and there are two cuts in the last song, I Ain’t Superstitious (the main master is uncut). Therefore, the master of “Doin’ That Crazy Thing” released more than 10 years ago is still the best source. Phase correction. The original sound source and the previous release 10 years ago were significantly left-leaning, but when corrected to the correct phase of the original tape, the performance was almost center-leaning. ★EQ processing etc. is limited to left and right balance adjustments, so the big difference from the previous version is the difference in sound image positioning due to phase correction. The pitch is slightly different from the previous version, but since the tuning is not correct at all, adjustments for each song are not done too much, but are kept to a moderate level. Superb audience recording of “July 17, 1968 Dallas performance”. This is the highest peak update board, polished by meticulous mastering of “GRAF ZEPPELIN”, a super direct recording of the best master that is half-official with a sound board set. Currently, the sound on the Internet is poor and there is a cut in “I Ain’t Superstitious”, but this work has no such defects, and the left-leaning stereo feeling is properly corrected. This is the definitive board that allows you to experience the best of the full show that far transcends the sound board board “FILLMORE WEST 1968”. Live at LuAnne’s, Dallas, Texas, USA 17th July 1968 PERFECT SOUND(UPGRADE) (79:43) 1st Set 01. You Shook Me 02. Let Me Love You 03. I Can’t Hold Out 04. Beck’s Boogie 05. Sweet Little Angel 06. Shapes Of Things 07. Hi Ho Silver Lining 2nd Set 08. Beck’s Bolero 09. Rock My Plimsoul 10. Oh Pretty Woman 11. Morning Dew 12. Mother’s Old Rice Pudding 13. The Sun Is Shining 14. I Ain’t Superstitious Jeff Beck – Guitar & Vocals Rod Stewart – Vocals & Rhythm Guitar Ron Wood – Bass Mickey Waller – Drums