Description
The first period of the JEFF BECK GROUP, which left a tremendous influence on rock history despite its short period of activity. The highest peak of the legendary recording that allows you to enjoy the full show is revived. It has been decided to release it on a more accurate “GRAF ZEPPELIN” mastering CD. This work is engraved with the “July 17, 1968 Dallas performance”. It is a super-excellent audience recording. They boasted a super luxurious front line of Jeff Beck, Rod Stewart, and Ron Wood, but at the same time, they were a band with a lot of changes in other members. It’s a good opportunity to look back on their bubble-like journey while paying attention to the member changes. 1967 January: JEFF BECK GROUP starts》・March 3rd-7th: UK #1 (4 shows)《Ray Cook leaves → Mick Waller joins》・March 17th + 23rd: UK #2 (2 shows)《Waller leaves → Rod Coombs joins》・April 11th-15th: UK #3 (3 shows)《Coombs leaves → Aynsley Dunbar joins》・April 17th-August 13th: UK #4 (46 shows)《 Dunbar leaves → Waller returns》・August 19th – December 23rd: UK #5 (49 shows) 1968・January 27th – March 17th: Europe #1 (13 shows)・June 14th – August 3rd: North America #1 (33 shows)←★Here★・August 10th / September 6th – October 5th: Europe #2 (10 shows)・October 11th – December 8th: North America #2 (34 shows)←※DETROIT NOVEMBER 1968 (Nicky Hopkins joined from the 5th show) December 21: London show 1969 January 14 + February 5: UK #6 (2 shows) (Waller leaves again → Tony Newman joins) March 7-23: North America #3 (10 shows) April 25: London show May 2-9: North America #4 (7 shows) July 2-26: North America #5 (13 shows) *NEWPORT JAZZ FESTIVAL 1969 This is the full view of the activities of the first JEFF BECK GROUP (hereafter “JBG#1”). Many drummers were replaced rapidly, but the three who played the most live shows were Aynsley Dunbar, Mick Waller and Tony Newman. Waller played the most of them. The Dallas performance of this work was also the 23rd concert of “North America # 1” where he was sitting on the stool. The classic sound board “FILLMORE WEST 1968” was also left from this “North America # 1”, but this work was just one week before that (5 performances before). A super thick and close super famous recording that has replaced the sound board This work recorded at such a show is exactly their masterpiece. The first period JBG, which had a super luxurious member, did not leave a long sound board due to a prank of fate. Because it could not be fulfilled, a full recording of a super thick sound that takes the place of a “sound board” has been sought. And it is this work that has fulfilled that wish. The direct feeling of the powerful core is at a level that you would not think of as an audience recording, and the beautifully separated stereo feeling is also tremendous. Various theories have been spoken as if they were true, such as “the venue recorded it for recording purposes” and “it is actually a sound board”. There was even a half-official Czech press released in a coupling with the Fillmore West recording, which is a genuine soundboard. There are many pre-releases due to the great recording, but this is the best of them all. GRAF ZEPPELIN has polished up the best master that was once popular in our store as “DOIN’ THAT CRAZY THING” and is still unsurpassed. In recent years, the prestigious “Krw_co” has also released a later master, but it was still far from “DOIN’ THAT CRAZY THING” in terms of both length and sound. Moreover, the stereo balance, which was so far to the left that you would think “Didn’t they record it facing straight sideways?”, has been stabilized in the center by “GRAF ZEPPELIN” mastering. It is a live album that is much easier to listen to and beautiful. Pursuing perfection as a musical work with a more unified feeling In fact, our previous edition was also mastered by “GRAF ZEPPELIN”, but this work is a challenge to polish again for the revival. Although we can’t expect an upgrade to a different level, the unstable volume of the first three songs and the last three songs has been unified, and the perfection as a musical work has been further improved. The full set of JBG#1, which shines brilliantly in rock history, is depicted with such a highest peak updated sound. It is said that two performances were held on this day, but there were no overlapping songs on the two stages. In reality, it was a two-part structure with a break in between. This work records both at once. Finally, let’s organize the set. Truth (7 songs) You Shook Me / Let Me Love You / Shapes Of Things / Beck’s Bolero / Rock My Plimsoul / Morning Dew / I Ain’t Superstitious Covers (7 songs) Beck’s Boogie / Hi Ho Silver Lining / Mother’s Old Rice Pudding Others: I Can’t Hold Out / Sweet Little Angel / Oh Pretty Woman / The Sun Is Shining Although it is the latest of the classic soundboard album “FILLMORE WEST 1968” with only 6 songs, you can experience it through two sets without any double songs. A legendary recording that has continued to serve as a long soundboard for many years and is still unsurpassed. Its highest peak. ★It is close to the 2nd press, but the volume of tracks 1-3 and 12-14 has been slightly adjusted. A superb audience recording of the “July 17, 1968 Dallas performance”. This is a masterpiece recording that has reigned as the representative work of JBG#1 without a long soundboard, and “GRAF ZEPPELIN” has polished it up and updated it to the highest peak with a more unified feel than before. The adhesion of the extremely thick core is exactly line class, and it is a cultural heritage-class masterpiece that allows you to fully enjoy the full show that you cannot hear on the famous soundboard album “FILLMORE WEST 1968” with only six songs. LuAnne’s, Dallas, Texas, USA 17th July 1968 TRULY PERFECT SOUND UPGRADE 1st Set 01. You Shook Me 02. Let Me Love You 03. I Can’t Hold Out 04. Beck’s Boogie 05. Sweet Little Angel 06. Shapes Of Things 07. Hi Ho Silver Lining 2nd Set 08. Beck’s Bolero 09. Rock My Plimsoul 10 Oh Pretty Woman 11. Morning Dew 12. Mother’s Old Rice Pudding 13. The Sun Is Shining 14. I Ain’t Superstitious Jeff Beck – Guitar & Vocals Rod Stewart – Vocals & Rhythm guitar Ron Wood – Bass Mickey Waller – Drums
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