Description
It has become clear that the mirrored masters released to the public include recordings not only of his classic artists such as ZEP and Floyd, but also many unexpected artists, but the one released this Sunday is James Taylor in 1981. A record of the tour that was held in support of the masterpiece “DAD LOVES HIS WORK”. Originally, when you think of Taylor, you have a bare-bones band backing you up, and you’ve always stuck to an acoustic sound. For that reason, you can enjoy the mirrored master that was discovered this time as well, which has a slightly different taste from his usual recordings. Usually, Millard is good at recording close sound images in arenas, but on this day, it was a relaxed stage in the theater, typical of Taylor. Therefore, instead of the usual on-balance recording of Millard, there is a sense of distance. However, that is only from Millard’s perspective. This is because this sound image fits perfectly into a cheerful show at the theater, and it remains an audience recording of the highest level. Moreover, the freshness is exquisite, and Taylor’s staging, which delivers a simple band sound with high purity, is thoroughly captured. Try listening to it with headphones, you’ll be mesmerized by its crystal clear texture. By 1981, Taylor’s popularity and status in America were unshakable, and the pace of recording slowed down with the release of “DAD LOVES HIS WORK”. Instead, they focused on live activities, and the composition of this tour was a magnificent selection of songs that looked back on Taylor’s career up to that point. It’s already the best album live. In that case, the audience’s reaction is enthusiastic for each song, and it returns as a warm sense of presence that can only be found in a theater, so the charm of mirrored recording that is different from usual is refreshing. The show opens with Taylor playing alone, such as the climax of peace that comes when “How Sweet It Is (To Be Loved by You)” begins, but from “Stand And Fight” bassist Lee… Familiar musicians such as Sklar and guitarist Wadi Wachtel performed in full band formation. This also stands out in the theater class venue. And even though it’s a long stage that lasts over 2 hours, you don’t get tired of listening to it at all, which is unique to Taylor’s relaxed stage performance and the strongest set list. In “Her Town Too,” JD Souther, who was participating in the recording, appears and reproduces the same duet as on the album, and then there’s a surprise where he also sings his own song, so there’s a lot to hear. Millard also recorded Taylor’s best acoustic theater show that you will never get tired of! Wilshire Theatre, Beverly Hills, CA, USA 3rd May 1981 TRULY PERFECT SOUND Disc 1 (75:34) 1. Introduction 2. You Can Close Your Eyes 3. Mona 4. Wandering 5. Sweet Baby James 6. Riding On A Railroad 7 . How Sweet It Is (To Be Loved By You) 8. Stand And Fight 9. Brother Trucker 10. Hey Good Lookin’ 11. Walking Man 12. B.S.U.R. 13. Hard Times 14. It’s Gonna Work Out Fine 15. Up On The Roof 16. Fire And Rain Disc 2 (37:29) 1. Carolina In My Mind 2. Millworker 3. Twelve Gates To The City 4. Streamroller Blues 5. I Will Not Lie For You 6. Daddy’s All Gone 7. Handy Man Disc 3 (42:57) 1. Introduction of J.D. Souther 2. Her Town Too 3. You’re Only Lonely 4. Faithless Love 5. Your Smiling Face 6. Mexico 7. Country Road 8. Money Machine / Band Introduction 9. You’ve Got A Friend James Taylor – vocal, guitar Dan Dugmore – banjo and pedal steel Waddy Wachtel – electric guitar Leland Sklar – bass Rick Marotta – drums Billy Payne – keyboards Arnold McCuller – backing vocals David Lasley – backing vocals
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