Iron Maiden/IL,USA 1982

Currently, the “COVID-19 QUARANTINE RELEASE!” series is shocking maniacs all over the world with its extraordinary level of super masters. The latest edition, the IRON MAIDEN edition, is now available. [New excavated recording of THE BEAST ON THE ROAD number 1] This series is truly the highlight of the 2020 typhoon. As you know, the third planet is currently being ravaged by the new coronavirus pandemic, and the world is suffering from restrictions on going out. The “COVID-19 QUARANTINE RELEASE!” series is being released by sound source enthusiasts in an effort to alleviate that suffering even a little. Details such as the name of the recorder are kept secret, but 80’s audience recordings of outrageous quality appear one after another. Moreover, most of them are first appearance sound sources that have never been released, and it is an unprecedented series that is directly digitized from the original master. At our store, we report on masterpieces by Peter Gavril and Phil Collins, ROXY MUSIC, Pat Travers, FLEETWOOD MAC, and more. This week, the STYX edition and THE KINKS edition will also appear. As you can see from this lineup, until now it was thought to be a general series, but now the heavy metal version is finally here! “THE BEAST ON THE ROAD” also determined the glory of the champion IRON MAIDEN. This is a vacuum-packed, superb audience recording of the “September 21, 1982 Chicago Performance”!! This tour, along with the “WORLD SLAVERY TOUR”, is the largest in Maiden’s history. First of all, let’s check the position of the show from its history. ・February 25th – March 20th: UK #1 (20 performances)《”Magical Mark” released on March 22nd》 ・March 22nd – May 1st: Europe (35 performances) ・May 11th Sunday – August 22nd: North America #1 (72 performances) August 25th – 28th: ​​UK #2 (3 performances) September 1st – October 23rd: North America #2 (38 performances) ←★ Coco★・November 7th – 21st: Australia (10 performances) ・November 26th – December 10th: Japan (10 performances) This is IRON MAIDEN in 1982. Bruce Dickison replaced Paul Di’Anno, who hated touring life, and they took the world by storm with a huge number of live performances, approximately 190. The charm, power, and magic of the new system were made known to every corner of the earth. The Chicago performance of this work marks the final stage of that journey. This was the 14th concert of “North America #2”. There were three Chicago performances of this tour in July, August, and September, and this work was also the last stage. This work recorded at such a show is a super, superb sound that will blow you away! Anyway, it’s extremely recent. There is no sense of distance between the guitar and bass, and if the core is extremely thick, the details will be zero cloudy. The twins are completely separate, and are neatly separated in harmon or unison, and the bass is also very crisp. The vibration of the strings plucked by those fingers is so close that you can almost see it, and it’s so powerful that it doesn’t faze you in the slightest. If you listen to the performance without listening to the sound, it’s a super vivid sound that you can only hear from modern IEMs, not from the 80’s. Up until now, the highest peak of “THE BEAST ON THE ROAD” was said to be “DEFINITIVE OXFORD 1982 (Zodiac 174)”, but this work is not inferior at all…I would say that the guitar’s luster is This work is superior in terms of proximity. [A super passionate opening performance that challenges the God of Steel] There is a reason why it was released on the Shades label despite having such a transcendent sound. Above all, I wanted to introduce shocking new excavations as soon as possible, but another point is the recording time. In fact, this day was an undercard performance, and the opening “Murders in the Rue Morgue” and encore “Drifter” were not recorded. Although the sound quality is top-notch, it is an extremely famous recording that is indescribably “unfortunate!” So, what kind of songs will hit you in that short time? Let’s sort it out here. – Virgin of Steel: Iron Maiden – Killers: Wrathchild – Mark of Magic: Run to the Hills / Children of the Damned / The Number of the Beast / 22 Acacia Avenue / Hallowed Be Thy Name … and so on. . Although “Children of the Damned” and “22 Acacia Avenue” are somewhat infrequent, the concentration of historical masterpieces is overwhelming. And what strongly supports this impression is the performance itself. How amazing is this! In the first place, since he is young and his time is short, there is no way he would get tired. From the opening to the end, it was a show that felt like a 100-meter run, running at full speed. Clive Burr’s beat is an aggressive blast just like the Diano era, and the blues shout is the roar of a beast just like the SAMSON era. After “WORLD PIECE TOUR”, he began to pursue dynamism that would impress the audience, but he has not yet discovered it here. It’s packed full of fresh, single-minded, explosive action. I would also like to add that the motivation was clearly strong on this day. Actually, the headliner was amazing. Yes, the main act of this Chicago performance is the steel god JUDAS PRIEST. Moreover, they have just released the regular famous album “Scream of Revenge”! There’s no way Bruce and Steve Harris, who have a strong competitive spirit, can’t get fired up after witnessing the invincible God who was crushing Americans with “The Hellion/Electric Eye” every night. They are slamming scorching heavy metal with a sense of rivalry. Maiden from the “Mark of Magic” era will be added to support the Priest from the “Cry of Vengeance” era. Once upon a time, there was such an incredible time on earth. Although it is only the Maiden edition, you can experience the scene with a transcendental audience recording. I’m sorry that the recording was incomplete, but I’m more than sorry. Although it was not preserved permanently because it was not perfect, the remaining 37 minutes are undoubtedly the ultimate and supreme heavy metal experience. Live at the International Amphitheater, Chicago, IL, USA 21st September 1982 ULTIMATE SOUND (37:03) 1. Wrathchild 2. Run to the Hills 3. Children of the Damned 4. The Number of the Beast 5. MC 6. 22 Acacia Avenue 7. Hallowed Be Thy Name 8. Iron Maiden Bruce Dickinson – Vocals Steve Harris – Bass Dave Murray – Guitar Adrian Smith – Guitar Clive Burr – Drums