Herbie Hancock the Rockit Band/OH, USA 1984

“Future Shock” is the album that had the most impact on the entire world in the history of Herbie’s career, foretelling the current mainstream jazz trend of collaborating with artists from other genres, including Robert Glasper. A performance with “Rock It” that will leave all music fans stunned! ! ! Miles Davis, the king of jazz, continued to create new music that transcended the boundaries of genre. Although the style may be different, wouldn’t Harvey be the one to inherit Miles’ will and carry it out after Miles’ death? Miles’ accomplishments are attested to by his children, Harvey, Chick, Zawinul, and McLaughlin, and Harvey’s accomplishments are attested to by today’s Glasper, Kamasi Washington, Thundercat, and Go-Go Penguin. The basic idea is to create new grooves by collaborating with artists from other genres, but Miles’ idea is to form his own music, while Herbie’s idea is to take a broader perspective and sometimes express his own existence. You can become like a chameleon, erasing things and assimilating them into something new. That’s why Miles reigned as a unique figure, and Herbie’s music created many young followers and helped popularize a new genre. It didn’t matter which one was better, but both of them were amazing. Herbie, who was still underground, asked Bill Laswell, a man with a thick hat, to create the sound, making the scratch noise on records (D.ST.) known to the general public for the first time, and introducing hip-hop on a large scale. The nostalgic 12-inch remix single version included in “Mirai no Shock” was also powerful, and “Rock It”, which is famous for some people as the opening of “Odoru! Sanma Goten!!”, was a masterpiece at the time. The innovative PV that embodies the near future created by the geniuses Godley & Cream, which is still popular as an MTV classic (winning 5 MTV Video Awards), became a hot topic of conversation, and won a Grammy. The label’s own careful mastering of Herbie and the Rock-It Band’s enthusiastic live performance at the Blossom Music Center in Cleveland on September 10, 1984, which is said to have turned the entire venue into a dance floor. Intense items recorded on the finest high-quality stereo soundboard have arrived! ! ! Live at Blossom Music Center,Cleveland,OH September 10.1984 EX – SBD 2018 Original Remaster from Pre-FM Vinyl Budweiser Concert Hour #86-07 52 min Herbie Hancock – Piano Jeff Bova – Keyboards Wayne Brathwaite – Bass Bernard Fowler – Vocals Foday Musa Suso – Gravikord Edward Lewis – Drums Anton Fier – Drums Drek Showard – Turntables 1. Earth Beat 2. Sound – System 3. Future Shock 4. Metal Beat 5. Stars in your Eyes 6. Hardrock 7. Rockit