Genesis/CA,USA 1976 Upgrade

1976’s ¬“A TRICK OF THE TAIL TOUR” in which Bill Bruford also participated. Mike Millard’s treasure master, who tells the story of the scene, has newly discovered it. Mike Millard’s original master is being discovered every week these days. Each one of them is the best, and many legendary recordings that are famous in history have been significantly upgraded, and even the first recordings that no one has ever heard appear one after another. Even limited collectors of each band who had no interest in Millard up until now have been shocked, asking, “What is this?!” And the latest version is this work, the GENESIS edition. Moreover, it is a superb audience recording of “May 1, 1976 Burbank Performance”, which will include former YES/KING CRIMSON Bruford. Before we get into the shocking content, let’s talk about the show’s position. Speaking of this tour, the ultimate sound board “DEFINITIVE TRICK” reigns as a symbol, so let’s look back at the schedule at the time while zooming in on their relative positions. [“A TRICK OF THE TAIL” released in February]・March 26th – April 12th (16 performances in North America)・“DEFINITIVE TRICK” on April 13th・April 14th – 30th (12 performances in North America)・May 1st: Burbank performance ←★Here★・May 3rd-7th (4 North American performances) – about a month later-・June 9th-July 11th: Europe (29 performances)《September -Produced “WIND & WUTHERING” in October》This is the whole picture of “A TRICK OF THE TAIL TOUR”. The tour can be divided into the “North American leg” in the spring and the “European leg” in the summer, and both “DEFINITIVE TRICK” and this work are the North American leg. It was a concert about two weeks after that super masterpiece. This work, which records such a show, is truly shocking. As mentioned above, mirrored masters are often upgraded or appear for the first time, but this recording is quite special. In conclusion, it is a “recording that has been around for a little while”. There have been several types of Burbank performances in the past, but they are basically not mirrored recordings. However, some of the supplementary parts used mirrored recordings. Normally, mirrored recording would be the standard and drive out other recordings, but for some reason it is only used as a supplement… Perhaps only a partial tape was circulated among a very limited circle of friends. It wasn’t talked about because it was just a part of it…it was a strange situation that you can’t understand unless you think about it. Quiet talk. The somewhat maniacal sound source situation has become long, but that is just a digression… or rather, it is just an academic pursuit story. What’s important is the “music album” itself that appears in front of you. This is definitely a full recording by Millard, and it is of unparalleled quality! Anyway, it’s on, precise, and full of direct feeling. It seems natural because it is a mirrored recording, but even by the standards of legendary masters, the vividness of this work is outstanding. Perhaps the reason for this is the venue. The “Starlight Bowl” where the scene took place is an amphitheater with an open space, which is rare for a capacity of about 5,000 people. There are no ceilings or walls to reflect sound, and the vivid sound is directly picked up with zero echo. Of course, outdoor venues are not a panacea. In some cases, the sound may be blown away by the wind, or become sparse due to distance… However, this work is created by the master Mike Millard, so there is no need to worry about that. The unwavering stability is incredible, and the responsive midrange and high-density deep bass are superb. What is especially surprising is the bass, where the attack of the bass is sharp and harsh, and at the same time the vibe that creates the groove is as delicate as the waveform level. Even though it’s so close and clear, the peak doesn’t tremble… Normally, an open space has zero reverberation and a clear outline, but the richness is inevitably spoiled. It seems that this was Millard’s “first GENESIS recording”, but he was able to create a transcendental sound without knowing the characteristics of the sound output… What is drawn with such a sound is a full show with the valuable Bill Bruford. To put it bluntly, the set itself is the same as “DEFINITIVE TRICK”, and it is a live album that allows you to experience that masterpiece in the field with the best sound. For those who haven’t experienced “DEFINITIVE TRICK”… Gabriel era (10 songs), Invasion: White Mountain (★), Foxtrot: Supper’s Ready/Watcher Of The Skies (★), Knight of the Moonlight :The Cinema Show/Firth Of Fifth/I Know What I Like (In Your Wardrobe)・Dazzling Broadway: The Lamb Lies Down On Broadway/Fly On A Windshield (★)/The Carpet Crawlers/It (★) Trick of・The Tail (5 songs) ・Dance On A Volcano/Robbery, Assault and Battery/Entangled (★)/Squonk/Los Endos *Note: Songs marked with “★” are not available on “SECONDS OUT”. …and it looks like this. Speaking of GENESIS from the four-person era, I think “SECONDS OUT” is the standard, but there are also four songs that can’t be heard there, especially “White Mountain” and “Entangled”, which are almost exclusively limited to this tour. is. Even more than that is the ensemble that runs throughout the film. The performance of Phil Collins, who has more than filled the void left by Peter Gabriel, has been remarkable, but the one to watch is Bill Bruford. It’s not a “challenging improvisation” because it’s just a band that performs properly, but the delicate and lyrical phrases that are a little nervous are still alive and well. You can experience the best of GENESIS songs, which have been rewritten with the familiar Bluford clause from YES and KING CRIMSON. A new work by legendary master Mike Millard, and the highest peak trial version of “GENESIS with Bill Bruford.” This is more than a masterpiece of GENESIS, it is a cultural heritage of the music genre “progressive rock”. This tour also includes the transcendental sound board “DEFINITIVE TRICK”, so this work is not “the spearhead instead of the official one”. In fact, more than that. The true value lies in achieving the highest peak of “beauty unique to the audience”, and while the sound quality is similar to that of official works, you can experience GENESIS with a sense of reality and elegance that even a transcendental sound board cannot reach. Such an “extreme” piece of music. Live at Starlight Bowl, Burbank, CA, USA 1st May 1976 TRULY PERFECT SOUND Disc 1 (56:37) 1. Intro 2. Dance On A Volcano 3. The Lamb Lies Down On Broadway 4. Fly On A Windshield 5. Carpet Crawlers 6. The Cinema Show 7. Robbery, Assault and Battery ★5:52 – 6:01 Supplemented with other sources on the same day 8. White Mountain 9. Introduction Of Bill Bruford 10. Firth Of Fifth Disc 2 (61:24) 1. Steve Hackett MC 2. Entangled 3. Squonk ★6:40 – 6:51 Supplemented with different sources on the same day 4. Supper’s Ready 5. I Know What I Like 6. Los Endos 7. It 8. Watcher Of The Skies Phil Collins – Vocal, Drums, Percussion Steve Hackett – Guitar Mike Rutherford – Bass, Guitar Tony Banks – Keyboards Bill Bruford – Drums, Percussion