Description
The masterpiece recording created by John Wizard in 1977 is not limited to Floyd’s “CALIFORNIA STOCKYARD” which will be released at the same time. After all, he released Fleetwood Mac’s “SIN CITY 77” in the same year with Vicky Vinyl. Needless to say, Mac reached the height of its popularity in 1977 with the release of the masterpiece “RUMOURS”. It has been handed down as a masterpiece that captures their latest tour with excellent sound quality. This LP was recorded by John at a live concert in Las Vegas and released by Vicky Vinyl, but while John didn’t like to release it on multiple discs due to cost considerations during the Wizardo label era, Vicky Vinyl’s Andrea From the beginning, Waters was active in creating items that contained entire concerts. After all, he is the person who dared to release a three-disc set of “WINGS FROM THE WINGS.” Thanks to these benefits, “SIN CITY 77″ was also released as a two-disc LP. Furthermore, like “CALIFORNIA STOCKYARD”, the original tape sound source has never been distributed among traders, and it is said that it was an unusually long-lived item with LP still reigning as the original source. Thanks to this, there were some hard-fought remastered versions of the LP available on the internet, but because they were too focused on eliminating the scratch noise, the rich, natural feel of the original was lost. . On the contrary, Mick’s drum cymbal hits the ear. I became a maniac and ended up saying, “It has to be an LP after all.” However, in 2021, John released the cassette master of “SIN CITY 77”! It is said that it is not even available online at this time (it may appear online after we see the item released, like last week’s Bowie 2 title). I was surprised to learn that the Floyd researcher who provided the cassette master of “CALIFORNIA STOCKYARD” also sent the sound source containing the master of “SIN CITY 77”. Finally, the master of Mac’s best masterpiece was discovered. The sound quality of the same LP was very good, which was one of the reasons why it was called a masterpiece, but as expected, it is the power of the master. The sound quality has also improved, and the plump and solid sound quality is finally wonderful. What’s more, the freshness is outstanding. Like the master of “CALIFORNIA STOCKYARD”, this one is also at a level that is hard to believe that it has been dormant for almost 45 years. And the biggest shock to Mac fans around the world after discovering the master is that “Monday Morning”, which was cut from the LP due to recording time, is included! “SIN CITY 77” boasted a long life as a classic item from the 1977 tour, but the only drawback was the lack of the same song. Because of this, it was not a complete set, and enthusiasts listened to it with the frustration of thinking, “It’s a masterpiece, but it’s an incomplete recording.” That’s finally…the ideal development of master discovery that realizes not only the sound quality but also the content. I see, if you listen to this audio source, you can see that after “Say You Love Me,” there was a cut at the “thank you” that Christine said, and then an edit that continued from there to the “thank you” that Lindsay said after “Monday Morning.” I understand very well. Speaking of the “RUMOURS” tour, the performance at the LA Forum that Mike Millard had recorded last year was released as “L.A. FORUM 1977 2ND NIGHT: MIKE MILLARD ORIGINAL MASTER TAPES” and surprised enthusiasts around the world. , “SIN CITY 77” Las Vegas was 5 days before that. The tour was at its peak when there were two types of high-level audience recordings in one week. What’s even more surprising is that John’s recordings have higher sound quality than Millard’s…can you believe it? Millard’s LA Forum was also top-notch, and although his typical texture was appealing, the contours of Lindsey’s guitar stood out, and his vocals and the two girls’ vocals had a slightly deeper balance. And above all, it is true that there were parts of Millard’s recording where the chatter of the surrounding audience became noticeable as the live performance progressed. In that respect, John’s recording is extremely quiet, and the balance of the three vocalists, which is Mac’s charm at this time, is perfect. Of course, Stevie’s tone of voice is also good. These elements made “SIN CITY 77” a masterpiece, and finally, the release of the upper and complete version of this masterpiece will be realized. Once again, this is a masterpiece that represents the 1977 “RUMOURS” tour, and is the best audience album that we recommend to all music fans. This is the master cassette! Miraculous super high sound quality that even surpasses mirrored! ! This amazing Fleetwood Mac audience recording is at a level that I have never heard before. God recording. Aladdin Theater For The Performing Arts, Las Vegas, NV, USA 25th August 1977 ULTIMATE SOUND!!! Disc 1 (40:52) 1. Intro. 2. Say You Love Me 3. Monday Morning 4. Dreams 5. Oh Well 6 Rhiannon 7. Oh Daddy 8. Never Going Back Again 9. Landslide 10. Over My Head Disc 2 (53:29) 1. Gold Dust Woman 2. You Make Loving Fun 3. I’m So Afraid 4. Go Your Own Way 5. World Turning 6. Blue Letter 7. The Chain 8. Second Hand News 9. Songbird Lindsey Buckingham – guitars, vocals Stevie Nicks – vocals, tambourine Christine McVie – keyboards, vocals John McVie – bass guitar Mick Fleetwood – drums, percussion
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