Eric Clapton/London,UK 5.24.2017

Dear Clapton fans, sorry to keep you waiting. From the latest London performance held the other day, our shop released the hot sound source of the first and last day, the third day, at super speed last week, but this week we will also release the good quality master of the second day! This master was uploaded on the Internet, and the recorder is American taper Daspyknows, who is known for uploading many of the best audience sources in recent years. He is known for using high-end equipment called MK4 / NBox Platinum Tascam DR-2D 24 Bit 48K, and his sound quality is well-known. He lives in the United States, and this time he went to London to record it. He probably wanted to personally record Eric Clapton’s long-awaited stage with his own hands. Thanks to his enthusiasm, this board is a high-quality master that is characteristic of him. However, considering his recording level, it can be said that it is only average class. Overall, the sound was a little loose. The applause of the audience was also captured with a somewhat noticeable feeling. So, to eliminate this shortcoming, our professional staff mastered the sound to make it tight and solid. In addition, the annoying applause has been reduced. As a result, it is much easier to listen to and more satisfying than the raw online sound source. This means that we can deliver high-quality recordings of all the performances to customers who listened to the first and third days last week. Now, this second day’s London performance. In the fan site review after the concert, there were no particular surprises on this day, which was the middle day, and some people expressed disappointment that the reggae version of the first day’s surprise number, Bell Bottom Blues, was dropped from the set. Some people pointed out that Clapton was clearly tired in the second half of the show, and when you see such comments, you might think that there was nothing special that day, but that’s not the case. The PA system at the venue was very good, so the band’s sound was powerful, and the result was a fulfilling stage of a down-to-earth, experienced band. The highlight of the day, according to a long-time fan club representative, was Badge and Crossroads. Clapton’s aggressive solos burst forth, giving a sense of his vitality. Doyle Bramhall II, who performed as the opening act, also participated in Little Queen Of Spades and Cocaine, as on the first day, and also featured solos. Here, there is no awkwardness in the solo rotation like on the first day, and the contrast between his and Clapton’s solos, reminiscent of the 2009 tour, is also a highlight. On this day’s Cocaine, when Chris Stinton’s piano solo at the end of the seven-octave closing, Clapton glanced at Clapton and made a pose of cutting his own neck with his right hand. It must have meant “Finish it!” The band seemed to be in perfect sync. With the release of this board, all of Eric Clapton’s latest London performance sound sources from last week will be available. Don’t miss this opportunity. Live at Royal Albert Hall, London, UK 24th May 2017 TRULY AMAZING/PERFECT SOUND Disc 1 (48:12) 1. Intro 2. Somebody Knocking 3. Key To The Highway 4. Hoochie Coochie Man 5. I Shot The Sheriff 6. Driftin’ 7. Nobody Knows You When You’re Down And Out 8. Layla 9. Tears In Heaven Disc 2 (44:1 4) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen Of Spades (with Doyle Bramhall II) 5. Cocaine (with Doyle Bramhall II) 6. Hight Time We Went (with Doyle Bramhall II)