Deep Purple/UK 1973 Original Master

Following “LYON 1973” which delighted DEEP PURPLE maniacs, another item coveted by mania will be released from the live performance at the time of the release of “WHO DO WE THINK WE ARE!” in 1973! From the second DEEP PURPLE’s last UK tour, you can enjoy the February 21st Birmingham “Town Hall” performance with an audience source that is more than adequate as a recording from about 40 years ago! After producing “WHO DO WE THINK WE ARE!”, PURPLE started their live activities in 1973 with a German tour held from January 16th to 27th, 1973. Circuit around Europe. Furthermore, from February 16th, they toured the UK for a total of 9 performances over 12 days, starting with a performance at the Rainbow Theater in London and ending with a performance in Liverpool on February 28th. Many of the sound sources from this “WHO DO WE THINK WE ARE!” tour are well-known from Germany, Europe, and the American tour (not to mention the Japan performance), but the sound sources from the UK tour are surprising. The only sound source that was unknown and made into an item is the London performance on the first day, which appeared long ago as “LIVE AT THE RAINBOW ’73” (this London performance was previously thought to be “February 18th”). However, according to recent verification by overseas enthusiasts, it is said to be “the 16th”). Other than this, even among enthusiastic traders, the sound source of the Manchester performance on the 19th is known (in part), and it is a somewhat lonely situation as the last UK tour of the second period. For that reason, the original sound source from the middle of the tour that was discovered this time can be said to be a must-see for PURPLE fans and collectors. Although it gives the impression that it is a somewhat distant recording, the recording captures the mood of the venue and the atmosphere of the hall performance, giving it a vintage feel that is “very ’70s.” Maniacs who love live tapes will feel irresistible the moment they hear the opening intro. Although there are some fluctuations and omissions in the sound derived from the master in some places, visibility and separation are quite good. In particular, Ian Gillan’s vocals and Jon Lord’s organ are extremely easy to listen to, and the presence of both stands out from “Highway Star”. Of course, Richie’s guitar is in great condition, and the solo is also beautifully decided (Roger Glover’s bass, which resonates at the bottom to support Richie’s play, is also worth listening to). “Smoke On The Water”, which begins after a while from “Highway Star”, starts with the interaction between Richie and Pace, which was heard at the London performance on the first day. Gillan’s vocals and John’s organ are outstanding here as well, making you enjoy the powerful performance. Also pay attention to John’s solo that can be heard at the end of the song. Next is the familiar “Strange Kind Of Woman”. For some reason, the same song appeared in the live performance in the sound source containing the London performance, but here it is in the normal position. Gillan and Ritchie’s improvisations in the middle are worth listening to. The interactions between the two, which could not have been seen during this period, function as proper exchanges here. The speedy and flowing performance of “Mary Long” that follows will be a highlight even in the main sound source. “Lazy”, which features John’s solo with a clear sound at the beginning, is the best in the relationship between Richie and John. You can’t help but fall in love with the band’s interplay that unfolds with Aun’s breath. Pace’s drum solo and “The Mule” that flow with the same momentum are also very dynamic. The highlight of the live performance was the 20 minute long “Space Truckin’.” The rush of power and energy is unique to the second season. The exquisite clapping that erupts from the entire venue will give the audience a wonderful sense of realism, and will hypnotize the listener. Here too, Gillan delivers a powerful song with his signature screams. And the band interplay and solo part starting around 7:10 is nothing short of spectacular! Richie, John, Pace, and Roger all intermingle and explode with explosive play, creating the climax of the live performance. The ending is so amazing that it makes you forget the state of the band at the time! Even during the encore “Black Night,” which was performed in a way that was pushed by the enthusiasm of the venue, the band developed a fulfilling play. Richie’s guitar, which makes full use of arming, undulates heavily, and John’s organ has a light solo sound, which is a perfect score. This work allows you to listen carefully to the live performance in the UK in February 1973, where there were few types of items and the pattern was not clear until now, with good sound. Live at Town Hall, Birmingham, England 21st February 1973 TRULY AMAZING SOUND 1. Intro. 2. Highway Star 3. Smoke On The Water 4. Strange Kind Of Woman 5. Mary Long 6. Keyboard Solo/Lazy 7. Drum Solo/The Mule 8. Space Truckin’ 9. Black Night Ritchie Blackmore – Guitar Ian Gillan – Vocal Roger Glover – Bass Jon Lord – Keyboards Ian Paice – Drums