Deep Purple/Tokyo,Japan 1985 3Days Complete

From the reunion tour accompanying “Perfect Strangers” in 1985, the first day (5/13), second day (5/14), and last day (5/16) of the four consecutive performances at Budokan are all available among traders. Introducing a 6-disc set title that completely records all three performances from the first original master cassette. From the opening SE to the encore Smoke On The Water, each show is completely recorded, except for the minute cuts at the tape reversal points. The sound quality is recorded as a very excellent high-quality audience recording for all three performances, and in particular, the second day, May 14th, is recorded with the best sound quality that exceeds the previously released press CD “The Ricochet” (DTB). The natural spread, timbre, and clarity of the sound are superior to the main version, and you can enjoy a wonderful live performance with amazingly high sound quality with excellent stability. On the final day, May 16th, 8 minutes of the accident in the intro that has not yet been released will be recorded. You can enjoy Richie’s last Deep Purple live performance in Japan with realistic sound. And the best place to listen to it is May 13th, the first day the live CD will be released for the first time. I couldn’t believe that today’s live was so amazing! You can enjoy plenty of the best and wonderful performances that you can’t help but listen to. The May 13th take was the first day of Purple Tokyo, so the show started in a special mood full of unique enthusiasm and excitement. In Highway Star, both the organ and guitar performed a stunning solo with a high degree of perfection, and the first fast-playing part of the guitar really conveyed how the audience’s excitement reached its first peak. (Microphone noise enters around 2:50.) Gillan’s voice also comes out well, and you can hear his relaxed and wonderful singing in the second song, Nobody’s Home, and the following Strange Kind Of Woman, which shows how well he did that day. Masu. You can hear a long energetic performance even in the interaction between Richie and Gillan in the 6 minute range of Strange Kind Of Woman. However, there seems to be a technical problem here, and Gillan tries to connect with a long MC, but says, “Please wait two minutes.” (During this time, it is actually interrupted for nearly 10 minutes.) The tape is cut here and restarts from Richie’s Blues. In the repartitioned A Gypsy’s Kiss, Gillan shows off his mesmerizing vocals, and creates a wonderful peak in the third song, “Geronimo!”. Richie also performs a sharp solo in the second half, reassuring the listener. I was also impressed by Gillan’s relaxed vocals in Under The Gun. The intro to Lazy also got the crowd excited by Richie’s intense play. The crisp and wild play after the drums come in is the best. Child In Time 2:55 There is a noise that sounds like the microphone was hit. After the reunion, Purple’s Child In Time has a strange vocal and is not good enough, but on this day, it is very wonderful, including the vocals. Ritchie’s solo in the middle is played in an aggressive manner that I have never heard before, and you can hear an extremely long solo reminiscent of the 70’s, making it the best must-hear part of this 6-disc set. But here’s a big incident! Once again, there was a problem with the equipment (keyboard), and as a result, you can listen to a rare take in which the second half of the song was not performed. (Ritchie’s solo was playing for more than a minute longer than usual, so during this time, the members or staff may have been gesturing to Richie to “please play longer.”) Knockin’ At Your Back Door also has very good vocals. Ritchie’s long solo from the 5 minute range to the 7 minute range uses Middle Eastern chords, allowing you to listen to an outstanding play full of vibration and creativity, and like Child In Time, it became the best listening spot of the day. I am. The following song, Difficult To Cure, also shows off a stylish and controlled play. This day’s keyboard solo was short at 2 minutes, probably due to some trouble. But here’s where things get even more amazing: Space Truckin’ features Gillan’s vocals at his peak, the organ solo in the second half, and Ritchie’s guitar noise solo that roars like the roar of a wild beast, all of which are the best. You can listen to the performance. I couldn’t believe the performance on the first day at Budokan was this good! ! Gillan’s sharp singing in Woman From Tokyo and Smoke On The Water is also a must-listen. The excitement in the venue during Black Night and Smoke On The Water was also impressive. It’s a really great live take. On the second day, the sound quality is good, and you can comfortably enjoy the band’s live performance filled with creativity. As mentioned above, there are also advantages such as the sound is close, the sound image is clear, the sense of separation is good, and Child In Time, which had a cut in the previous release, is recorded uncut. Richie’s flowing solo play heard in each song is exquisite, and you can enjoy this day’s stage with great sound, which is highly rated as the best during the Japan tour and has a high degree of perfection. In Strange Kind Of Woman, Richie, who is in high spirits, inserts Bach in the dialogue. You can enjoy an exquisite performance of the really wonderful A Gypsy’s Kiss, which follows the amazing Blues with its spontaneous introduction. Gillan’s rich vocals in Perfect Strangers are also wonderful, and on this day the strings synths are outputted a little louder. On this day, I couldn’t help but laugh at the German soldier-style title call of Under The Gun, which is familiar to me every time, but the stable vocal performance during the song is superb. In the second half, Richie plays a lively solo, but perhaps because he got confused about the number of times, the ending is a bit vague, and after the performance, Richie points his finger at Pace as if to say, “It’s your fault.” You can hear the play exactly as in the episode where Pace gets angry and throws his stick. Following the familiar intro action of Lazy, which was reorganized, the band performed an intense groove as one. But the amazing thing is Child In Time, and Richie’s tremendous long solo is really amazing. The keyboard was in good condition on this day, and a 7-minute solo including a piano solo, which was not available the day before, was performed. The powerful performance in Space Truckin’ is especially wonderful, and you can hear the best of each vocal, guitar, and keyboard. The sound quality was originally good, but in the second half of the show the sound improved further, and the last three songs had surprisingly good sound quality, allowing you to enjoy the best performance of the Japan tour. The piano in Woman From Tokyo is very clear, and I’m in love with Black Night, which has a clear musical tone that doesn’t lose to handclaps (although Richie makes a mistake at 1:29). Gilan’s singing at 2:55 is also great. You can enjoy an exquisite performance even with Smoke On The Water, which was recorded with an excellent sound image like a sound board. At the beginning of the final day, a little trouble occurs. The familiar Bach SE played throughout the venue, but due to some kind of accident, they couldn’t start right away and there was silence. Replaying the same Bach intro again (a bit goofily). And silence again. While the venue was in an uproar, another baroque classical piece was played, and silence fell once again. And for the first time, we completely recorded the 8 minutes of starting the concert by suddenly playing the SE in front of Highway Star without Bach. Compared to the first and second days, the sound image gives you a greater sense of the atmosphere and presence of the venue, but it is recorded with high sound quality that is comparable to the previously released “Final Crash” (DTB). The natural textured sound is just wonderful, and although the vocals are a little quiet, the musical tones themselves are picked up clearly, and the sound has plenty of depth, so there’s nothing lacking. There is a tape change cut at 7:31 of Child in Time. After the stunning slide solo in the second half of Knockin’ At Your Back Door, Gillan rarely shouts “On The Guitar Ritchie Blackmore!” after the song ends. Ritchie’s unusual solo performance of Blues and Difficult To Cure on this day is one of the highlights. In the second half of Space Truckin’, Richie’s guitar crash only for this day will explode. Black Night and Smoke On The Water, which are Ritchie and Gillan’s last performances in Japan, 24 years ago, are deeply moving. (At the last Smoke On The Water, the whole crew appeared on stage and it got into a festive mood.) Live at Budokan, Tokyo, Japan 13th, 14th & 16th May 1985 TRULY AMAZING/PERFECT SOUND(from Original Master) Live at Budokan, Tokyo, Japan 13th May 1985 Disc 1 1. Intro. 2. Highway Star 3. Nobody’s Home 4. Strange Kind Of Woman 5. Blues/A Gypsy’s Kiss 6. Perfect Strangers 7. Under The Gun 8. Lazy 9 Drums Solo 10. Child In Time Disc 2 1. Knockin’ At Your Back Door 2. Difficult To Cure 3. Keyboard Solo 4. Space Truckin’ 5. Woman From Tokyo 6. Black Night 7. Smoke On The Water Live at Budokan , Tokyo, Japan 14th May 1985 Disc 3 1. Intro. 2. Highway Star 3. Nobody’s Home 4. Strange Kind Of Woman 5. Blues/A Gypsy’s Kiss 6. Perfect Strangers 7. Under The Gun 8. Lazy 9. Drums Solo 10. Child In Time Disc 4 1. Knockin’ At Your Back Door 2. Difficult To Cure 3. Keyboard Solo 4. Space Truckin’ 5. Woman From Tokyo 6. Black Night 7. Smoke On The Water Live at Budokan, Tokyo, Japan 16th May 1985 Disc 5 1. Intro. 2. Highway Star 3. Nobody’s Home 4. Strange Kind Of Woman 5. Blues/A Gypsy’s Kiss 6. Perfect Strangers 7. Under The Gun 8. Lazy 9. Drums Solo 10. Child In Time Disc 6 1. Knockin’ At Your Back Door 2. Difficult To Cure 3. Keyboard Solo 4. Space Truckin’ 5. Woman From Tokyo 6. Black Night 7. Smoke On The Water Ian Gillan – Vocal Ritchie Blackmore – Guitar Roger Glover – Bass Jon Lord – Keyboards Ian Paice – Drums