Deep Purple/England,UK 02.12.1971 Complete Upgrade

DEEP PURPLE in 1971, which was evolving from a high-performance improvisation machine to a mass-producer of masterpieces. A new upgrade master has been discovered for this legendary recording! The recording that is permanently preserved in this work is the “February 12, 1971 Birmingham performance”. This is the legendary audience recording. In 1971, they produced two great masterpieces, “FIREBALL” and “MACHINE HEAD”, and produced one historic masterpiece after another. They tried new songs in advance at live performances, and the difference in fine timing is also important. First, let’s take a bird’s-eye view of the activities at that time on the schedule and approach the position of this work.・January 1st + 2nd: Netherlands (2 shows) ・January 29th – February 9th: UK #1 (8 shows) 《February 12th: Single “Strange Kind of Woman” released》 ・February 12th – March 8th: UK #2 (13 shows) ←★here★ ・April 7th – June 25th: Europe #1 (29 shows) ←※ULTIMATE BERLIN 1971 《July 9th “FIREBALL” released》 ・July 2nd – August 12th: North America #1 (25 shows) ←※LONG BEACH ARENA 1971 ・September 4th – October 11th: Europe #2 (15 shows) ←※BOURNEMOUTH 1971 etc. ・October 22nd – 24th: North America #2 (3 shows) 《Tour suspended due to Guillain’s hepatitis → December “MACHINE HEAD Production》This is the 1971 DEEP PURPLE, a shocking new master that is more than 10 minutes longer. The production of “FIREBALL” began in September 1970 and was completed in June 1971 in parallel with the tour. The Birmingham performance of this work was a concert in the middle of that, and it was also the release date of the pre-release single “Strange Kind of Woman”. This show has long been known for its famous recordings, and this work is the latest upgrade master of that legendary recording. It is the latest transfer version released from the world-famous collector “Lucifer Burns” collection. However, the degree of improvement is not half-hearted. It has improved in both quality and quantity, but it is clear from the quantity first. When it comes to the lengthening of vintage recordings, it is appreciated even at the level of a few seconds, but this work is not like that. Our “MANDRAKE ROCK”, which was the best version until now, was a single piece of “about 74 and a half minutes”, while this new master is about 85 minutes. It is a two-disc set that is more than 10 minutes longer. Moreover, the longer parts are not recorded between songs or cheers, but the fierce live performance of the second period, which is irresistible. Unfortunately, the opening “Speed ​​King” is not included this time either (probably not recorded at all), and the longer part is “Mandrake Root”. In the previous master, it faded out after about 20 minutes, but this work also includes “30:24”. Instead of ending with a cut-off, the long and intense improvisation battle is over, and you can listen to the song until it ends. Vivid sound that is much easier to listen to Even just such an extended part is exciting, but the sound that runs through the entire work has also improved, so I am overwhelmed. Of course, the personality of the recording itself, which tends to be overpeaked (just like KING CRIMSON’s “EARTHBOUND”), remains the same, but the performance sound that cuts through the rough space and reaches you is much more vivid. In terms of image, the previous version felt like searching for the performance among the noise and reducing it in my mind. On the other hand, the new master does not require such effort or concentration. Even if you listen to it without thinking, the intense ensemble will surge forward, and the wild sound is more “dusty” than “noise”. Moreover, this work is the highest peak update board that has further raised the high peak of such a new master with unique mastering. Noise that interferes with the performance has been thoroughly reduced, and momentary sound drops have been treated. It has been polished to the best version with improved completeness and stability as a musical work and is permanently preserved. DEEP PURPLE in 1971 is said to be one of the peaks in the glorious II period. The unfamiliar and intense improvisation is wonderful, and the consensus of creating masterpieces every day can be felt from each phrase. This work is an upgrade album that allows you to enjoy such band potential for a longer and more vivid time. A shocking new master that has updated the longest and highest peak of the legendary recording (currently the Liverpool recording on January 30th is said to be the oldest) that was once loved as “the oldest Strange Kind Of Woman”. A legendary audience recording of the “Birmingham performance on February 12, 1971”. The upgraded master, recently released by the famous collector “Lucifer Burns”, is more than 10 minutes longer than the conventional version and the sound is even more vivid. Moreover, the longer part was not recorded between songs or cheers, but the fierce improvisation of “Mandrake Root”. This is the longest and highest peak update of the cultural heritage album, where you can experience the stage on the day of the release of the single “Strange Kind of Woman”. Town Hall, Birmingham, UK 12th February 1971 TRULY AMAZING/PERFECT SOUND UPGRADE & LONGER Disc:1 (39:22) 1. MC 2. Strange Kind Of Woman 3. Child In Time ★18:25 Tape change 4. Paint It Black/Drum Solo Disc:2 (45:44) 1. Tuning ★Long so cut 2. Mandrake Root ★31:03 Tape change (already released fades at 20 minutes) 3. Black Night 4. Lucille Ian Gillan – Vocals Ritchie Blackmore – Guitar Roger Glover – Bass Jon Lord – Keyboards Ian Paice – Drums