Description
The most special soundboard album in Bowie history is reprinted with a new look. The true identity of that “most special” person is the legendary guitarist: Stevie Ray Vaughan. This is the second edition of “DALLAS REHEARSALS 1983”, which permanently preserves the rehearsal soundboard of “SERIOUS MOONLIGHT TOUR 1983″ in which he participated in the highest quality ever. “DALLAS REHEARSALS 1983”, which was released two years ago, was highly praised for its excellent quality and content and sold out. It has been difficult to obtain for a while, but it is a loss to the rock world that such a masterpiece is not available. The content is the same as the first edition, but it has been re-released with renewed artwork. What’s inside such a popular album? There are two known rehearsals for this rehearsal, “April 26, 1983” and “April 27, 1983,” but the one recorded in this work is “April 27” (April 26, 1983). You can enjoy the daily version in “THE DAY BEFORE”). It is a sound source that has been famous for a long time, as it is a co-starring sound board with a genius guitarist. Of course, this work is not a copy of a previous release. A world-famous authority on Bowie research has examined all the masters in the world and has given his stamp of approval as “this is the best.” Furthermore, it is a gem among gems that has been mastered by the researcher himself. This maniac is truly an expert among experts. He is not only familiar with the sound sources, but also knows everything about the history and charm of Bowie, and with his unique sense and technique, he has made this classic into the best in history. At our store, under the supervision of this researcher, we have delivered Bowie’s classic soundboard group in its ultimate form. The lineup includes “HAMMERSMITH ODEON 1973”, “ROTTERDAM 1976”, “GLASTONSTONBURY FESTIVAL 2000”, “MONTREUX 2002”, “LORELEY 1996”, “MILTON KEYNES BOWL 1990 2ND NIGHT”, etc. I think that anyone who has caught their eye on this work has probably purchased at least one copy. And I’m sure you’ve been surprised more than once by its ultimate quality. This work is one of the finest works in which the selection of sound sources backed by deep knowledge and the sense of remastering shine, and this work is one of the special works in the sound board collection supervised by such researchers. In fact, the sound is just superb. It was originally a powerful desk-connected soundboard, but the musical tone of this work is even thicker and the edges are sharper. Of course, it is completely different from the one where the sound pressure was raised excessively, and the subtlety of the details that can be expected from the best master is not lost in the slightest. On top of that, the rich rumble and plump mid-bass flow comfortably into your ears. It might be misleading to call it “official style” because it is just a rehearsal for a live performance, but the rich sound has an “official quality”. The classic sound board that has been revived with such ultimate sound is truly a miraculous space where geniuses and geniuses coexist. Both men co-starred in the album “LET’S DANCE”, but in this work, they played plenty of Bowie’s hit songs and representative songs as they were rehearsing for the tour. When it comes to rehearsal albums, there are many sound sources where the songs are not memorized or are discussed endlessly, but this work is a rehearsal of a full show that flows without stagnation, and there is nothing suspicious about the performance. The arrangement is perfect down to the smallest details, and in between the moments, SRV’s unique phrases peek out. Of course, it is understandable that he ultimately refused to participate in the tour since it is far from his own musicality, but there is no room for professionalism. It is packed with luxurious listening responses that are like “the best version of SRV version”. Two months before the world noticed this rare genius guitarist with his masterpiece “TEXAS FLOOD”. Stevie Ray Vaughan, who had already completed a historical masterpiece and was about to ask the world about it, is here. And standing next to them is another genius, David Bowie. Because it is a live performance, this is a rehearsal album where the bond between the two is more clearly engraved than the album “LET’S DANCE.” It is the highest peak record in its history. The legendary soundboard album, here is a magnificent reprint. Las Colinas Soundstage, Dallas, TX, USA 27th April 1983 STEREO SBD Disc 1 (73:01) 1. Star 2. Heroes 3. What in the World 4. Look Back in Anger 5. Joe the Lion 6. Wild is the Wind 7. Golden Years 8. Fashion 9. Let’s Dance 10. Red Sails 11. Breaking Glass 12. Life on Mars 13. Sorrow 14. Cat People 15. China Girl 16. Scary Monsters 17. Rebel Rebel 18. I Can’t Explain 19. White Heat, White Light Disc 2 (59:38) 1. Station to Station 2. Cracked Actor 3. Ashes to Ashes 4. Space Oddity 5. Young Americans 6. Soul Love 7. Hang on to Yourself 8. Fame 9 TVC15 10. Stay 11. Jean Genie 12. Modern Love STEREO SOUNDBOARD RECORDING David Bowie – vocals, guitar, saxophone Stevie Ray Vaughan – guitar Earl Slick – guitar Carlos Alomar – guitar Carmine Rojas – bass guitar Tony Thompson – drums, percussion Dave Lebolt – keyboards, synthesizers Steve Elson – saxophones Stan Harrison – saxophones, woodwinds Lenny Pickett – saxophones, woodwinds George Simms – backing vocals Frank Simms – backing vocals
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