David Bowie/Germany 4.7.1990

“SOUND+VISION Tour” distributed to the world the most gorgeous and largest greatest hits in Bowie history. The new master piece is born. What is recorded in this work is “Hamburg performance on April 7, 1990”. This is a neat audience recording. Bowie was once a world-wide excavation boom, but it has calmed down recently. It’s been a while since the “SOUND+VISION Tour” was released, so let’s take a look back at the entire world tour.・March 4th – 15th: North America #1 (7 performances) ・March 19th – April 22nd: Europe #1 (22 performances) ←★Here★ ・April 27th – May 9th: North America #2 (7 performances) ・May 15th + 16th: Japan (2 performances) ・May 20th – July 29th: North America #3 (40 performances) ・August 4th – September 16th: Europe #2 (24 performances) September 20th-29th: South America (6 performances) This is David Bowie in 1990. The best set of gorgeousness is sought after from all over the world, and the largest tour of Bowie’s career has been realized. It is second only to the “ZIGGY STARDUST Tour” and “A REALITY Tour” in terms of the number of venues, and the scale of the tour to 27 countries is even higher. It was a huge tour that became a highlight in Bowie’s tour life. In such a situation, the Hamburg performance of this work is at the beginning. This concert was the 13th performance of “Europe #1” and the 20th performance of the entire tour. Such a show is a beautiful recording that melts your heart with its clear clarity and beautiful sound. It has been digitized directly from the original cassette that was recently discovered, and it was created by Mr. G., who is currently a hot topic. He is an unknown master who made extensive recordings from 1978 to 2004, most of which have not been released. It is said that he has recorded many things related to Bowie, and the release of his collection is attracting attention. In fact, the sound of this work is enough to attract attention. It is a type of audience recording with a sense of atmosphere, but it is crystal clear, the core is straight and powerful, and the details jump into your ears vividly down to the minute details. The sound that seems to rise from the core is neat and beautiful, and instead of hiding the details, it gives it a sparkling shine. If you compare it to Japan, it is a sound that pursues the “beauty of the audience” like the prestigious Kinney. Bowie’s strongest greatest hits are colored by that beautiful sound. The selection for the “SOUND+VISION Tour” has changed around the world, but the one that we Japanese are familiar with is the Tokyo Dome performance. This is also a good opportunity, so let’s organize the sets while comparing them.・Space Oddity ・Hunky Dory: Changes/Queen Bitch (★)/Life On Mars? ・Ziggy Stardust: Ziggy Stardust/Suffragette City ・Aladdin Sane: The Jean Genie ・Diamond Dog: Rebel Rebel・Young Americans: Young Americans/Fame・Station to Station: TVC 15/Stay/Station To Station・Low: Be My Wife/Sound + Vision・Heroes: Scary Monsters: Ashes To Ashes /Fashion ・Let’s Dance: Let’s Dance/China Girl ・Tonight: Blue Jean ・Young Lions: Pretty Pink Rose *Note: Songs marked with “★” cannot be heard on the Tokyo Dome soundboard. …and it looks like this. As a matter of fact, “Queen Bitch” may be the only song that could not be heard in Japan, but Bowie’s essential tone is far superior to that in Japan. Since it was the 20th performance of the tour, the band had a solid plan, but they didn’t show any signs of fatigue since they had the day off the previous day. Combined with its beautiful sound, if it had been discovered earlier, it would have won historical fame as a masterpiece representing the tour. Mr. G. is also an avid Bowie fan and is said to have followed him around the country. I don’t know how many such collections there are, but there will probably be some recordings that will shock collectors around the world. The sound of this work is so beautiful that you can be sure of that. A new masterpiece that I can’t wait to hear in the future. A neat audience recording of “April 7, 1990 Hamburg Performance”. Directly digitized from a recently unearthed Omoto cassette, the atmosphere is crystal clear, the core is straight and powerful, and the details jump into your ears vividly down to the smallest details. The sound is neat and beautiful, and instead of hiding the details, it gives it a sparkling shine. In Japan, it is a sound that pursues the “beauty of the audience” like the famous Kinney. Although the set is like adding “Queen Bitch” to the performance in Japan, Bowie’s condition is far superior to that in Japan. This is a new masterpiece that allows you to experience Bowie’s greatest hits ever. Sporthalle, Hamburg, Germany 7th April 1990 TRULY PERFECT SOUND★Super high quality Disc 1(58:06) 1. Ode to Joy 2. Space Oddity 3. Changes 4. TVC 15 5. Rebel Rebel 6. Be My Wife 7. Ashes To Ashes 8. Queen Bitch 9. Fashion 10. Life On Mars? 11. Blue Jean 12. Let’s Dance 13. Stay 14. China Girl Disc 2(45:25) 1. Sound + Vision 2. Ziggy Stardust 3. Station To Station 4. Young Americans 5. Suffragette City 6. Fame ’90 7. Heroes 8. Pretty Pink Rose 9. The Jean Genie David Bowie – guitar, vocals Adrian Belew – guitar Erdal Kizilcay – bass Rick Fox – keyboards Michael Hodges – drums