David Bowie/CO,USA 2004

A new masterpiece is born on Bowie’s last “A REALITY Tour”. Introducing the best live album where you can enjoy rare songs. This work includes “January 19, 2004 Denver Performance”. This is the best audience recording. “A REALITY Tour” is Bowie’s last world tour before his death, and in addition to the official work “A REALITY TOUR”, our store also archives a number of masterpieces. All performances of the last Japanese performance have been permanently preserved, and the soundboard album “ATLANTIC CITY 2004 1ST NIGHT” has also become very popular. First of all, let’s check the position of this work from the overall tour picture while including such milestones. 2003 – August 19th: Warm-up gig [“REALITY” released on September 16th] – October 7th – November 28th: ​​Europe #1 (31 performances) ← *Official version A REALITY TOUR・December 13th – 20th: North America #1a (4 performances) 2004・January 7th – February 7th : North America #1b (18 performances) ←★Coco★ ・February 14th – March 14th: Oceania/Asia (13 performances) ← *OSAKA 2004 and others ・March 29th – June 5th: North America #2 ( 39 performances) ← *ATLANTIC CITY 2004, June 11-June 25: Europe #2 (7 performances) 《June 25: Emergency transport due to aneurysm》 This is David Bowie in 2003/2004. The tour was scheduled until July 2004, but before the tour was completed, he fell ill and never went on tour again. The Denver performance of this work is also in 2004, but the tour is still in the middle of the tour where there are no signs of illness. This was the 7th concert of “North America #1b”. This work recorded at such a show is the finest DAT master discovered in recent years. After all, the sound is so good that even among overseas collectors, there are various theories mixed with wishful thinking, such as, “Is this really an audience?”, “Isn’t it the same as the official version or broadcast soundboard?”, “Maybe they’re actually using a matrix?” There is. Actually, I feel like it’s a little too loud because I can feel the audience-like tone of the ringing, but I can understand the feeling of getting excited. The crystal-clear atmosphere is so bright that it shines, and the tightness is so tight that you can’t hear the sound of the hall even when listening with headphones. Of course, the details are as vivid as laser beams, and all instruments are neatly separated down to the individual notes. Even if you listen to it microscopically (other than the core tone and the applause between songs), you can’t find anything typical of the audience. Moreover, this work brushes up such original sound. This is a top-of-the-line updated album that pursues the maximum potential as a musical work by maintaining a natural feel while achieving both ease of listening and vividness. And what excites collectors even more than that ultra-clear sound is the show itself. As mentioned above, we have reported on “A REALITY Tour” so far, but this work has many rare songs among them, and is very rewarding to listen to. Here, let’s organize the set based on the most famous official version “A REALITY TOUR”. 60s/70s (14 songs) Hunky Dory: Life on Mars?/Changes Ziggy Stardust: Hang On to Yourself/Five Years/Suffragette City (★)/Ziggy Stardust Others: The Man Who Sold the World/Panic in Detroit (★) / Rebel Rebel / Fame / “Heroes” / Fantastic Voyage / White Light / White Heat (★) / All the Young Dudes 80’s and later (15 songs) ・80’s: Ashes to Ashes / Under Pressure / China Girl/Blue Jean (★)・90s: Hallo Spaceboy/I’m Afraid of Americans・Heather: Cactus/Sunday・Reality: New Killer Star/Reality/She’ll Drive the Big Car (★)/The Loneliest Guy/ Days/Never Get Old/Bring Me the Disco King *Note: Songs marked with a “★” cannot be heard on the official release “A REALITY TOUR”. …and it looks like this. The style that covers a wide range of careers with the latest work and “Ziggy Stardust” as two pillars is the true path of “A REALITY Tour”, but the key point is the rare songs sprinkled throughout. “Suffragette City” has been played quite a lot, so that’s not the case, but “White Light/White Heat” can’t be heard on the official album “A REALITY TOUR” or other countries’ titles, and “Panic in Detroit” has been around for 7 years. This song has been revived for the first time and is the fifth time on this tour. Similarly, “Blue Jean” for the first time in eight years is also a valuable take as it is the second tour. And the most rare song is “REALITY”‘s new song “She’ll Drive the Big Car.” Naturally, it is a limited edition song for the “A REALITY Tour”, but it is an extremely rare song that has only been sung about 10+ times at limited venues. You can enjoy one of the most valuable songs in Bowie’s entire career with super clear sound like a sound board. “A REALITY Tour” has “Bowie’s last” as its main theme. This work is not only one of the most famous recordings, but also a newly discovered live album with a special shine due to the abundance of rare songs. A new masterpiece from Bowie’s last “A REALITY Tour”. This is the best audience recording of “January 19, 2004 Denver Performance”. This is a newly discovered master that has become a hot topic overseas as well, with comments such as “It’s the same as the official version and FM broadcast” and “Is it matrixed with the sound board?” It has a crystal clear atmosphere and a tight feeling where you can’t feel the sound of the hall. Huge. In addition to “Suffragette City” and “White Light/White Heat,” you can also enjoy plenty of rare songs that can’t be heard on the official album “A REALITY TOUR,” such as “Panic in Detroit,” “Blue Jean,” and “She’ll Drive the Big Car.” Masu. Live at Fillmore Auditorium, Denver, CO, USA 19th January 2004 ULTIMATE SOUND Disc 1 (68:52) 1. Intro 2. Rebel Rebel 3. New Killer Star 4. Reality 5. She’ll Drive the Big Car 6. Hang On to Yourself 7. Cactus 8. All the Young Dudes 9. China Girl 10. Fantastic Voyage 11. The Loneliest Guy 12. Days 13. The Man Who Sold the World 14. Hallo Spaceboy 15. Sunday 16. Band Introductions 17. Under Pressure Disc 2 (70:55) 1. Life on Mars? 2. Changes 3. Fame 4. Never Get Old 5. Panic in Detroit 6. Ashes to Ashes 7. White Light/White Heat 8. I’m Afraid of Americans 9 “Heroes” 10. Bring Me the Disco King 11. Blue Jean 12. Five Years 13. Suffragette City 14. Ziggy Stardust David Bowie – vocals, guitars, stylophone, harmonica Earl Slick – guitar Gerry Leonard – guitar, backing vocals Gail Ann Dorsey – bass guitar, vocals Sterling Campbell – drums Mike Garson – keyboards, piano Catherine Russell – keyboards, percussion, guitar, backing vocals