Description
THE CULT is approaching their first new work in six years, “UNDER THE MIDNIGHT SUN”. The first report of their latest tour, which has already begun, has arrived. This work is recorded from the “Winnipeg performance on September 21, 2022”. It is a superb audience recording. Like many bands, THE CULT was forced to suspend activities due to the COVID-19 pandemic, but they have returned this year. They have been working hard on their tours even before the release of “UNDER THE MIDNIGHT SUN”. In order to get to know their current situation, let’s start by checking out the overview of their current activities.・April 21st-May 11th: North America #1 (14 performances)・May 23rd-June 1st: UK (6 performances)・July 8th-30th: North America #2 (15 performances)・September 15th-October 9th: North America #3 (13 performances)←★Here★《UNDER THE MIDNIGHT SUN released on October 7th》・October 27th-November 20th: North America #4 (7 performances)This is the 2022 schedule that has been announced so far. All of the tours except for the early summer UK mini-tour are in North America, and currently “North America #3” is being held just before the release of “UNDER THE MIDNIGHT SUN”. The Winnipeg performance of this work was the fifth concert. This work, which vacuum-packs such a show, is a recording that is currently a hot topic. It’s a hot topic just because it’s a long-awaited tour, but what’s even more so is the sound. It’s just ferociously direct and tight. The vivid atmosphere of the venue makes it impossible to mistake it for a soundboard, but the sound of the performance makes you want to make a mistake. The “Burton Cummings Theater” where the performance took place is an indoor theater as its name suggests, but even if you listen carefully with headphones, you can’t feel the hall noise. It’s like an outdoor venue with zero echo, and even the subtleties of the subtleties are tightly tightened. Moreover, the sense of separation and balance are extremely good. Not only the drums, but also the guitar, vocals, and contours stand out clearly and beautifully, and even when the instruments are entangled, they do not mix. Even the bass, which tends to be muddy in audience recordings, rises vividly one by one, and the groove drawn by the connection is beautifully drawn. Other than the tone, there is no customer record-like feel, and the more you listen, the more you forget that it is an audience and feel like a soundboard. Such a super tight sound is drawn with the latest full show that will also show new songs as soon as possible. Let’s organize the attention set here. 80’s (14 songs) Love: Revolution/Rain/She Sells Sanctuary Electric: Wild Flower/Aphrodisiac Jacket/Peace Dog/Lil’ Devil/Love Removal Machine Sonic Temple: Sun King/Automatic Blues/Sweet Soul Sister/Soul Asylum/Edie (Ciao Baby)/Fire Woman After (3 songs) BEYOND GOOD AND EVIL: Rise UNDER THE MIDNIGHT SUN: Give Me Mercy/A Cut Inside … and so on. The style is a concentrated and reduced version of the greatest hits of the past, with three recent songs sprinkled in. While the 80’s numbers are a concentrated and reduced version of the golden trilogy, they also add spice to the classics, such as “Aphrodisiac Jacket”, “Automatic Blues” and “Soul Asylum”. And the most noteworthy thing is the new song from “UNDER THE MIDNIGHT SUN”. The pre-released “Give Me Mercy” and “A Cut Inside” have been selected, but the latter has just been included in the set since “North America #3”. You can enjoy the fresh live performance version with the best sound of a soundboard as soon as possible. The first new work in six years will be released in less than a week… This is the best live album to savor such a “now”. Although it is an audience recording, it is of a quality that is close to the official work, and it is a new masterpiece that will symbolize “2022” along with “UNDER THE MIDNIGHT SUN”. The best audience recording of the “Winnipeg performance on September 21, 2022”. It is just ferociously direct and tight. Even if you listen carefully with headphones, you can’t feel the hall sound component, and it is as tight as a soundboard or an outdoor venue with zero echo. You can experience the latest full show with the greatest hits sprinkled with the new songs “Give Me Mercy” and “A Cut Inside”. Burton Cummings Theatre, Winnipeg, Manitoba, Canada 21st September 2022 TRULY PERFECT SOUND Disc 1 (54:30) 1. Rise 2. Sun King 3. Automatic Blues 4. Sweet Soul Sister 5. Soul Asylum 6. chat 7. Edie (Ciao Baby) 8. Give Me Mercy 9. Wild Flower 10. MC 11. Aphrodisiac Jacket 12. Peace Dog Disc 2(41:14) 1. MC 2. A Cut Inside 3. Fire Woman 4. Revolution 5. Rain 6. She Sells Sanctuary 7. Lil’ Devil 8. Love Removal Machine 9. Band Introductions / Outro Ian Astbury – vocals, tambourine Billy Duffy – guitar, backing vocals John Tempesta – drums Charlie Jones – bass Mike Mangan – keyboards, backing vocals
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