Cold Blood/CA,USA 1970’s Live Anthology

Cold Blood made their debut in 1969 as the first group of San Francisco Records, which was founded by Bill Graham himself. They are an R&B and funk band that ranks alongside Graham Central Station as music from the West Coast of the United States. In 2006, it was re-released with a paper jacket and remaster, including their debut album, but this band had already been released on CD in the early 90’s and was quickly praised. The best soundboard live performance of May 28, 1971 at their sacred place Fillmore is first recorded on Disc 1. It has a horn section similar to Tower of Power, and is considered a hero of Bay Area funk. There’s a female vocalist named Lydia Pence, and to be honest, it makes me wonder if Janis would have sounded like this if she hadn’t died. The sound is like 90’s acid jazz, the sound they were aiming for. You can enjoy a very cool groove that mixes the essence of hard rock with jazz funk. The Fillmore had such an amazing band that was as good as Tower of Power. There is an episode in the official “The Last Days of the Fillmore” where he and Boz Scaggs had a dispute over who would take the lead, but this live at the Fillmore was so exciting. Judging from the funkness of the first rare groove Too Many People, it hits the listener with an unusual sound. Next is James Taylor’s Lo And Behold Hammond’s freaky thing. Speaking of Fillmore, this song “I want to love you” is also included, and it is definitely the best live selection of songs. Next was the live performance on June 30, 1971, when Cold Blood’s most famous venue, Fillmore West, was closing.FM Off Air Master, the title is probably based on the master prepared for broadcasting. . I Just Wanna Make Love To You has been officially released, but it is recorded here from a different master. Overall, the performance was full of spirit, with elements of R&B, funk, and hard rock added, and Led Zeppelin performed a live performance that would surprise you. They’re joined by The Stanton Brothers, who probably played before them. Lastly, I think some people may find it easier to listen to the lighter sound-making from this period. Live at Record Plant on July 2, 1974, which has been hailed as the best. I think it’s a sound board, but the audience’s voices are a little on, so it might be the audience. However, it is actually a sense of realism, and there is no discomfort at all, and it can be said that this is the high quality sound of a live performance. The pleasant guitar cutting of the instrumental Valdez In The Country at the beginning of Usagi ni Kawa promises a dream time with this one song. The songs from Lydia released in 1974 are also rare, and the funkness of Under Pressure is similar to the James Brown style of aggressive playing by Lynn Collins. Lydia Pence’s vocals are soulful and have been compared to Janis, but some songs can even sound soulless or pure. Overall, it’s a free-soul-style live show, and I want to appeal to people who like that kind of thing. It’s live. The extended version of Simple Love Life recorded by Lydia is also rare and wonderful. Disc 1 Live at Fillmore West, San Francisco, CA May 28, 1971 1.Too Many People 2.Lo And Behold 3.I Can’t Stay 4.Funky On My Back 5.Watch Your Step 6.Shop Talk Pt.1 7.Shop Talk Pt.2 8.I Wish I Knew How It Would Feel To Be Free 9.Understanding 10.I Just Want To Make Love To You 11.I’m A Good Woman Live at Fillmore West, San Francisco, CA June 30, 1971 Disc 2 1. You Got Me Hummin’ 2. Too Many People 3. Lo And Behold 4. Let Me Down Easy 5. Monkey On My Back 6. KSAN announcement 7. Real Good Thing( w/The Stanton Brothers ) Disc 3 1. Watch Your Step 2. Shop Talk 3. I Wish I Knew How It Would Feel To Be Free 4. Understanding 5. I Just Wanna Make Love To You 6. I’m A Good Woman Disc 4 Live at Record Plant, Sausalito, CA. July 2, 1974 1.Valdez In The Country 2.Too Many People 3.Under Pressure 4.Feel So Bad 5.When It’s Over 6.Simple Love Life / Consideration 7.Funky On My Back 8. Down To The Bone ** bonus track ** (studio outtake) 9.Simple Love Life