Description
The titles released in the past for Bruce Springsteen’s first performance in Japan were all original audience recordings that were not distributed on the Internet or even among traders, and because they were of the highest quality, they have long been sold out and are still in Japan. Not to mention, there are constant requests for reissues from enthusiasts all over the world. Even under such circumstances, “TOKYO 1985 3RD NIGHT” was a day on the Tokyo schedule that had never even been released as an LP in 1985, and it was said that the correct set list was not even known overseas (it was known from an early stage in Japan). There was even a rare show. The opportunity to correct this worldwide was the sound source from the third day in Tokyo, uploaded by maniac mjk5510, who discovered the sound source of “ST. PAUL 1984 1ST NIGHT” on the first day of the “BORN IN THE USA” tour. did. However, a few years later, “TOKYO 1985 3RD NIGHT”, which had a far superior sound quality, was released, and it was a historical masterpiece that left the impression on enthusiasts all over the world that “Japanese sound sources have to be from Japan.” What’s more, this has been difficult to obtain for a long time. This year, 35 years have passed since the performance in Japan in 1985, which can be said to be legendary, and plans were being made to reissue it soon, and the audience master of the new Tokyo Third Day sound source. A tape was provided. I was wondering what the quality was, but when I listened to it, everyone was surprised by the sound image. The tremendous sound pressure surpasses even the famous recording “TOKYO 1985 3RD NIGHT” which captures the performance closely. Due to the high sound quality, the previous re-proposal was withdrawn and the plan was switched to a CD release for this new best audience. Although it was a spectacular sound image, there were some recording defects in the sound source this time. There is no reason not to use “TOKYO 1985 3RD NIGHT” to compensate for those points. For example, it is patched to the first 10 seconds of “Out In The Street”, and if you listen to it and compare it, you can easily realize how powerful and powerful the sound source is. That’s probably true. What a high-level comparison. However, in addition to these slight defects, in this sound source, there were some places where the posture of the taper or the position of the microphone moved, causing the sound to become a little muffled. In the end, the sound of something hitting the microphone at the end of “The Promised Land” was included, but I didn’t take any measures to change it to a different sound source, but rather compensated for the slight problem. I recorded it in a way that makes use of the remaining sound sources this time. The sound is that good. In other words, if “TOKYO 1985 3RD NIGHT” has a sound quality that praises spaciousness and delicacy, this one is attractive because it captures the performance with a strong and powerful sound. “TOKYO 1985 3RD NIGHT” was also well received when it was released, but after the previous two Tokyo shows, which were held for two days in a row, it was difficult for Japanese people who didn’t speak English because it included a narrative. One of the secrets to their popularity is that their setlist was able to fit into two CDs, with the help of a set list that excluded songs like “Racing In The Street”, which were poorly received. The existence of the “BORN IN THE USA” tour, which can be heard quickly on two discs along with the Kyoto “A GREAT GIG IN THE KYOTO” which is currently on sale, is also valuable, and is one of the first overseas performances in Japan. This is why it has been regarded as important by enthusiasts. Still, it is valuable that a small amount of the announcement before the performance that could not be heard on “TOKYO 1985 3RD NIGHT” is included. Above all, the revival of “Rosalita (Come Out Tonight)”, which was a staple at the end of live concerts but had undergone a seismic shift in 1985 when it suddenly stopped being played, is a first for the blues. This shows how much they cared about the reaction of Japanese fans. In fact, the revival of this song was worth it, and the first performance in Japan became even more exciting from this day onwards. It was perhaps auspicious that “Reason To Believe” from Bruce’s solo album “NEBRASKA” was performed for the first time in Japan. The Japanese themselves must have been prepared to welcome the blues group as it was their third day in Tokyo, and their excitement was wonderful, and the sense of realism was captured with a wonderful balance. Especially in “Hungry Heart,” it’s heartwarming to see how hard they sing in the chorus, even though it’s typical Japanese and English. This is the typical Western music concert of the Showa era. However, the biggest point of this sound source is that the sound image of the performance is very close to the realism. The harmonica in the intro of “The Promised Land” is at a level that makes you think it is a sound board. This is the birth of a masterpiece that will replace that masterpiece “TOKYO 1985 3RD NIGHT.” Hmm, this sound image is close! A new sound source that will shock Springsteen collectors around the world! ! Live at Yoyogi Olympic Pool, Tokyo, Japan 13th April 1985 TRULY PERFECT SOUND(from Original Masters)*New Master!!!!! Disc 1 (78:34) 1. Intro. 2. Born In The USA 3. Prove It All Night 4. Darlington County 5. Reason To Believe 6. Atlantic City 7. The River 8. Out In The Street 9. Glory Days 10. The Promised Land 11. MC 12. My Hometown 13. Badlands 14. Thunder Road Disc 2 ( 74:40) 1. Cover Me 2. Dancing In The Dark 3. Hungry Heart 4. Cadillac Ranch 5. I’m On Fire 6. No Surrender 7. Bobby Jean 8. Rosalita (Come Out Tonight) 9. Born To Run 10. Ramrod 11. Twist And Shout / Do You Love Me
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