Description
“OSAKA 1985 1ST NIGHT” is the masterpiece of Bruce Springsteen’s first performance in Japan released a few years ago. Achieved the worldwide feat of releasing the nostalgic LP “BOSS IN THE EAST VOL.1&2″ on CD from the master cassette for enthusiasts. It caused a great response, especially among old maniacs who said, “Finally, we can now hear that sound on CD!” As a result, the “BOSS IN THE EAST” LP has become an item that can still be easily found on the second-hand market. Until then, there had been three types of audience recordings on this day, and overseas sites may incorrectly state that the fourth sound source appeared due to the appearance of “OSAKA 1985 1ST NIGHT”, but in reality it was the first one. I think it will be positioned as an upper version of the LP sound source. Because it was such a shocking excavated sound source, “OSAKA 1985 1ST NIGHT” (hereinafter referred to as the previously released version) became an item that had been sold out for a long time. Therefore, it is an item that has been eagerly awaited for re-release just like Tokyo 1985 3RD NIGHT, which was released at the same time as Tokyo 3RD NIGHT. However, like the third day in Tokyo, a shocking sound source was also delivered here. The provider of it is the usual Clapton, the familiar sound source of the Stones’ visit to Japan, and above all from the sound source collector who provided the master of the already released version. What’s more, the sound quality of this version is even more vivid, and it even exceeds the sound quality of the previous release. Although it is a sound source that has been well-received for its sound quality since the LP era, it is a more solid sound image. Moreover, it has a strong taste, and it will give a big shock to enthusiasts around the world who thought that the already released version was the definitive version of this day. To tell the truth, the sound source this time is not a new discovery, but one that was widespread on the internet in 2013. The tapered mjk5510 that was revealed was also featured on the first day of the tour, “ST. PAUL 1984 1ST NIGHT,” which was released at the same time. The version he released at that time was a second generation copy (that is, it had been dubbed twice), but this time, of course, it is the master tape that exists in Japan. When mjk5510 released it, it was praised overseas as “the best sound source of the day,” but even so, it clearly pales in comparison to this release. In the mjk5510 version, the “go” sound is amplified during quiet sections such as between songs, and there is also a muffled feeling as if it is covered with a veil. There is no doubt that these are proof of the generation failure that was carved between the two dubbings. In that respect, this version has an extremely natural and clear texture that is exquisite. The freshness is also great. Something that clearly shows the difference in master quality. No matter how much it was recorded using Densuke, unlike the master, it is not a story if it was dubbed twice in the 80’s cassette trade (as mjk5510 testified). Moreover, the excitement at the Osaka performance was amazing, and the audience was able to see how the blues and other performances heated up in front of the excitement, but on the other hand, there seemed to be a lot of foreigners around the audience. It is true that there were some parts where it seemed jarring at times. However, this time, there is no harsh presence nearby before Gaijin (I only noticed it around the start of “I’m On Fire”), and in that respect, it conveys an upper feeling that clearly exceeds the previous releases. It will stand out even more if it is recorded from the master tape. During the “BORN IN THE USA” tour, where stadiums were already commonplace, Bruce’s group was enthusiastic about their first gymnasium gig in Kyoto, which they visited in the Far East for the first time, and continued their momentum. I guess he got into Osaka. This day’s show, combined with the usual excitement, was truly amazing. The proof of this is the first performance of “Backstreets” in Japan with a profound performance. In the first place, the song that had not been played since the fall of the previous year on the “BORN IN THE USA” tour was revived for the first time in a while in Sydney just before the tour to Japan, and the reason why it was performed even more wonderfully on that day was due to ” This is probably because Bruce wanted to let the people of this country hear “Backstreets.” This time, the sound source had some defects during recording, but in the 2013 version of mjk5510, sound sources with extremely poor sound quality were sloppily connected, but this time we made use of our country’s strengths. (Laughs) We have carefully adjusted the previously released version. Just like with “Glory Days” from “ST. By the way, the supplementary part for the cuts that occur after the middle of “The Promised Land” is a perfect sampler part to listen to and compare with the previous sound source, and I am very impressed with how outstanding the quality of this sound source is. It’s easy to prove. This kind of smooth editing is unique to the ZION label, and above all, the ultimate upper feeling achieved through unique acquisition is exceptional. World, this is Japan’s master quality! A new sound source that will shock Springsteen collectors around the world! ! Osaka-Jo Hall, Osaka, Japan 22nd April 1985 TRULY PERFECT SOUND(from Original Masters)*New Master!!!!! Disc 1 (75:07) 1. Intro 2. Born In The U.S.A. 3. Badlands 4. Out In The Street 5. Johnny 99 6. Darkness On The Edge Of Town 7. The River 8. Darlington County 9. Prove It All Night 10. Glory Days 11. The Promised Land 12. MC 13. My Hometown 14. Thunder Road Disc 2 (54:52) 1. Cover Me 2. Dancing In The Dark 3. Hungry Heart 4. Cadillac Ranch 5. I’m On Fire 6. Bobby Jean 7. Backstreets 8. Rosalita (Come Out Tonight) Disc 3 (30: 25) 1. Applause / MC 2. Born To Run 3. Detroit Medley 4. Twist And Shout / Do You Love Me
Reviews
There are no reviews yet.