Blue Murder/Tokyo,Japan 1989 Synchronized Soundboard Edition Jewel Version

This work is also not just a thing. It is an audience shot of the “August 25, 1989: Japan Youth Hall” performance, just like the CD, but the best soundboard sound is synchronized with it. It is a rare masterpiece. Of course, it is true that the soundboard sound is too powerful, but that doesn’t mean the video is underestimated. It was shot from the second floor seats slightly to the left of the stage (closer to John Sykes), and the view is spectacular. There are some shadows of the front row here and there, so it doesn’t seem to be the front row, but it can only be confirmed at the beginning. From the middle of the first song “Riot”, the viewpoint is raised to the top of the front row, and after that the stage occupies the view without being obstructed by any obstructions. Moreover, the zoom is bold. Although there is no hope of preventing camera shake only in the 1980s, the zoom that approaches Guigui is very dynamic. If you pull it, you can see the strongest trio, and in the highlight close-up, Sykes who leans back spreads across the screen. Furthermore, the master freshness is also excellent. Although there is no certainty that it is the original master, even if it is different, it is probably the 1st generation. There are almost no dubbing marks or tape twists, and the color is the same as it was at the time. The scene illuminated by the vivid lighting is beautifully revived. And it is the sound board sound that strongly raises such visual beauty. It is a sound board master before the main press 2CD, but it is still amazing. Even if it is not as natural as 2CD, the clarity and dynamism polished by mastering are completely official class. It is sometimes called a “sound board with video” that cannot be matched by any spectacular view, but the imagination of the scene is certainly too amazing. Every move of Sykes who plays that harsh phrase spreads out in front of you, and the lighting that produces the ensemble with the ultimate drama is beautiful. Of course, you can also see Tony Franklin jumping barefoot and Carmine singing with a high-pitched voice, which was a hot topic at the time. And above all, the impact of all three people being half-naked! Although the concept of “pirates” is understandable, the appearance of the band, which still leaves doubts as to whether it was appropriate for the heavy and brilliant music, can be fully enjoyed. Despite being an underground album of leaked material, the Nippon Seinenkan soundboard has been praised as “the best work of Sykes’ career”. What kind of actions did he play when he was spinning such a wonderful performance? And how beautiful was the lighting, the costumes, the atmosphere of the venue… This work is a proof video that shows such a “scene” in full and in abundance. The first visit to Japan of the legendary BLUE MURDER, which is said to have surpassed WHITESNAKE at the height of its power. Live at Nihonseinenkan, Tokyo, Japan 25th August 1989 1. Riot 2. Valley Of The Kings 3. Out Of Love 4. Boogie On The Good Foot 5. Tony Franklin Solo 6. Billy 7. Ptolemy 8. Jelly Roll 9. Carmine Appice Solo 10. Hot Legs 11. Still Of The Night 12. Closer 13. Purple Haze 14. Blue Murder John Sykes – Guitar & Vocal Tony Franklin – Bass Carmine Appice – Drums COLOUR NTSC Approx.115min.