Black Sabbath/CA,USA 1974 Upgrade

The members themselves unanimously say that the “SABBATH BLOODY SABBATH” era is their “best masterpiece” and “their peak.” The complete version of the one and only soundboard album is now available. [Complete version master that updates the highest peak of the super classic sound board] What is engraved in this work is the “April 6, 1974 Ontario Motor Speedway” performance. Yes, this is a soundboard recording of “CALIFORNIA JAM I” (hereinafter referred to as CALIFORNIA JAM), a major historical event that is said to have mobilized 250,000 people. The festival is famous for the official records of DEEP PURPLE and EL&P, but BLACK SABBATH was also broadcast on the radio at that time, and it is one of the most classic FM soundboards that has produced countless classics since ancient times. This work is the definitive edition that updates its longest and highest peak. Speaking of Karijam, it was so famous that I couldn’t even count the number of previous releases, so it was hard to decide on the top spot. However, this work is different from the previous releases. What’s amazing is the length. It is a complete version master that was discovered in recent years. As a matter of fact, there were many songs that were recorded in the previous releases, but they were significantly shortened and cut between songs. On the other hand, this work includes the voice of “Black Sabbath!!” introducing the band from the beginning, the MC between songs, and plenty of tuning typical of the 70’s. It is 7 minutes and 40 seconds longer than the press title “1974” version, which was popular at our store. Some people may think, “Even though it’s long, it’s only between songs, right?”, but if the scene becomes that “Cali Jam”, it’s a different story. It is said to be a legendary festival famous in rock history, but it was also the pinnacle for BLACK SABBATH itself. As I wrote at the beginning, “SABBATH BLOODY SABBATH” is the pinnacle that the members themselves look back on. Although sales have not reached the level of “PARANOID” or “MASTER OF REALITY”, Tony Iommi went out of his way to declare in his autobiography that it is “my best work”, and Ozzy Osbourne and Geezer Butler have repeatedly said “this is the pinnacle” in interviews. are. This sense of fulfillment was carried over to the tour, and the stage reached its “extreme” stage. That is what “Karijam” was. That’s why the miraculous space is historic even though it’s between songs. Because you can see the breathing of Ozzy, who is overwhelmed by the sight of a large crowd extending to the horizon, the performance that the tension flows into feels real. [The best soundboard album in terms of sound] The complete version alone is overwhelming, but this work is also the best in terms of sound. In fact, this complete version master has been highly praised as “the best!” by core completers around the world. The best thing about it is the clarity. It may seem obvious since it is a sound board, but many of the previous releases had very rough sounds and lost details. However, this work has a clear core and outline, and even the slight bass wow is very vivid. Although the sound is too vivid to be called “official grade,” the closeness and subtleties of the intertwined performances are a tactile sensation. Moreover, this work further brushes up such a best master. The pitches that were randomly out of place have been adjusted accurately, and the rumble in each range has been sorted out to improve sharpness and clarity. Noise was also corrected to the maximum extent possible, bringing out the hidden potential of the best master recognized by enthusiasts all over the world. This is revolutionary even when looking at the entire BLACK SABBATH soundboard collection. Here, let’s organize the top soundboards of each era.・1st tour: “DEFINITIVE MONTREUX 1970” ・2nd tour: “ULTIMATE OZZY OSBOURNE YERAS” (Professional footage of Brussels, formerly known as Paris 70) 3rd tour: No SBD ・4th tour: Official edition “LIVE AT LAST” 5th tour: ★This work★・6th tour: “LIVE LONGEST.. DIE AT LAST”, 7th tour: “PITTSBURGH 1976/1978: THE ULTIMATE EDITION”, 8th tour: official video “NEVER SAY DIE”… and so on. There is no sound board itself in “MASTER OF REALITY TOUR”, but in the “SABBATH BLOODY SABBATH” era, “Karijam” was the one and only sound board, and this work is a complete version that updates its peak. In other words, it is the most important collection after the 8 studio works. Normally, I should have devoted a lot of time to the exciting performance, the unique arrangement of the time when “Sabbra Cadabra” is reprized, and the enthusiasm of the long jam, but I’ll just leave it out for the very famous live performance. Masu. “California Jam I”, Ontario Motor Speedway, CA, USA 6th April 1974 SBD(UPGRADE) (75:07) 1. Tommorow’s Dream 2. Sweet Leaf 3. Killing Yourself To Live 4. War Pigs 5. Snowblind 6. Sabbra Cadabra 7. Jam/Guitar Solo #1 8. Sometimes I’m Happy 9. Drum Solo 10. Supernaut 11. Iron Man 12. Guitar Solo/Jam #2 13. Sabbra Cadabra (reprise) 14. Paranoid 15. Embryo/Children Of The Grave 16. Interview Ozzy Osbourne – Vocals Tony Iommi – Guitar Geezer Butler – Bass Bill Ward – Drums SOUNDBOARD RECORDING