Black Sabbath/Belgium 2016

Last tour “THE END”. Another superb recording is born. As I have written many times before, the recording situation of this “THE END” is a super, super, rich harvest that is rarely seen in rock history. Recorders all over the world are desperately trying to record “The Last Sabbath”, and furious ultra-high quality recordings are appearing one after another, and there is no sign of it stopping. Since the start of the tour in January of this year, there have been many “abnormal situations”, but the “abnormalities” have continued so long that it seems like things will become “normal.” Even though we have carefully selected them, we have also reported on 12 performances: 7 performances in North America, 1 performance in Oceania, and 4 performances in Europe. Of course, the reason we have been able to continue like this is because of the enthusiasts who purchase our products. And that’s because the quality of the products lived up to their expectations. This work is the latest work of “THE END”. This is an audience recording of the 13th live album “Dessel performance on June 17, 2016” which is a lucky number for BLACK SABBATH. This day is GRASPOP METAL MEETING 2016, a huge festival in the heavy metal world. The other day, I also reported on IRON MAIDEN at the same festival, and I’m recording what happened when they appeared as the main act with MAIDEN. Also, this live was also the 7th performance of the European leg. Let’s check the position along with the live album of the near date. ・June 11, 2016: Donington → “DOWNLOAD 2016” ・June 13, 2016: Verona (Italy) ・June 15, 2016: Zurich (Switzerland) ・June 17, 2016: Dessel (Belgium) → [This work] ・June 19, 2016: Clisson (France) ・June 23, 2016: Halden (Norway) ・June 25, 2016: Copenhagen (Denmark) ・June 28, 2016: Vienna (Austria) – June 30, 2016: Prague (Czech Republic) – July 2, 2016: Krakow (Poland) – July 5, 2016: Riga (Latvia) → “LATVIA 2016″ In this way, this work This was a live performance before the “LATVIA 2016 (Shades 665)” that I reported on the other day, and after the 3rd performance of “DOWNLOAD 2016”. It’s not that I was holding back, but it’s a masterpiece recording that was one step late. The quality of this work is close to “DOWNLOAD 2016”. First of all, as mentioned above, the dates may be close, but the main point is that it is a huge outdoor festival. As I mentioned in the commentary for “DOWNLOAD 2016,” “outdoor festival” used to be synonymous with bad recordings, but in modern times it has become a word that guarantees the quality of great recordings. To sum up its advantages in a very simple way, “Advances in PA have produced extremely strong sound even outdoors.” “Because it’s a festival with plenty of funds, the PA is even better.” “Unlike indoors, there is no reverberation.” “PA towers far from the stage.” “If you record from the stage, the surrounding audience will be quiet,” “On the other hand, you can record the excitement near the stage as a long-distance spectacle,” etc. Of course, the recording has to grasp these virtues and aim for them exactly, but this work is a sample sound. “DOWNLOAD 2016” was full of similar good points, but the huge difference from this work is the weather. In “DOWNLOAD 2016”, it started raining during BLACK SABBATH’s performance, and the raindrops hit the microphone directly. As a result, a sound similar to analog scratch noise was recorded. However, in this work, perhaps because the scene was sunny, there is no such noise. It is a recording that allows you to taste the delicious taste of the “outdoor festival”. Even more different is Ozzy Osbourne’s throat. “DOWNLOAD 2016” had rough vocals that were noticeable, perhaps because the enthusiasm of being the biggest festival in the UK was in vain, but this work is in very good condition. Overall, it may not be as great as “LATVIA 2016” that I introduced the other day, but it seems like a different person from Ozzy, who is said to be “tattered by default” these days. He was able to sing “Snowblind”, which has the most difficult high notes, and (somehow) even manage to sing “Iron Man”, which is the most difficult song at the end. “Dirty Women” fell apart even in “LATVIA 2016”, which was at its best, but in this work it is so good that you can listen to it with confidence. “THE END” is the last tour that we have been constantly reporting on. Currently, Oboda’s European tour is going well, and is currently on hiatus in preparation for the second North American leg in August. After that, he plans to travel to South America, then Europe for the second time, then his home country of England, and then rest for eternity. If you look at the schedule in detail, there is a gap in the latter half of December, and the possibility of a “miraculous return to Japan” is not zero. However, considering my schedule, which has had long periods of time off so far, it is very close to zero. That’s why you can’t help but follow the tour in real time. A great recording delivered to you who will accompany you on such “last steps”. The latest in a series of “sound source abnormalities” that don’t know how long they will last. Live at Boeretang, Dessel, Belgium 17th June 2016 TRULY PERFECT SOUND Disc 1(46:02) 1. Intro 2. Black Sabbath 3. Fairies Wear Boots 4. After Forever 5. Into The Void 6. Snowblind 7. Band Introductions 8. War Pigs Disc 2(51:52) 1. Behind The Wall Of Sleep 2. N.I.B. 3. Hand of Doom 4. Rat Salad 5. Drum Solo 6. Iron Man 7. Dirty Women 8. Children of the Grave 9. Paranoid 10 . Outro (Zeitgeist)