Beatles/With the Beatles Special Stereo Remix 2019

As with the spectral series of “PLEASE PLEASE ME”, we will also release the center mix version of the album version of “WITH THE BEATLES” this time as well. “WITH THE BEATLES SESSIONS: IN SPECTRAL STEREO” is also an album with the concept of recreating recording sessions. Particularly in “Hold Me Tight,” the scene that documents everything from the birth of the master take to the vocal overlay is the most delicious part for enthusiasts, but for beginners, it’s because the same song is repeated over and over again. It’s no wonder that it feels hard. So here is the complete center mix for each album. Since the purpose was to document the sessions, this time’s “WITH THE BEATLES SESSIONS: IN SPECTRAL STEREO” was a review of the content of Lord Reith’s “YOU KNOW YOU SHOULD BE GLAD!” and the album included there. I’ve left out some of the center mixes in my version. “It Won’t Be Long” and “Don’t Bother Me” fall under this category, but this one uses them in line with the concept of reproducing the content of a regular album. As a result, in contrast to the session-centered “WITH THE BEATLES SESSIONS: IN SPECTRAL STEREO,” this is a center mix version of the album itself, which is extremely easy to understand. The center mix versions of the two songs above can only be heard on this CD. As with “PLEASE PLEASE ME,” the center mix created by Lord Reith using the latest technology is of an astonishing level. Enthusiasts have been trying to improve the stereo system, where vocals and performances are clearly separated into left and right sides, and the nostalgic Dr. Ebbetts version is probably famous. However, Dr. Ebbetts’ version exposes the limitations of technology in the early 21st century, and the negative effect of placing the vocals in the center weakens the sense of separation in the performance, making it sound more monaural. Because of this, there was a tremendous sense of discomfort when returning to the original localization in parts where there was no singing, and there was a fatal unnaturalness in which the sound simply wavered. However, in this version, even though the vocals have moved to the center, the performance is still separated to the left and right, making you fall in love with the wonderful result. The impact of this album, which is famous for its jacket photographed by Robert Freeman (who passed away on the 8th) featuring the faces of four people, finally being heard with a natural center mix, is considerable. In particular, the splendid separation and high degree of perfection in songs such as “You Really Got A Hold On Me” and “Devil in Her Heart” on the B side of the album will make enthusiasts groan. The only song that closes the album, “Money (That’s What I Want),” was created by splitting two mono mixes into left and right stereos during the album’s production, resulting in the vocals being in the middle but the performances being separated. It was created using an elaborate process that could be called a precursor to the center mix, so this time as well, only the same song was diverted from the regular version. A center mix with an amazing finish. There is no doubt that the masterpieces you are used to hearing will sound fresh. Please enjoy this time with headphones! THE BEATLES – WITH THE BEATLES: 2019 SPECTRAL STEREO REMIX(1CD) (32:56) 01. It Won’t Be Long 02. All I’ve Got To Do 03. All My Loving 04. Don’t Bother Me 05. Little Child 06. Till There Was You 07. Please Mr Postman 08. Roll Over Beethoven 09. Hold Me Tight 10. You Really Got A Hold On Me 11. I Wanna Be Your Man 12. Devil In Her Heart 13. Not A Second Time 14. Money (That’s What I Want)