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The structure of this work is divided into three parts. First up is a 2016 mix by Giles Martin. Next is a 1991 mix by Ron Furmanek. And finally, “BLAST IN STADIUM” is included as a bonus track. It will be a new collection to add to the many sharing-related fields. 2016 Giles Martin mix 1991 Ron Furmanek mix “BLAST IN STADIUM” The movie “EIGHT DAYS A WEEK – The Touring Years” was released in 2016. No matter how short the Beatles’ live performance period was, it would be impossible to look back on it in about 100 minutes, and as is often the case with documentary footage, all of the live footage was only half-heartedly recorded. However, it’s worth noting that all of the live tracks used in this film have been remastered by Giles Martin. Giles Martin is the son of the Great George Martin, who was allowed to modify the Beatles legacy in this way, starting with 090909 Remaster. In conjunction with this movie, the 1977 release of “The Beatles Super Live!”, which had been delayed in being released on CD, was released. ‘ has been released on CD for the first time as ‘Live at the Hollywood Bowl’ with a new remix by Giles Martin. The 2016 version was remixed by going back to the 3-track master, which was recorded in 1965 under the poor environment, so it may have been difficult to use the 1977 analog sound as is. It was a work of. Although the movie’s soundtrack album was never released, “Live at the Hollywood Bowl” was positioned as the de facto soundtrack to accompany the movie. Before the release of the movie “EIGHT DAYS A WEEK – The Touring Years”, in addition to the main movie, live footage from Shea Stadium on August 15, 1965 was shown at the same time. The live footage of this share was shot using 14 35mm cameras, the best technology at the time, and includes 16mm color footage shot by fans that had not been shown to the public. was. The video was edited in 4K remaster and released in 2K to match the main story. It is worth noting that the live sound source for the film has also been remastered by Giles Martin. Considering that the stage was recorded in full, and considering the sound quality and recording technology, Hollywood Bowl is almost the only material that is suitable for official release, as it was recorded from the beginning for that purpose. . Although this 1965 Shea Stadium was a famous concert, the actual sound recorded was unusable, and even at that time it was re-recorded and overdubbed at CTS Studios in London on January 5, 1966 for the movie. Processing is being done. The members of the Beatles recorded the song in the studio while watching the film. Giles Martin has remastered the audio of the share in question. However, as mentioned earlier, considering the sound quality and recording technology, it is impossible to release this as a live album or as a movie soundtrack, so it is impossible to release this as a new remaster by Giles. However, it has not been used outside of movies so far. This work includes Giles Martin’s 2016 remastered sound source. [2016 mix by Giles Martin] “Twist And Shout”…The intro is shared audio, and the record version of “Please Please Me” is used thereafter. The ending is a mix of shared audio and records. “I Feel Fine”: A mix of Shea’s actual live audio and John’s vocals extracted from the August 29th Hollywood Bowl. “Dizzy Miss Lizzy”…Basically, shared audio is used, but a drum snare sound is sampled and added. No bass overdubs. “Ticket To Ride”…Basically, shared audio is used, and no particular modifications have been made. “Act Naturally”…Basically, shared audio is used, but Paul’s harmony and interlude lead guitar, which were not recorded in the shared audio, are extracted from the record version and mixed. Also, Ringo’s pitch on this day was bad, so perhaps that’s why the vocals were heavily reverberated. “Can’t Buy Me Love”…Basically shared audio is used. No bass overdubs. “Baby’s In Black”…A 50/50 mix of shared audio and record version. The lack of lead guitar in the interlude remains as is. “A Hard Day’s Night”…Basically, shared audio is used, and no particular modifications have been made. Of course, there are no interviews included. “Help”…January 5, 1966 London CTS studio sound source is used. “I’m Down”…Basically shared audio is used, and the drum and bass rhythm track of the record version is mixed with the non-overdub version of the bass and organ. George’s lead guitar remains original. Also, the MC parts between all songs are characterized by the addition of intense reverb/echo that was not present on the original tapes. [1991 mix by Ron Furmanek] Now, a quarter of a century before the movie “EIGHT DAYS A WEEK – The Touring Years”, the audio of Shea Stadium was remastered in the past in the 1995 anthology project. Sometimes. It was written by Ron Furmanek, and was ultimately shelved as a full release. The soundtrack that accompanies the footage of Shea Stadium that was excerpted in the anthology was obviously a remastered version that was different from the previous ones, making me hope that it would be released separately in some form. However, this has not been realized to this day. This album includes a 1991 (allegedly) mix by Ron Furmanek. “Twist And Shout”…Audio from the August 30th Hollywood Bowl performance is used. “I Feel Fine”…January 5, 1966 London CTS studio sound source is used. mono. “Dizzy Miss Lizzy”…Stereo version with left and right synchronized tapes recorded from stages with slightly different mixes, with two types left for sharing. Includes Paul’s CTS studio bass track extracted from the 1966 film audio. “Ticket To Ride”…January 5, 1966 London CTS studio sound source is used. “Act Naturally”…Basically shared audio is used. The tape with the stronger guitar component of John and George was placed in the center in mono, and Paul’s harmony in the chorus that was not recorded was extracted and mixed. Ringo’s record version vocals are also covered in the shared audio along with Paul’s harmony, so Ringo’s lead vocals are two voices even though it is a live version. The studio version of the lead guitar is also included in some places, and after the interlude, there are two different takes of the vocals and lead guitar mixed together. “Can’t Buy Me Love”… Stereo version with left and right synchronized tapes recorded from stages with two different mixes left in the share. Includes Paul’s CTS studio bass track extracted from the 1966 film audio. “Baby’s In Black”…A stereo version that synchronizes left and right tapes recorded from two stages with slightly different mixes. The missing lead guitar during the interlude for unknown reasons remains the same. This part has been corrected in the 19mm film version of the soundtrack that was aired from 1966 to 1967. Includes Paul’s CTS studio bass track extracted from the 1966 film audio. “A Hard Day’s Night”… Stereo version with left and right synchronized recording tapes from two stages with slightly different mixes. There is no interview inserted like in the 1966 version. “Help”…January 5, 1966 London CTS studio sound source is used. mono. “I’m Down”…A stereo version that synchronizes left and right tapes recorded from two stages with slightly different mixes. Unlike the 16mm film version of the soundtrack that aired from 1966 to 1967, there is only one organ. Paul’s CTS studio bass track extracted from the 1966 film audio has been added. At the beginning, George’s comments that were inserted at the beginning of the second, incomplete take of the 1966 film are reproduced. [“THE BEATLES’ BLAST IN STADIUM”] Documentary recorded at Shea Stadium on August 23, 1966. It includes interviews with people from the subway ride to the venue, outside the venue, and even during the concert. What’s interesting is that interviews are conducted even during concerts, so even the Beatles’ performances are included. Of course, the main thing is a documentary, but it is a valuable 1966 Shea Stadium sound source. Although this work has the same sound source as Analog Boot of the same name, it is a clean version without any trace sounds (needle sounds). SHEA STADIUM NEW YORK CITY NY U.S.A. August 15, 1965 GILES MARTIN mix 2016 01. Preamble 02. Twist And Shout 03. I Feel Fine 04. Dizzy Miss Lizzy 05. Ticket To Ride 06. Act Naturally 07. Can’t Buy Me Love 08. Baby’s In Black 09. A Hard Day’s Night 10. Help 11. I’m Down RON FURMANEK mix 1991 12. Preamble 13. Twist And Shout 14. I Feel Fine 15. Dizzy Miss Lizzy 16. Ticket To Ride 17. Act Naturally 18. Can’t Buy Me Love 19. Baby’s In Black 20. A Hard Day’s Night 21. Help 22. I’m Down BEATLES’ BLAST IN STADIUM SHEA STADIUM August 23, 1966 23. – 49. Documents 1966
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