Beatles/Get Back Session Glyn Johns Reel Compilation Vol.2

A full-fledged multi-track recording session at Apple Studio is recorded in chronological order according to the original reel tape recording! All songs are recorded in real stereo versions with the latest restoration editing that combines existing A-roll and B-roll monaural sound sources for filming! Recorded with an upgraded and remastered sound source that is different from the past session sound sources! ! Introducing the latest compilation of “Get Back Sessions”, which was released in January 1969 and was the basis of the Beatles’ last album “LET IT BE”! The “Get Back Sessions”, which began on January 2, 1969, initially began rehearsals at Twickenham Film Studio, but George left midway through and the session fell apart, and the recording remained as a film record without any full-scale recording equipment. . After that, they moved to Apple’s headquarters and restarted with a multi-track recording system by engineer Glyn Johns, with Billy Preston on keyboard at the suggestion of George returning. This collection records the full-fledged multi-track recording session that began at Apple Studio, based on the sound source reel, and includes extant A-roll footage in chronological order from the start of the session on January 21st to the final session on January 31st. , recorded in a real stereo version with the latest restoration editing, combining B-roll mono sound sources. Compared to Twickenham, where the first half of the session was disorganized, the restarted Apple Studio introduced multi-track recording, and the session suddenly progressed with enthusiasm. A collection of session records that clearly capture the process of completing representative songs such as “Get Back,” “Let It Be,” “Two of Us,” and “The Long and Winding Road.” While eliminating incomplete and fragmented performances, overly long studio chats, and silent parts, he still manages to capture Beatles oldies such as “Love Me Do,” “Help!,” and “Lady Madonna,” as well as Buddy Holly. Includes must-see highlights including rock and roll covers. Another point is that the fragments and noise caused by the original sound source are repaired with a new restore edit, and the fatal mid-song cuts and noises, as well as the annoying BEEP sound that occurs periodically, are cut as much as possible and the volume is reduced. It includes an upgraded and remastered sound source that is different from the many past session sound sources. This is the latest title to be delivered as a real stereo sound source with the latest restoration editing according to the original reel tape recording as “Glyn Johns Reel Compilation” from the huge “Get Back Session” sound source! ! ! VOL.2 [2CD] DIGITAL ARCHIVES PROMOTION CD1 REEL E90493 – 25 JANUARY 1969 1. TWO OF US 2. FOR YOU BLUE 3. FOR YOU BLUE 4. FOR YOU BLUE 5. FOR YOU BLUE 6. FOR YOU BLUE 7. FOR YOU BLUE REEL E90521 – 25 JANUARY 1969 8. FOR YOU BLUE 9. FOR YOU BLUE 10. FOR YOU BLUE 11. FOR YOU BLUE 12. FOR YOU BLUE 13. FOR YOU BLUE 14. FOR YOU BLUE 15. FOR YOU BLUE 16. FOR YOU BLUE 17. FOR YOU BLUE REEL E90494 – 25 JANUARY 1969 18. LET IT BE 19. ISN’T IT A PITY 20. LET IT BE 21. LET IT BE 22. LET IT BE23. LET IT BE 24. LET IT BE CD2 REEL E90495 – 26 JANUARY 1969 1. DIG IT 2. RIP IT UP 3. SHAKE, RATTLE AND ROLL 4. MISS ANN / KANSAS CITY / LAWDY MISS CLAWDY 5. BLUE SUEDE SHOES 6. YOU REALLY GOT A HOLD ON ME 7. THE TRACK OF MY TEARS (Roll Announced) REEL E90496 – 26 JANUARY 1969 8. LET IT BE 9. LET IT BE 10. LET IT BE 11. LET IT BE 12. THE LONG AND WINDING ROAD REEL E90497 – 27 JANUARY 1969 13. ORGAN JAM 14. GET BACK 15. GET BACK 16. GET BACK 17. GET BACK 18. GET BACK 19. GET BACK Recorded at The Apple Studios, London, U.K. January 1969