Beatles/Beatles for Sale Stereo Remix Revised Edition

Lord Reith as well as “BEATLES FOR SALE” are also trying out for the second time, and that will also be released this time. And, like the other three early albums, this time the focus was on making the rhythm section the center mix. Although this album had the most sophisticated stereo mix of the Beatles’ first four albums, it still feels old-fashioned due to the balance in which the performances tend to be grouped together in the left channel. Lord Reith’s aim was to improve this balance, which had great success in the previous version of “THE FIRST FOUR ALBUMS IN SPECTRAL STEREO REMIX,” but this time, he aimed for an even more sophisticated finish. That means it was a challenge. That concept has achieved great success since the opening song, “No Reply,” and although the performance is more to the left, the drums are sounding firmly from the center. The best part is that even the middle clap can be heard from the center. Also, the finish of “Rock And Roll Music” is completely different from the previous version, with the piano and guitar neatly separated to the left and right. The result is a cool finish that highlights the solidity of the performance. Speaking of separation, the vocals added to the chorus “hold me, love me” of “Eight Days A Week” also sound more separated than the various official stereo mixes, and this is where Lord Reith’s technique was used. The details shine. Furthermore, because of his insistence on placing the rhythm section in the center, it is interesting that even on “Words Of Love” you can hear the clapping from the center. These can also be said to be good examples of aiming for a different finish from “THE FIRST FOUR ALBUMS IN SPECTRAL STEREO REMIX”. “Honey Don’t”, sung by Ringo, had the richest stereo feel on the album, making the most of the 4-track stereo recording, but here too, the rhythm section was boldly moved to the center to create an official mix. It has been reborn into a mix with a completely different impression. Similarly, in “What You’re Doing”, which has a sophisticated stereo image in the album, the intro drum has already moved from the left to the center from the time of “THE FIRST~”. However, this time it has an even heavier finish. Also, after the album itself, a center mix of single songs and session sound sources is included. Among the sessions, there are many takes in which Lord Reith made a center mix for the first time. In fact, this may be the highlight for enthusiasts. Naturally, you can hear familiar session scenes from various past items in a new mix by centering. For example, in take 7 of “She’s A Woman”, which is famous for the performance escalating and developing into a jam, it is refreshing that Paul’s vocals reverberate from the middle. This change alone will make it sound quite sophisticated. And for this release, we have additionally recorded sound sources related to “BEATLES FOR SALE” from “STUDIO SESSIONS 1962-1969: IN SPECTRAL STEREO”, and this is also a fulfilling album that combines the album itself and the center mix of the sessions on one disc. This is the content. If the previous version of “THE FIRST FOUR ALBUMS IN SPECTRAL STEREO REMIX” had a stronger presence of the vocals (therefore, its value as a separate mix has not faded), this time the emphasis is on the balance of the performance. Finished with. Please enjoy this with headphones as well! THE BEATLES – BEATLES FOR SALE: STEREO REMIX (REVISED EDITION)(1CD) (78:38) REMIXED STEREO ALBUM 01. No Reply 02. I’m A Loser 03. Baby’s In Black 04. Rock And Roll Music 05. I’ ll Follow The Sun 06. Mr Moonlight 07. Kansas City 08. Eight Days A Week 09. Words Of Love 10. Honey Don’t 11. Every Little Thing 12. I Don’t Want To Spoil The Party 13. What You’ re Doing 14. Everybody’s Trying To Be My Baby SINGLES & OUTTAKES 15. I Feel Fine 16. She’s A Woman 17. You Know What To Do (Demo) 18. No Reply (Take 1) 19. I’m A Loser (Takes 1-2) 20. Mr Moonlight (Takes 2-4) 21. Leave My Kitten Alone (Takes 4-5) 22. What You’re Doing (Take 11) 23. No Reply (Take 2) 24. Eight Days A Week (Take 4) 25. She’s A Woman (Take 5 No Fade-out) 26. She’s A Woman (Take 7) 27. I Feel Fine (Takes 1-2) 28. I Feel Fine (Take 7 Single Tracked Vocal) 29. Kansas City (Take 2)