Description
The definitive version of the historic collaboration with the Allman Brothers Band! Once again, we’ve received copies of the multi-track masters from a veteran taper residing in the UK, familiar to many for his collection of Eric Clapton’s treasured masters! The content is an ultra-clear stereo soundboard recording of the Allman Brothers Band’s performances at the Beacon Theatre in New York on March 19th and 20th, commemorating their 40th anniversary as a band and their 20th anniversary of performing there, with Eric Clapton as a guest. This recording is from the original multi-track masters and is available on separate discs. While this recording itself is a standard release that has been released on multiple bootlegs, this time, thanks to the veteran taper’s network, we have obtained the original multi-track masters and digitally copied them, resulting in the highest sound quality and freshest master ever. The mix features Clapton in the center channel, Warren Haynes on the left channel, and Derek Trucks on the right channel. Each song includes solos from all three, making it a truly rewarding listen. Each of the three musicians’ individual styles shines through. Actually, this recording is from the Allman Brothers Band’s official website, where all the dates of this commemorative series of performances were released on CD. However, there was an official bonehead: a slight skip due to a pressing error on “Why Does Love Got to Be So Sad?” on the second night. While bootlegs that do not have this flaw exist, this release is from the original master, which is flawless and can be enjoyed in the best possible condition. What is also wonderful is the quality of the performance, proving that these two nights were special even among the series of performances that were blessed with guest appearances every night. Clapton’s playing in such guest appearances is well-known, and he shows his presence at every turn in the Allman Brothers numbers, and in the Dominos numbers where he takes the lead, the synergy with the playing of Derek Trucks, who was also a member of Clapton’s band from 2006 to 2007, creates a performance full of tension that is different from his own tours. This title captures the historic collaborative stage, which was a big topic of conversation at the time, in the highest quality stereo soundboard recording. The two days featured different setlists, which is a must-listen! So let’s take a look at Clapton’s activities for that year. ・February 12-28, 2009: 11-show Japan tour (including joint performances with Jeff Beck at Saitama Super Arena on the 21st and 22nd) ・March 4-10, 2009: Short Oceania tour ・March 19-20, 2009: Guest appearance at the Allman Brothers Band’s 40th anniversary concert ←★HERE★ ・May 4, 2009: Concert with guitarist, J May 9, 2009: Made a surprise appearance at a Jo Bonamassa concert; played at a charity event for the Bunbury Cricket Club held at the Grosvenor Howth Hotel in London; May 11-31, 2009: UK tour including 11 shows at the Royal Albert Hall; June 10-30, 2009: American tour; October 20, 2009: Appeared on the music program “Later…With” at the BBC Television Studios. He appeared as a guest on Smokey Robinson’s episode of “Jools Holland” (a last-minute appearance due to Robinson’s regular guitarist falling ill) – October 30, 2009: Performed as part of the Clapton Band at the “Rock and Roll Hall of Fame 25th Anniversary Ceremony” held at Madison Square Garden in New York, sharing the stage with Aretha Franklin, Ozzy Osbourne, U2, and others – November 23, 2009: Performed at the charity event “Children Auction” held in Geneva, Switzerland, and put up his beloved Martin 000-28 for auction – December 31, 2009: Held the annual charity concert “New Year’s Eve Dance” for AA (Alcoholics Anonymous) At this point, it is clear that he had successfully completed Japan and Oceania tours, including a joint concert with Jeff Beck, and had UK and American tours and various other events lined up after this event. In short, it was a year when Clapton was full of motivation and on top of his game. This event, in particular, was perfect for stimulating his desire to play. After all, it was a collaboration with the band that his beloved Duane had been in. What’s interesting is that the setlist was different on the two days that Clapton made a guest appearance. On the first day, Anyday from Clapton’s Derek and the Dominos days was played. Moreover, Susan Tedeschi, who is also Derek Trucks’ wife, made a surprise appearance and sang vocals. The Allman Brothers number played that day was Dreams. Five out of the six songs were Dominos numbers, chosen out of consideration for Clapton. It must have been a very moving experience for Clapton. On the second day, the number of songs increased, and Stormy Monday, a blues classic that he also played during his Dominos days and which Clapton likes to cover, was played (Clapton’s solo is fantastic). In addition to Dreams, In Memory of Elizabeth Reed was also played as an Allman Brothers number that day. Clapton’s playing at Dreams that day was more intense than on the first night. Four out of the seven songs that night were Dominos numbers. On both nights, the encore ended with Layla, a song that holds special memories for both Clapton and Duane Allman, which shows how considerate the Allmans were to Clapton, and since they also include it in their regular repertoire, they must have wanted to play this song with Clapton. On both nights, multi-instrumentalist Danny Lewis, who is also a member of Government Mule along with Warren Haynes, made a surprise appearance on keyboards for Layla. The only thing worth listening to on both nights is “every single song.” Although the members have changed, this is a historic collaboration between Clapton and the Allmans, their first in 39 years since 1970, so it’s worth listening to for that reason alone, but as expected of top-class musicians, the performance is superb from beginning to end. Gregg Allman, Butch Trucks, and Jaimo, who were also members at the time, must have found this collaboration particularly moving. Even though the songs were played on both days, Clapton’s solos and playing are different, as are the solos played by Warren Haynes and Derek Trucks, making both days worth listening to. Among them, the killer tune is undoubtedly “In Memory of Elizabeth Reed.” Despite being an Allman Brothers number, Clapton’s playing here is absolutely incredible. You can clearly hear the soul he puts into his playing. This was the first time the Allman Brothers played so many of Clapton’s repertoire, the first time Clapton and the Allman Brothers collaborated on an Allman Brothers number, and from Clapton’s perspective, the first time he played a full set with the Allman Brothers as his backing band. This multi-track master achieves a sound quality that surpasses official releases. Please enjoy it. Disc:1 (50:37) Beacon Theater, New York, NY, USA 19th March 2009 1. Introduction 2. Key to the Highway 3. Dreams 4. Why Does Love Got to Be So Sad? 5. Little Wing 6. Anyday (also with Susan Tedeschi) 7. Layla (also with Danny Louis) Disc:2 (70:33) Beacon Theatre, New York, NY, USA 20th March 2009 1. Introduction 2. Key to the Highway 3. Stormy Monday 4. Dreams 5. Why Does Love Got to Be So Sad? 6. Little Wing 7. In Memory of Elizabeth Reed 8. Layla (with Danny Louis) Gregg Allman – keyboards, vocals Warren Haynes – guitar, vocals Derek Trucks – guitar Oteil Burbridge – bass Butch Trucks – drums Jaimoe – drums Marc Quinones – congas, percussion, vocals Guest : Eric Clapton – guitar, vocals STEREO SOUNDBOARD RECORDING
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