Alcatrazz/Germany 2019

Treasured original sound sources leaked by related parties will be released. Four shocking titles will be released at once! This work is the final installment. This is a leaked audience recording recorded for material purposes by those involved at the “October 10, 2019 Mannheim Performance”. All four titles released at the same time are records of the ALCATRAZZ European tour that was held until the other day. We will leave the overall picture of 2019/2020 including MICHAEL SCHENKER FEST (hereinafter referred to as MSF) to the explanation of the first part “PORTSMOUTH 2019”, but here we will focus on the European tour and check the position of each title. . “UK TOUR”・September 19th – October 1st (11 performances)・October 2nd “PORTSMOUTH 2019” “EUROPE TOUR”・October 3rd “MADRID 2019”・October 4th + 5th (2 performances) )・October 6th “BARCELONA 2019”・October 8th + 9th (2 performances)・October 10th: Mannheim performance　←★This work★・October 11th + 12th (2 performances)　A total of 21 performances . We posted the whole picture in “PORTSMOUTH 2019”, but the 2019 live show ends with this fall tour. In 2020, he accompanied MSF to Japan in March, and then underwent spinal surgery. No further plans have been announced as the prognosis is currently unknown. In other words, this work is also a live album just before you can listen to the stage before MSF came to Japan. This work, which records such a show, is a delicious audience recording with a behind-the-scenes feeling unique to those involved. It is classified as “audience” because of microphone recording, but the feeling is completely different from the audience seats. The excitement and applause are strangely distant, and I can barely feel the sound of the hall. The sound of strong musical performances and singing voices approaches. There’s a sense of space in the snare and bass drum, so there’s no mistaking it for a soundboard, but if someone told me it was actually a rehearsal room, I’d probably believe it…or rather, it’s a much more convincing private space. It’s a sensual sound. The show drawn with that sound is a masterpiece that stands out even in this four-part series! The set is the same as “BARCELONA 2019”, but why isn’t this game organized (?), so I’ll write it down here. ●NO PAROLE FROM ROCK’N’ROLL (6 songs)・Too Young To Die, Too Drunk To Live/Hiroshima Mon Amour/Jet To Jet/Kree Nakoorie/General Hospital/Island in the Sun ●RAINBOW (3 songs)・All Night Long/Since You Been Gone/Lost In Hollywood ●M.S.G. (3 songs)・Desert Song/Rock You To The Ground/Assault Attack ●IMPELLITTERI (3 songs)・Stand In Line/Leviathan/Goodnight And Goodbye ●Solo and others (3 songs) Song) ・Night Games/We Won’t Be Forgotten “BLACKTHORNE”/Long Island Tea… Well, this is the longest set of four consecutive works, along with “BARCELONA 2019”. However, Graham is in top form even more than that set. Now that it’s here, it’s making a huge comeback. As those who have read the previous three works will understand, the number of songs on this tour increases with each passing day. In particular, IMPELLITTERI’s “Leviathan” and “Goodnight And Goodbye” were added from the simultaneously released “MADRID 2019″, but these two songs are difficult songs that continue to hit high, and Graham is devastated. There was a lot of singing that made me think, “I don’t have to add too many songs,” and “I don’t have to list difficult songs.” However, even though this work is the final part of the tour, they manage to do it easily! Looking at the schedule above, we see that October 7th is a day off, and I think that was probably a good thing, but it’s still three days in a row, and it’s not like young people say that one day off is enough to recover… …. However, at the ending of “Goodnight And Goodbye,” the microphone is turned off, and the song ends up being an instrumental (you can faintly hear Graham’s voice barking into the cut-off microphone). Of course, this problem is temporary. There’s no problem with the next song, “We Won’t Be Forgotten.” The final chapter of four consecutive masterpieces of masters involved. This work is a masterpiece that stands out among them due to the volume of songs and the best performance. If possible, I’d like you to experience all four works, but if you can’t decide, choose MADRID 2019 for the sound or this work for the content. No, no, please experience all four works. This is a masterpiece of a live album that impresses not only with its style-paradise masterpieces, but also with Graham’s comeback. Live at 7er Club, Mannheim, Germany 10th October 2019 PERFECT SOUND(from Original Masters) Disc 1(48:30) 1. Too Young to Die, Too Drunk to Live 2. Hiroshima Mon Amour 3. Jet to Jet 4. Kree Nakoorie 5. All Night Long 6. Desert Song 7. Night Games 8. Rock You to the Ground 9. Stand in Line Disc 2(46:24) 1. General Hospital 2. Island in the Sun 3. Since You Been Gone 4. Leviathan 5. Goodnight and Goodbye 6. We Won’t Be Forgotten 7. Long Island Tea 8. Assault Attack 9. Lost in Hollywood Graham Bonnet – Vocals Joe Stump – Guitar Jimmy Waldo – Keyboards Beth-Ami Heavenstone – Bass Mark Benquechea – Drums