Alcatrazz/Barcelona,Spain 2019

Treasured original sound sources leaked by related parties will be released. Four shocking titles will be released at once! This work is the third installment. This is a leaked audience recording recorded for material purposes by those involved in the “October 6, 2019 Barcelona Performance”. All four titles released at the same time are records of the ALCATRAZZ European tour that was held until the other day. We will leave the overall picture of 2019/2020 including MICHAEL SCHENKER FEST (hereinafter referred to as MSF) to the explanation of the first part “PORTSMOUTH 2019″, but here we will focus on the European tour and check the position of each title. . “UK TOUR”・September 19th – October 1st (11 performances)・October 2nd “PORTSMOUTH 2019” “EUROPE TOUR”・October 3rd “MADRID 2019”・October 4th + 5th (2 performances) )・October 6: Barcelona performance ←★This work★・October 8th + 9th (2 performances)・October 10th “MANNHEIM 2019”・October 11th + 12th (2 performances) Total of 21 performances . The first 12 performances are in the UK, and the latter 9 performances are in continental Europe, but to be more specific, the continental edition can be divided into “4 performances in Spain” and “5 performances in Central Europe.” “MADRID 2019” released at the same time is the first day of the Spanish tour, and this work is the last day. This work recorded at such a show is an exquisite audience recording. All of the four recordings by the people involved this time are masterpieces, but this work is No. 1 in terms of clarity. Unlike “MADRID 2019”, it’s not so close that you’d think it was a line recording, and although you can feel the spatial feeling of a microphone recording in the snare and vocals, the space is extremely transparent. Each instrument has a vivid outline that jumps into your hands, and the symmetry is beautiful. When it comes to “how close it is to the line,” “MADRID 2019” wins, but those who love the beauty and reality unique to customer records will probably prefer this work. What’s more, it’s irresistible because the reality shows off the rawness of the club. As expected, I can’t rate any of these four series as good or bad… And the show is even more delicious! “MADRID 2019″ also had more volume than the UK tour, but this work has even more volume. Let’s use the same style here as well. ●NO PAROLE FROM ROCK’N’ROLL (6 songs)・Too Young To Die, Too Drunk To Live/Hiroshima Mon Amour/Jet To Jet/Kree Nakoorie/General Hospital/Island in the Sun ●RAINBOW (3 songs)・All Night Long/Since You Been Gone/Lost In Hollywood ●M.S.G. (3 songs)・Desert Song/Rock You To The Ground/Assault Attack ●IMPELLITTERI (3 songs)・Stand In Line/Leviathan/Goodnight And Goodbye ●Solo and others (3 songs) Song) ・Night Games/We Won’t Be Forgotten “BLACKTHORNE” ・Additional song: Long Island Tea …and so on. Without dropping a single song from the previous set, they added “Long Island Tea” from “MEANWHILE, BACK IN THE GARAGE”. The current full set has finally been completed. This “Long Island Tea” is also a modern masterpiece by Joey Tafolla, the neo-crazy hero of the former Shrapnel. This is a wonderful set that is full of stylistic beauty and does not look out of place even if you add some color to it. And the performance that plays out such a set is also wonderful. As expected, Graham exceeded his limits on the most difficult song, “Goodnight and Goodbye,” but he nailed “Leviathan,” which was difficult in “MADRID 2019.” This is amazing considering the schedule. In fact, this work was also the last day of a long continuous schedule. Starting from “September 28th” in the middle of the UK version, there were 9 performances in a row without a single day off. Moreover, it includes transportation across borders. It was such a tough schedule that I couldn’t help but think, “Are you trying to kill a 71-year-old?!”, but now he’s starting to get back on track… RAINBOW has long been said to be “weak at continuous performances,” but at the age of 71, they are demonstrating superhuman abilities that overturn the conventional wisdom. And the sound of this work clearly conveys Graham’s singing voice (both good songs and bad songs). Graham Bonnet has surpassed his old age and is once again being talked about in terms of his “heyday”. This is the third of a series of four live albums where you can experience the latest tour from the seats of those involved. A miraculous live album with an increased number of famous songs, but with an even more refined singing voice. Live at Razzmatazz 2, Barcelona, ​​Spain 6th October 2019 PERFECT SOUND(from Original Masters) Disc 1(49:26) 1. Band Introduction 2. Too Young to Die, Too Drunk to Live 3. Hiroshima Mon Amour 4. Jet to Jet 5. Kree Nakoorie 6. All Night Long 7. Desert Song 8. Night Games 9. Rock You to the Ground 10. Stand in Line Disc 2(47:05) 1. General Hospital 2. Island in the Sun 3. Since You Been Gone 4. Leviathan 5. Goodnight and Goodbye 6. We Won’t Be Forgotten 7. Long Island Tea 8..Assault Attack 9. Lost in Hollywood Graham Bonnet – Vocals Joe Stump – Guitar Jimmy Waldo – Keyboards Beth-Ami Heavenstone – Bass Mark Benquechea – Drums