AC/DC/Tokyo,Japan 2.5.1981

Tokyo 1981 21st CD is a masterpiece of a live album that allows you to experience the first full show in Japan with the highest quality of a sound board. This is a new masterpiece that will replace the standard TV/FM broadcast and reign as the highest peak in Japan for the first time. Another transcendent live album that cannot be ignored was discovered from the recording artist collection that recorded the new masterpiece. What’s more, it’s also a super mysterious album where mystery leads to mystery. We have decided to sell it to share this mystery with everyone! [Unprecedented: Stereo audio TV broadcast version master!?] What is recorded in this work is the finest stereo soundboard recording of “February 5, 1981: Nippon Seinenkan Performance”. This is a sound board audio extracted from a television broadcast that has produced many previous episodes. You might think, “It’s a classic. What’s so mysterious about it?” But the problem is the sound quality and “stereo.” This stage was broadcast on both TV and radio, but not only the song selection and composition but also the mix was different, and it was the established theory that “TV broadcast = monaural” and “FM broadcast = stereo.” However, this work is a stereo sound board despite the air check of TV broadcasting. This is a new discovery that overturns the established theory! You may be thinking, “Isn’t this actually an FM broadcast?” But that’s not the case. In fact, it was recorded by the same maniac as the 1st 2CD, but he himself testified that he “recorded it from the TV.” A commercial was also recorded to support that testimony (although it was deleted from the main CD). And the decisive thing is the difference between the recorded songs and the mix. Four songs that were not broadcast on the radio, “What Do You Do for Money Honey,” “You Shook Me All Night Long,” “T.N.T.” and “Let There Be Rock” were firmly recorded. Moreover, among these songs, “T.N.T.” was not included in the official DVD “PLUG ME IN”. If stereo television broadcasting did not exist, this is the first stereo version that would not have been possible. If I may add one more detail, “Back in Black” is also easy to understand. At the beginning of this song, Brian says “Come On!”, but this is only for the TV broadcast version. It wasn’t on the radio broadcast. I’m not sure if he said it at the scene or if it was edited from another place, but it was evidence that the mix was different between TV and radio. And, although this work is stereo, there is “Come On!” This is also proof that stereo TV broadcasting exists. [Even though it is the TV broadcast version, the sound quality is as high as the FM version] I kept calling it “stereo stereo”, but what was even more surprising was the sound quality itself. If you are familiar with the previous broadcasts, you probably know that TV broadcasts and FM broadcasts differed not only in the mix but also in the sound quality itself. While the FM broadcast was an official soundboard, the TV broadcast was much poorer. They are so different that they cannot be compared. . . . It was supposed to be. However, this work is an official grade sound board that can compete with FM broadcasts. Although this work is a CD title with no video, it is a super superb sound that is more than enough to become a masterpiece live album. “TV broadcast mix, stereo audio, official quality”…This is a transcendent master that has not been known until now, combining these three things. In fact, the three songs at the beginning of the broadcast, “Hells Bells,” “Shot Down In Flames,” and “Highway To Hell” were given as a bonus because they were not recorded, but it is still a shocking new discovery version. . The fact that the best broadcast actually existed is shocking, but then why was it that only monaural recordings were available for 40 years? Even if you listen to it casually, it’s a superlative piece of music, and the more you read into the circumstances, the more you’ll wonder “?” running through your head.This is a superlative live album of mystery. Live at Nippon Seinenkan, Tokyo, Japan 5th February 1981 STEREO SBD (First ever appearance) (45:06) 1. What Do You Do for Money Honey (★No FM broadcast) 2. Sin City 3. Back In Black★Start of song Brian’s Come On! voice. why? ? Mystery 4. Bad Boy Boogie 5. Whole Lotta Rosie 6. Rocker 7. You Shook Me All Night Long (no FM broadcast) 8. T.N.T. (no FM broadcast) 9. Let There Be Rock (no FM broadcast) Brian Johnson – Vocals Angus Young – Guitar Malcolm Young – Guitar & Vocals Cliff Williams – Bass & Vocals Phil Rudd – Drums STEREO SOUNDBOARD RECORDING *Unbelievably stereo → First appearance version that shocked AC/DC fans around the world