Description
LITTLE FEAT in 1976, when they stepped into a mature period and toured repeatedly with the masterpiece “THE LAST RECORD ALBUM”. Introducing a new masterpiece that clearly captures that fulfilling stage by legendary master Steve Hopkins. What is infused into this work is “May 5, 1976 Boston Performance (Early Show)”. It is the super best audience recording. Speaking of Hopkins, he is a legend in the history of recording who has left behind many famous recordings. This work is the valuable LITTLE FEAT edition. Speaking of 1976, it was a time when the masterpiece “CHARLTON 1976 SOUNDBOARD” reigned as a classic. First, let’s take a look at the schedule at that time and approach the position of this work. 1975, January 9th to February 5th: Europe #1 (12 performances) April 11th to May 26th: North America #1 (8 performances) ← *ATLANTA 1975, July 19th: Denver (2 performances), September 1st: Duke of Wembley《October “THE LAST RECORD ALBUM” released》・October 10th to December 28th: North America #2 (35 performances) ・January 6th, 1976: Urbana performance ・February 5th to May 23rd: North America #3 (37 performances)←★Coco★・May 31st to June 19th: Europe #2 (14 performances)←※CHARLTON 1976・July 3rd to 18th: Oceania (6 performances)・August 25th: San Diego performance A transcendent recording of soundboard quality by a legendary master This is the 1975/1976 LITTLE FEAT. The band released “THE LAST RECORD ALBUM” in the fall of the previous year, and toured energetically throughout the year. The Boston performance of this work is the 27th performance of “North America #3”, which is the core of the work. It was also a show at the same time, about 4 weeks before the masterpiece “CHARLTON 1976 SOUNDBOARD”. This work, which conveys such a show, is an extremely beautiful masterpiece. The sound created by the Omoto master is truly amazing as if it were a “sound board” on the ground. The crystal-clear atmosphere is wonderful, and the dense, vivid core roars through it without any sense of distance. The details are extremely clear, and no matter how intricately the individual notes woven by the six members intertwine, they never blend together, and the outlines stand out sharply. Since it has been announced under the name of a master, there is no doubt that this is an audience recording, but if you don’t say anything, you will think that it is a very vivid FM broadcast… No, on the contrary, even if it is officially released, no one will even imagine that this is a microphone recording from the audience seats. A full set that is different from CHARLTON 1976. You can enjoy such an amazing sound with this complete set of mature LITTLE FEAT. Let’s organize its contents by comparing it with the same 1976 masterpiece “CHARLTON 1976 SOUNDBOARD”. Last record album (3 songs) – One Love Stand / All That You Dream / Day Or Night Others (10 songs) – Sailin Shoes: Tripe Face Boogie / Willin’ (★) – Dixie Chicken: Fat Man In The Bathtub (★) / On Your Way Down (★) / Lafayette Railroad (*) / Dixie Chicken Amazing! :Skin It Back (★) / Rock & Roll Doctor / Oh Atlanta / Feats Don’t Fail Me Now (★) *Note: Songs marked with “★” are songs that could not be heard on the masterpiece “CHARLTON 1976 SOUNDBOARD”. Songs marked with an asterisk (*) are not included in “WAITING FOR COLUMBUS (Deluxe Edition).” …and it looks like this. Centered on the songs from “THE LAST RECORD ALBUM,” there is a collection of famous songs that overlook his career, including “SAILIN’ SHOES,” “DIXIE CHICKEN,” and “FEATS DON’T FAIL ME NOW.” Among the songs I’m happy about are the songs marked with a ★, and you can enjoy plenty of numbers that you couldn’t hear on the masterpiece “CHARLTON 1976 SOUNDBOARD”, such as “Willin”’, “Fat Man In The Bathtub”, “Skin It Back”, and “Feats Don’t Fail Me Now”. What’s more, in “Willin'”, the master Charlie Daniels will be a guest and add some flair. Although it is an audience recording, it is so clear that you can believe it is an official live album. As expected, it is the original master of master craftsman Steve Hopkins. A super exquisite 2-disc set that allows you to enjoy a night of LITTLE FEAT in its heyday with unparalleled freshness. A miraculous record left by the tapes that were passed around the audience. Superb audience recording of “May 5, 1976 Boston Performance (Early Show)”. The sound created from the original master cassette of the legendary master Steve Hopkins is so amazing that it goes “like a soundboard” on the ground, and it seems like it could be officially released. It is a delicious two-disc set that includes famous songs that could not be heard on the masterpiece “CHARLTON 1976 SOUNDBOARD” such as “Willin'” and “Fat Man In The Bathtub” and a guest appearance by Charlie Daniels. Orpheum Theatre, Boston, MA, USA 5th May 1976 Early Show TRULY PERFECT SOUND Disc:1 (52:31 1. tuning & intro 2. Skin It Back 3. Fat Man In The Bathtub 4. One Love Stand 5. Rock And Roll Doctor 6. Oh Atlanta 7. On Your Way Down 8. All That You Dream 9. Lafayette Railroad 10. Day Or Night Disc:2 (33:56) 1. Dixie Chicken ★9:49 Missed due to tape change 2. Tripe Face Boogie 3. Willin’ ** with Charlie Daniels 4. Feats Don’t Fail Me Now Paul Barrere – guitar, vocals Sam Clayton – congas, vocals Lowell George – guitar, vocals Kenny Gradney – bass Richie Hayward – drums, vocals Bill Payne – keyboards, vocals ** with Charlie Daniels









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