Description
The “US FESTIVAL ’83,” the event of the century that introduced the new genre of music, “heavy metal,” to living rooms across America, is now available again! A stunning, never-before-seen soundboard master recording of that legendary stage has just been unearthed! This release permanently preserves, of course, the “US Festival on May 29, 1983.” It’s a stereo soundboard recording of their performance on “HEAVY METAL DAY,” one of the four days of the festival. While this show has long been known from TV and FM broadcasts, this is something entirely different. This is a genuine, never-before-seen master provided by an overseas researcher, a miraculous soundboard album overflowing with unprecedented, superb quality. Before we get to the quality, let’s first consider the show’s position. What was the timing of this festival, one of the most important in metal history, for Mötley Crüe? Let’s trace their history from that time. 1983 – March 26th – April 3rd: North America #1 (6 shows) * May 29th: US Festival appearance ←★This album – September 3rd – 17th: North America #2 (3 shows) 《September 26th: “SHOUT AT THE DEVIL” released》 – October 31st – December 16th: North America #3 (28 shows) ←※SAN ANTONIO 1983 1984 – January 10th – March 24th: North America #4 (52 shows) – April 12th – June 15th: North America #5 (38 shows) – August 18th – September 7th: Europe #1 (7 shows) – October 15th – November 19th: Europe #2 (23 shows) A transcendent soundboard that is completely different from conventional FM sound sources. This is MOTLEY CRUE in 1983/1984. Speaking of 1983, their second album “SHOUT AT THE While this year is remembered as the release year of “DEVIL,” this US festival appearance took place about four months earlier. In other words, on this stage, brand new songs that hadn’t yet been released to the public were unleashed upon a massive crowd. This recording, captured at such a historic stage, is a stunningly superb soundboard recording! FM synthesis has been known before, but this is something entirely different. It’s not just a matter of “different mix.” The only thing that’s the same is the performance; everything that’s being played is so different. Traditional FM synthesis often resulted in a kind of explosive, chaotic, and overwhelming performance. However, this recording is incredibly beautiful. The sound is incredibly clear, down to the nuances; even the raucous, rumbling guitar sounds so vivid you can almost see the angle at which the pick strikes the strings. As for the vocals, even with the chorus layered on top, the accent of each individual word in the lyrics is beautifully separated. Moreover, it’s 120% raw and authentic. The mix, with almost no audible crowd noise, is so raw that it’s something you wouldn’t find in an official release. On the other hand, in terms of pure “sound quality,” it even surpasses official works. In terms of its completely unprocessed rawness, it’s “official-level unearthed material,” but at the same time, the sound is so good that it could be called “official-level beyond official releases.” This is truly an incredible new masterpiece. If you’ve taken the time to read this article, you’ll know that this is a shocking masterpiece by VAN You may be familiar with Halen’s “US Festival Rehearsal 1983 Soundboard” and Ozzy Osbourne’s “US Festival ’83: The Complete Soundboard,” but this album is another new legendary release that stands shoulder to shoulder with them. The scorching live performance and the on-stage MCs are legendary, and this shocking soundboard captures the stage that determined the fate of “heavy metal.” It’s a scorching set that condenses the songs from “Too Fast for Love” and the yet-to-be-released “Shout at the Devil” into one LP. Rough yet sharp Mötley Crüe The CRUE’s charm explodes here. The newly unearthed soundboard alone is enough to make your heart race, but this album also includes the MC’s on-site announcements as a bonus. The sense of the era conveyed by these MCs is simply delightful. The audience, with their energy through the roof, is pushing forward, and the MC is repeatedly calling out, “Don’t push!” “Please move back!” It doesn’t have the same chilling tension as the crushing accident at Donington in 1988, but that’s precisely why you can feel the “excitement of a legendary festival” where a new musical culture was about to blossom. With a sound on a completely different level from conventional FM recordings, this is a superb newly unearthed soundboard album that pours the most important stage of heavy metal into your brain. JUDAS PRIEST, Ozzy, VAN A legendary stage performance that, along with Halen and others, introduced a new genre of music called “heavy metal.” Stereo soundboard recording of the “US Festival on May 29, 1983.” This is a shocking, never-before-seen master provided by an overseas researcher, completely different from conventional FM sound sources. The performance sound is more real, beautiful, and raw than the official releases. A historically important album that is “official-level unearthed” and “surpasses the official releases” has been born. A never-before-seen master that is completely different from conventional FM sound sources!! A historically important album that is “official-level unearthed” and “surpasses the official releases”!! Recent soundboards are amazing!! As expected from overseas experts! Glen Helen National Park, San Bernardino, CA, USA 29th May 1983 ‘Heavy Metal Day’ STEREO SBD (from Original Masters) UPGRADE!!! (40:58) 1. Bach Intro 2. Take Me to the Top 3. Looks That Kill 4. Bastard 5. Shout at the Devil 6. Merry-Go-Round 7. Knock ’em Dead, Kid 8. Piece of Your Action 9. Live Wire 10. Helter Skelter 11. MC Outro STEREO SOUNDBOARD RECORDING
Reviews
There are no reviews yet.